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Louis Munro Grier, 1864–1920

Estuary Evening

(ca. 1900)

• Materials & TechniquesOil on canvas
• DimensionsOverall: 25 × 59 inches (63.5 × 149.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Lois Severini and Enrique Foster Gittes, Yale BA 1961

Jonathan Richardson the Elder, 1667–1745

Self-Portrait

(ca. 1730)

• Materials & TechniquesRed chalk and white chalk on medium, moderately textured, blue laid paper
• DimensionsSheet: 14 × 10 5/8 inches (35.6 × 27 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Peter Arms Wick

attributed to William Hogarth, 1697–1764

Grotesque Female Head

(undated)

• Materials & TechniquesPen and black ink on medium, slightly textured, cream laid paper
• DimensionsSheet: 1 3/4 x 1 1/2 inches (4.4 x 3.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

attributed to William Hogarth, 1697–1764

Grotesque Female Head

(undated)

• Materials & TechniquesPen and black ink and gray wash on medium, slightly textured, cream laid paper
• DimensionsSheet: 1 7/8 x 1 1/2 inches (4.8 x 3.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

attributed to William Hogarth, 1697–1764

Grotesque Male Head

(undated)

• Materials & TechniquesPen and black ink on medium, slightly textured, cream laid paper
• DimensionsSheet: 1 5/8 x 1 1/2 inches (4.1 x 3.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

William Hogarth, 1697–1764

The First Stage of Cruelty

(ca. 1750)

• Materials & TechniquesGraphite and red chalk on medium, slightly textured, cream laid paper
• DimensionsSheet: 15 1/2 x 13 1/8 inches (39.4 x 33.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Sir George Howland Beaumont seventh Baronet, 1753–1827

Tree at Easton Park

(1787)

• Materials & TechniquesGraphite on medium, slightly textured, cream laid paper
• DimensionsSheet: 13 1/4 × 10 3/4 inches (33.7 × 27.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Sir George Howland Beaumont seventh Baronet, 1753–1827

Two Figures by the Side of a Pond and a Church in a Hilly Landscape

(undated)

• Materials & TechniquesGraphite on very thick, slightly textured, cream laid paper
• DimensionsSheet: 10 × 12 inches (25.4 × 30.5 cm), Contemporary drawn border: 7 3/8 × 9 1/2 inches (18.7 × 24.1 cm), Image: 5 1/8 × 7 1/4 inches (13 × 18.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

James Holland, 1799–1870

Barges on a Canal in Rotterdam

(1845)

• Materials & TechniquesWatercolor, gouache, and graphite on moderately thick, moderately textured, beige wove paper
• DimensionsSheet: 9 5/8 × 17 1/8 inches (24.4 × 43.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

James Holland, 1799–1870

Greenwich

(undated)

• Materials & TechniquesGraphite and watercolor on moderately thick, moderately textured, cream wove paper
• DimensionsSheet: 11 3/8 × 10 inches (28.9 × 25.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

James Holland, 1799–1870

Interior of the Church of San Giovanni e Paolo, Venice

(1835ated)

• Materials & TechniquesWatercolor, white gouache and graphite on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 10 × 13 7/8 inches (25.4 × 35.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Henry Holland, 1745–1806

Carlton House, Pall Mall, London: Section of the Portico, Hall and Tribune

(ca. 1787)

• Materials & TechniquesWatercolor over pen and graphite on medium, slightly textured, cream laid paper
• DimensionsSheet: 13 15/16 x 28 1/4 inches (35.4 x 71.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Sir James Guthrie, 1859–1930

Landscape with Trees

(undated)

• Materials & TechniquesPen and black ink and graphite on thick, smooth, beige wove paper
• DimensionsSheet: 9 5/8 × 2 1/4 inches (24.4 × 5.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Yale Art Gallery Collection, Gift of William Edwin Mitchell, M.A. 1964

James Holland, 1799–1870

Venetian Dignitaries Boarding Gondolas

(1844)

• Materials & TechniquesWatercolor, gouache, and graphite on moderately thick, moderately textured, cream wove paper
• DimensionsSheet: 10 1/4 × 14 3/8 inches (26 × 36.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Thomas Gainsborough, 1727–1788

Hilly Landscape with Figures Approaching a Bridge

(ca. 1763)

• Materials & TechniquesWatercolor and gouache on medium, slightly textured, cream laid paper, on contemporary mount
• DimensionsSheet: 11 x 15 inches (27.9 x 38.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Yale Art Gallery Collection, James W. and Mary C. Fosburgh Collection

Augustus Edwin John, 1878–1961

Head of a Woman (The Artist's First Wife?)

