<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Creator Gender male

Remove constraint Creator Gender: male

Credit Line Yale Center for British Art; Yale University Art Gallery Collection

Remove constraint Credit Line: Yale Center for British Art; Yale University Art Gallery Collection

Period 19th century

Remove constraint Period: 19th century

Creator Hogarth, William, 1697–1764

Remove constraint Creator: Hogarth, William, 1697–1764

Search Results

1. Frontispiece to Hogarth's Works, The Milk Maid

Frontispiece to Hogarth's Works, The Milk Maid
Creator:
after William Hogarth, 1697–1764
Date:
1850
Materials & Techniques:
Line engraving and stipple engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

2. Industry and Idleness, Plate VIII, The Industrious 'Prentice Grown Rich, and Sheriff of London

Industry and Idleness, Plate VIII, The Industrious 'Prentice Grown Rich, and Sheriff of London
Creator:
after William Hogarth, 1697–1764
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

3. Industry and Idleness, Plate IX, The Idle 'Prentice Betrayed by a Prostitute

Industry and Idleness, Plate IX, The Idle 'Prentice Betrayed by a Prostitute
Creator:
after William Hogarth, 1697–1764
Date:
1833
Materials & Techniques:
Etching and engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

4. Industry and Idleness, Plate VII, The Idle 'Prentice Returned from Sea, and in a Garret with a Prostitute

Industry and Idleness, Plate VII, The Idle 'Prentice Returned from Sea, and in a Garret with a Prostitute
Creator:
after William Hogarth, 1697–1764
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

5. Industry and Idleness, Plate X, The Industrious 'Prentice Alderman of London, the Idle One Impeach'd before Him by His Accomplice

Industry and Idleness, Plate X, The Industrious 'Prentice Alderman of London, the Idle One Impeach'd before Him by His Accomplice
Creator:
after William Hogarth, 1697–1764
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

6. Frontispiece to Leveridge's Songs

Frontispiece to Leveridge's Songs
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

7. The Distressed Poet

The Distressed Poet
Creator:
after William Hogarth, 1697–1764
Date:
1833
Materials & Techniques:
Line engraving and etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

8. None

None
Creator:
after William Hogarth, 1697–1764
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

9. Country Inn Yard

Country Inn Yard
Creator:
after William Hogarth, 1697–1764
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

10. The Invasion, Plate II, England

The Invasion, Plate II, England
Creator:
after William Hogarth, 1697–1764
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

11. The Invasion, Plate II, England

The Invasion, Plate II, England
Creator:
after William Hogarth, 1697–1764
Date:
1833
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

12. Marriage à la Mode, Plate I, The Contract

Marriage à la Mode, Plate I, The Contract
Creator:
after William Hogarth, 1697–1764
Date:
1833
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

13. Frontispiece to the Artist's Catalogue, 1761

Frontispiece to the Artist's Catalogue, 1761
Creator:
Thomas Cook, 1744–1818
Date:
1807
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

14. The Election Plate I. Humours of an election entertainment

The Election Plate I. Humours of an election entertainment
Creator:
T. E. Nicholson, active early 19th century
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

15. The Election Plate I. - Humours of an election entertainment

The Election Plate I. - Humours of an election entertainment
Creator:
T. E. Nicholson, active early 19th century
Date:
undated
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection