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Credit Line Yale Center for British Art, Paul Mellon Collection

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Period 19th century

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Classification Prints

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James Pollard A Fox Chase
James Pollard, 1792–1867
A Fox Chase
1819
John Harris Fore's Contrasts: The Guard of 1852 ...The Guard of 1832
John Harris, 1811–1865
Fore's Contrasts: The Guard of 1852 ...The Guard of 1832
1852
John Harris Fore's Contrasts: The Driver of the Mail 1852 ...The Driver of the Mail 1832
John Harris, 1811–1865
Fore's Contrasts: The Driver of the Mail 1852 ...The Driver of the Mail 1832
1852
John Crome Norfolk: Picturesque Scenery. Norwich 1834
John Crome, 1768–1821
Norfolk: Picturesque Scenery. Norwich 1834
1834
John Crome Norfolk: Picturesque Scenery. Norwich 1834
John Crome, 1768–1821
Norfolk: Picturesque Scenery. Norwich 1834
1834
John Crome Norfolk: Picturesque Scenery. Norwich 1834
John Crome, 1768–1821
Norfolk: Picturesque Scenery. Norwich 1834
1834
John Crome Norfolk: Picturesque Scenery. Norwich 1834
John Crome, 1768–1821
Norfolk: Picturesque Scenery. Norwich 1834
1834
John Crome Norfolk: Picturesque Scenery. Norwich 1834
John Crome, 1768–1821
Norfolk: Picturesque Scenery. Norwich 1834
1834
John Crome Norfolk: Picturesque Scenery. Norwich 1834
John Crome, 1768–1821
Norfolk: Picturesque Scenery. Norwich 1834
1834
John Crome Norfolk: Picturesque Scenery. Norwich 1834
John Crome, 1768–1821
Norfolk: Picturesque Scenery. Norwich 1834
1834
John Crome Norfolk: Picturesque Scenery. Norwich 1834
John Crome, 1768–1821
Norfolk: Picturesque Scenery. Norwich 1834
1834
John Crome Norfolk: Picturesque Scenery. Norwich 1834
John Crome, 1768–1821
Norfolk: Picturesque Scenery. Norwich 1834
1834
John Crome Norfolk: Picturesque Scenery. Norwich 1834
John Crome, 1768–1821
Norfolk: Picturesque Scenery. Norwich 1834
1834
John Crome Norfolk: Picturesque Scenery. Norwich 1834
John Crome, 1768–1821
Norfolk: Picturesque Scenery. Norwich 1834
1834
John Crome Norfolk: Picturesque Scenery. Norwich 1834
John Crome, 1768–1821
Norfolk: Picturesque Scenery. Norwich 1834
1834
John Crome Norfolk: Picturesque Scenery. Norwich 1834
John Crome, 1768–1821
Norfolk: Picturesque Scenery. Norwich 1834
1834
John Crome Norfolk: Picturesque Scenery. Norwich 1834
John Crome, 1768–1821
Norfolk: Picturesque Scenery. Norwich 1834
1834
John Crome Norfolk: Picturesque Scenery. Norwich 1834
John Crome, 1768–1821
Norfolk: Picturesque Scenery. Norwich 1834
1834
John Crome Norfolk: Picturesque Scenery. Norwich 1834
John Crome, 1768–1821
Norfolk: Picturesque Scenery. Norwich 1834
1834
John Crome Norfolk: Picturesque Scenery. Norwich 1834
John Crome, 1768–1821
Norfolk: Picturesque Scenery. Norwich 1834
1834
John Crome Norfolk: Picturesque Scenery. Norwich 1834
John Crome, 1768–1821
Norfolk: Picturesque Scenery. Norwich 1834
1834
John Crome Deepham, near Hingham
John Crome, 1768–1821
Deepham, near Hingham
1834
John Crome Norfolk: Picturesque Scenery. Norwich 1834
John Crome, 1768–1821
Norfolk: Picturesque Scenery. Norwich 1834
1834
John Crome Norfolk: Picturesque Scenery. Norwich 1834
John Crome, 1768–1821
Norfolk: Picturesque Scenery. Norwich 1834
1834
Samuel A. Walker Sir Frederick Leighton
Samuel A. Walker, 19th century
Sir Frederick Leighton
Frederick Christian Lewis the Elder Pheasant Shooting
Frederick Christian Lewis the Elder, 1779–1856
Pheasant Shooting
1807
William Nichols Red Grouse
William Nichols, fl.1806–1810
Red Grouse
1808
Richard Gilson Reeve Fox Chase. Plate 4
Richard Gilson Reeve, 1803–1889
