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Creator Gender male

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Credit Line Yale Center for British Art, Paul Mellon Collection

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Period 19th century

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Exhibition History The Paul Mellon Bequest : Treasures of a Lifetime (Yale Center for British Art, 2001-02-17 - 2001-04-29)

Remove constraint Exhibition History: The Paul Mellon Bequest : Treasures of a Lifetime (Yale Center for British Art, 2001-02-17 - 2001-04-29)

Image Use Free to Use

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Subject Terms trees

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Search Results

John Constable Golding Constable's Black Riding-Horse
John Constable, 1776–1837
Golding Constable's Black Riding-Horse
between 1805 and 1810
Not on view
John Constable Golding Constable's House, East Bergholt: the Artist's birthplace
John Constable, 1776–1837
Golding Constable's House, East Bergholt: the Artist's birthplace
ca. 1809
Not on view
William Blake The Horse
William Blake, 1757–1827
The Horse
ca. 1805
Not on view
John Dalby Beagles in Full Cry
John Dalby, active 1826–1853
Beagles in Full Cry
1845
Not on view
James Ward Grey Arabian stallion, the property of Sir Watkin Williams-Wynn
James Ward, 1769–1859
Grey Arabian stallion, the property of Sir Watkin Williams-Wynn
ca. 1817
Not on view
James Ward The Reverend Thomas Levett and Favourite Dogs, Cock-shooting
James Ward, 1769–1859
The Reverend Thomas Levett and Favourite Dogs, Cock-shooting
1811
Not on view
John Frederick Herring The Suffolk Hunt: Gone Away
John Frederick Herring, 1795–1865
The Suffolk Hunt: Gone Away
1833
Not on view
John Frederick Herring The Suffolk Hunt: Full Cry
John Frederick Herring, 1795–1865
The Suffolk Hunt: Full Cry
1833
Not on view
Philip Reinagle Spearing the Otter
Philip Reinagle, 1749–1833
Spearing the Otter
1805
Not on view
James Pollard John Smith Barry’s Private Drag and Grey Team
James Pollard, 1792–1867
John Smith Barry’s Private Drag and Grey Team
1824
Not on view
Henry Thomas Alken Hunting Scene: In Full Cry
Henry Thomas Alken, 1785–1851
Hunting Scene: In Full Cry
ca. 1840
Not on view
Edward William Cooke Opposite my House at Barnes
Edward William Cooke, 1811–1880
Opposite my House at Barnes
1862
Not on view