Fox Chase. Plate 4
1817
Richard Gilson Reeve Fox Chase. Plate 3
Richard Gilson Reeve, 1803–1889
Fox Chase. Plate 3
1817
Richard Gilson Reeve Coursing Plate 2: The First Turn
Richard Gilson Reeve, 1803–1889
Coursing Plate 2: The First Turn
1836
Richard Gilson Reeve Plate 3. Pheasant Shooting, October
Richard Gilson Reeve, 1803–1889
Plate 3. Pheasant Shooting, October
1836
Richard Gilson Reeve Plate 2. Partridge Shooting, September
Richard Gilson Reeve, 1803–1889
Plate 2. Partridge Shooting, September
1836
Richard Gilson Reeve Plate 6. Water Fowl Shooting, January
Richard Gilson Reeve, 1803–1889
Plate 6. Water Fowl Shooting, January
1836
Richard Gilson Reeve Plate 5. Woodcock Shooting, December
Richard Gilson Reeve, 1803–1889
Plate 5. Woodcock Shooting, December
1836
Richard Gilson Reeve Plate 4. Snipe Shooting, November
Richard Gilson Reeve, 1803–1889
Plate 4. Snipe Shooting, November
1836
W. Stack 2. A rowing eight at Oxford
W. Stack, active 1824
2. A rowing eight at Oxford
1824
Henry Thomas Alken Set of four: Sporting Illustrations. 2. The Moor
Henry Thomas Alken, 1785–1851
Set of four: Sporting Illustrations. 2. The Moor
1837
Henry Thomas Alken Set of four: Sporting Illustrations. 3. The Water
Henry Thomas Alken, 1785–1851
Set of four: Sporting Illustrations. 3. The Water
1837
Henry Thomas Alken Set of four: Sporting Illustrations. 4. The Field.
Henry Thomas Alken, 1785–1851
Set of four: Sporting Illustrations. 4. The Field
1837
Henry Thomas Alken Set of four: 2. Mounting
Henry Thomas Alken, 1785–1851
Set of four: 2. Mounting
ca. 1817
Henry Thomas Alken Set of four: 3. Starting
Henry Thomas Alken, 1785–1851
Set of four: 3. Starting
ca. 1817
Henry Thomas Alken Set of six: The High Mettled Racer
Henry Thomas Alken, 1785–1851
Set of six: The High Mettled Racer
1821
Henry Thomas Alken Set of six: The High Mettled Racer
Henry Thomas Alken, 1785–1851
Set of six: The High Mettled Racer
1821
Henry Thomas Alken Set of six: The High Mettled Racer
Henry Thomas Alken, 1785–1851
Set of six: The High Mettled Racer
1821
Henry Thomas Alken Set of six: The High Mettled Racer
Henry Thomas Alken, 1785–1851
Set of six: The High Mettled Racer
1821
Thomas Sutherland Set of four: 4. The Race: Coming in
Thomas Sutherland, ca. 1785–1838
Set of four: 4. The Race: Coming in
1824
Thomas Sutherland Set of four: 2. Starting
Thomas Sutherland, ca. 1785–1838
Set of four: 2. Starting
1824
Henry Bernard Chalon Passions of the Horse an entirely New Work described in Six subjects. 2. Love. Each plate dedicated to George IV
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 2. Love. Each plate dedicated to George IV
1826
Henry Bernard Chalon Passions of the Horse an entirely New Work described in Six subjects. 3. Joy, or Gladness an Old Favourite Hunter. Each plate dedicated to George IV.
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 3. Joy, or Gladness an Old Favourite Hunter. Each plate dedicated to George IV
1827
Henry Bernard Chalon Passions of the Horse an entirely New Work described in Six subjects. 6. Terror. Each plate dedicated to George IV
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 6. Terror. Each plate dedicated to George IV
1827
Henry Bernard Chalon Passions of the Horse an entirely New Work described in Six subjects. 5. Courage. Each plate dedicated to George IV
Henry Bernard Chalon, 1771–1849
Passions of the Horse an entirely New Work described in Six subjects. 5. Courage. Each plate dedicated to George IV
1827
Edward Duncan Set of four: 2. Woodcock Shooting.
Edward Duncan, 1803–1882
Set of four: 2. Woodcock Shooting
1825
Edward Duncan Set of four: 3. Pheasant Shooting.
Edward Duncan, 1803–1882
Set of four: 3. Pheasant Shooting
1825
Samuel Thomas Gill Set of three: Kangaroo Hunting. No 2. The Chase
Drawn by Samuel Thomas Gill, 1818–1880
Set of three: Kangaroo Hunting. No 2. The Chase
1858
Samuel Thomas Gill Set of three: Kangaroo Hunting. No 3. The Death
Drawn by Samuel Thomas Gill, 1818–1880
Set of three: Kangaroo Hunting. No 3. The Death
1858
Charles Hunt Fox Hunting [set of four]: 2. Breaking Cover
Charles Hunt, 1803–1877
Fox Hunting [set of four]: 2. Breaking Cover
1838
Charles Hunt Fox Hunting [set of four]: 3. Full Cry
Charles Hunt, 1803–1877
Fox Hunting [set of four]: 3. Full Cry
1838
Charles Hunt Fox Hunting [set of four]: 4. The Death
Charles Hunt, 1803–1877
Fox Hunting [set of four]: 4. The Death
1838
Charles Hunt [Fox-hunting] Set of Four: "A Southerly Wind and a Cloudy Sky" / The Fox Chase / [verses from Somerville] "The Chase" / Plate II. "How completely the Cover and Furze they draw..." / "Cast round the sheep's train, cast round, cast round, ..."
Charles Hunt, 1803–1877
[Fox-hunting] Set of Four: "A Southerly Wind and a Cloudy Sky" / The Fox Chase / [verses from Somerville] "The Chase" / Plate II. "How completely the Cover and Furze they draw..." / "Cast round the sheep's train, cast round, cast round, ..."
1835
Charles Hunt [Fox-hunting] Set of Four: "A Southerly Wind and a Cloudy Sky" / The Fox Chase / [verses from Somerville] "The Chase" / Plate III. "A stormy Sky overcharged with rain ...: / "Pick through the ploughed grounds, pick through, pick through ..."
Charles Hunt, 1803–1877
[Fox-hunting] Set of Four: "A Southerly Wind and a Cloudy Sky" / The Fox Chase / [verses from Somerville] "The Chase" / Plate III. "A stormy Sky overcharged with rain ...: / "Pick through the ploughed grounds, pick through, pick through ..."
1835
Charles Hunt [Fox-hunting] Set of Four: "A Southerly Wind and a Cloudy Sky" / The Fox Chase / [verses from Somerville] "The Chase" / Plate IV. "Thus we ride whip and spur for a two hours' chase, ..." / "Clap round him dear Jack, clap round, clap round, ..."
Charles Hunt, 1803–1877
[Fox-hunting] Set of Four: "A Southerly Wind and a Cloudy Sky" / The Fox Chase / [verses from Somerville] "The Chase" / Plate IV. "Thus we ride whip and spur for a two hours' chase, ..." / "Clap round him dear Jack, clap round, clap round, ..."
1835
Thomas Fairland [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 2. "Dick Thickset came mounted upon a fine black, / ... But the horse of all horses that rivall'd the day, / ..."
Thomas Fairland, 1804–1852
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 2. "Dick Thickset came mounted upon a fine black, / ... But the horse of all horses that rivall'd the day, / ..."
ca. 1835
Thomas Fairland [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 3. "Then for hounds there was Nimble, so well that climbs rocks, / ... Young sly looks, that scent the strong breeze from the south, / ..."
Thomas Fairland, 1804–1852
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 3. "Then for hounds there was Nimble, so well that climbs rocks, / ... Young sly looks, that scent the strong breeze from the south, / ..."
ca. 1835
Thomas Fairland [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 4. "Our horses thus all of the very best blood, / ... Thus having described you dogs, horses and crew, / ..."
Thomas Fairland, 1804–1852
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 4. "Our horses thus all of the very best blood, / ... Thus having described you dogs, horses and crew, / ..."
ca. 1835
Thomas Fairland [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 5. "The Scent is breast high, 'tis a burst from the find / ... When the Squire on his gallant Grey leading the group / ..."
Thomas Fairland, 1804–1852
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 5. "The Scent is breast high, 'tis a burst from the find / ... When the Squire on his gallant Grey leading the group / ..."
ca. 1835
Thomas Fairland [Fox-hunting] Set of Six: Bachelor's Hall. Pl. 6. "Sly Reynard's brought home, while the horns sound a call / ... Come on then, do honour to this Jovial place, /..."
Thomas Fairland, 1804–1852
[Fox-hunting] Set of Six: Bachelor's Hall. Pl. 6. "Sly Reynard's brought home, while the horns sound a call / ... Come on then, do honour to this Jovial place, /..."
ca. 1835
Newton Limbird Smith Fielding [Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate II. "A case of Pound. / Now Minrods! shew that ye are workmen: keep / ... Hold hard! 'ware Squire traps - look before ye leap / ..."
Newton Limbird Smith Fielding, 1799–1856
[Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate II. "A case of Pound. / Now Minrods! shew that ye are workmen: keep / ... Hold hard! 'ware Squire traps - look before ye leap / ..."
1836
Newton Limbird Smith Fielding [Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate III. "Afloat. As troubles multiply, things grow select, / ... Dire is the daring now of the `elect', / ..."
Newton Limbird Smith Fielding, 1799–1856
[Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate III. "Afloat. As troubles multiply, things grow select, / ... Dire is the daring now of the `elect', / ..."
1836
Newton Limbird Smith Fielding [Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate IV. "Aground. The vermin sinks: mark, struggling for the lead, / ... Take counsel of our canvas - nurse your steed, / ..."
Newton Limbird Smith Fielding, 1799–1856
[Fox-hunting] Set of four: "Moving Accidents by Flood and Field". Plate IV. "Aground. The vermin sinks: mark, struggling for the lead, / ... Take counsel of our canvas - nurse your steed, / ..."
1836
Dean Wolstenholme [Fox-hunting set of four] Surrey Views: 2. The Chase / Crossing the Old Brighton Road at Merstham
Dean Wolstenholme, 1798–1882
[Fox-hunting set of four] Surrey Views: 2. The Chase / Crossing the Old Brighton Road at Merstham
undated
Dean Wolstenholme [Fox-hunting set of four] Surrey Views: 3. Full-Cry / with a View of Box Hill
Dean Wolstenholme, 1798–1882
[Fox-hunting set of four] Surrey Views: 3. Full-Cry / with a View of Box Hill
undated
Dean Wolstenholme [Fox-hunting set of four] Surrey Views: 4. The Death / in a Wheelwright's Yard at Merstham
Dean Wolstenholme, 1798–1882
[Fox-hunting set of four] Surrey Views: 4. The Death / in a Wheelwright's Yard at Merstham
undated
Richard Cockle Lucas Etchings by R. C. Lucas
Print made by Richard Cockle Lucas, 1800–1883
Etchings by R. C. Lucas
between 1837 and 1874
Myles Birket Foster Ilustration to Goldsmith's poems (chiefly The Deserted Village)
Myles Birket Foster, 1825–1899
Ilustration to Goldsmith's poems (chiefly The Deserted Village)
Myles Birket Foster Ilustration to Goldsmith's poems (chiefly The Deserted Village)
Myles Birket Foster, 1825–1899
Ilustration to Goldsmith's poems (chiefly The Deserted Village)
Myles Birket Foster Ilustration to Goldsmith's poems (chiefly The Deserted Village)
Myles Birket Foster, 1825–1899
Ilustration to Goldsmith's poems (chiefly The Deserted Village)
Myles Birket Foster Ilustration to Goldsmith's poems (chiefly The Deserted Village)
Myles Birket Foster, 1825–1899
Ilustration to Goldsmith's poems (chiefly The Deserted Village)
Myles Birket Foster Ilustration to Goldsmith's poems (chiefly The Deserted Village)
Myles Birket Foster, 1825–1899
Ilustration to Goldsmith's poems (chiefly The Deserted Village)
Myles Birket Foster Ilustration to Goldsmith's poems (chiefly The Deserted Village)
Myles Birket Foster, 1825–1899
Ilustration to Goldsmith's poems (chiefly The Deserted Village)
Rev. Edward Thomas Daniell Twelve Etchings Album
Rev. Edward Thomas Daniell, 1804–1842
Twelve Etchings Album
1882
Rev. Edward Thomas Daniell Twelve Etchings Album
Rev. Edward Thomas Daniell, 1804–1842
Twelve Etchings Album
1882
Rev. Edward Thomas Daniell Twelve Etchings Album
Rev. Edward Thomas Daniell, 1804–1842
Twelve Etchings Album
1882
William Green Cottages and Scenery at Ambleside
William Green, 1760–1823
Cottages and Scenery at Ambleside
ca. 1821
Thomas Lound View around Norwich
Thomas Lound, 1802–1861
View around Norwich
1832-1834
Thomas Lound View around Norwich
Thomas Lound, 1802–1861
View around Norwich
1832-1834
Thomas Lound View around Norwich
Thomas Lound, 1802–1861
View around Norwich
1832-1834
Thomas Lound View around Norwich
Thomas Lound, 1802–1861
View around Norwich
1832-1834
Thomas Lound View around Norwich
Thomas Lound, 1802–1861
View around Norwich
1832-1834
Thomas Lound View around Norwich
Thomas Lound, 1802–1861
View around Norwich
1832-1834
Thomas Lound View around Norwich
Thomas Lound, 1802–1861
View around Norwich
1832-1834
John Laporte [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
John Laporte [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
John Laporte [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
John Laporte [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
John Laporte [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
John Laporte [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
John Laporte [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
John Laporte [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
John Laporte [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804
John Laporte [From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
John Laporte, 1761–1839
[From] A Collection of prints, illustrative of English Scenery from the drawings of Thomas Gainsborough R.A. in various collections of ...Wells and Laporte
1802-1804