(undated)

• Materials & TechniquesGraphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 14 × 10 inches (35.6 × 25.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Philip L. Goodwin, Yale BA 1907, transfer from the Yale University Art Gallery

unknown artist

Solitude, The Reading Magdalene

(undated)

• Materials & TechniquesBrown wash and pen and brown ink on medium, slightly textured, cream wove paper, mounted on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 7 x 10 1/8 inches (17.8 x 25.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Yale Art Gallery Collection

Augustus Edwin John, 1878–1961

Portrait of Colonel Thomas E. Lawrence (Lawrence of Arabia)

(1919)

• Materials & TechniquesGraphite on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 12 1/16 × 9 1/2 inches (30.6 × 24.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of William P. Clyde Jr., Yale BA 1901, transfer from the Yale University Art Gallery Collection

Sir John Gilbert, 1817–1897

Apotheosis of Shakespeare's Characters

(1871)

• Materials & TechniquesWatercolor, gouache, pen and black ink, and graphite on thick, slightly textured, cream wove paper mounted on wood panel
• DimensionsSheet: 41 x 28 inches (104.1 x 71.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Sir Edwin Henry Landseer, 1802–1873

Three Sheep at Rest

(undated)

• Materials & TechniquesOil with varnish on medium, smooth, beige wove paper
• DimensionsSheet: 2 3/4 x 6 3/4 inches (7 x 17.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Yale Art Gallery Collection, The James W. (B.A. 1933, M.A. 1935) and Mary C. Fosburgh Collection

Augustus Edwin John, 1878–1961

Portrait of Dr. Hubert Noel

(1952)

• Materials & TechniquesBlack chalk, red chalk, white chalk, and brown chalk on medium, slightly textured, blue laid paper
• DimensionsSheet: 21 × 16 1/16 inches (53.3 × 40.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Yale Art Gallery Collection, Gift of Ralph M. Read

Sir John Gilbert, 1817–1897

Enter Malvolio, Crossgartered

(1863)

• Materials & TechniquesWatercolor, pen and black ink, brown ink, gray ink, red ink, gouache, gum arabic, and graphite on thick, slightly textured, beige wove paper
• DimensionsSheet: 19 1/4 × 29 3/4 inches (48.9 × 75.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Sir John Gilbert, 1817–1897

Wayfarers

(undated)

• Materials & TechniquesBrown wash, gray wash, and pen and brown ink on thick, slightly textured, cream wove paper
• DimensionsSheet: 6 × 5 5/8 inches (15.2 × 14.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

James Gillray, 1756–1815

Two Men at Fisticuffs

(undated)

• Materials & TechniquesWatercolor with pen and black ink on medium, slightly textured, cream laid paper
• DimensionsSheet: 7 1/2 × 7 3/8 inches (19.1 × 18.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Edmund Marriner Gill, 1820–1894

Cleghorn Mills in Ruins

(1864)

• Materials & TechniquesWatercolor, white gouache, and graphite on medium, moderately textured, brown wove paper
• DimensionsSheet: 9 3/4 x 14in. (24.8 x 35.6cm), Sheet: 9 3/4 × 14 inches (24.8 × 35.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

James Gillray, 1756–1815

A London Street Crier

(undated)

• Materials & TechniquesWatercolor with pen and brown ink over graphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 9 1/8 × 6 1/8 inches (23.2 × 15.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

M. A. Gliddon, active 1840

Font in St. John's Church, Hackney

• Materials & TechniquesPen and black ink over traces of graphite on wove paper
• DimensionsSheet: 9 7/8 x 6 3/16in. (25.1 x 15.7cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Sir Charles D'Oyly, 1781–1845

Totnes from the Seymour Hotel

(1838)

• Materials & TechniquesPen and black ink, brown ink, gray wash, brown wash and graphite on moderately thick, slightly textured, beige wove paper
• DimensionsSheet: 11 7/16 × 18 3/16 inches (29.1 × 46.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

M. A. Gliddon, active 1840

Hackney Grammar School

(1844)

• Materials & TechniquesWatercolor over graphite on wove paper
• DimensionsSheet: 7 1/2 x 9 13/16in. (19.1 x 24.9cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

M. A. Gliddon, active 1840

Hackney Grammar School

(1834)

• Materials & TechniquesWatercolor with pen and brown ink over graphite on wove paper
• DimensionsSheet: 7 1/16 x 9 11/16in. (17.9 x 24.6cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Glover, 1767–1849

Greenwich

(undated)

• Materials & TechniquesPen and gray ink, gray wash and graphite on medium, slightly textured, cream wove paper
• DimensionsSheet: 4 1/8 × 6 inches (10.5 × 15.3 cm), Image: 3 1/8 x 5 inches (8 x 12.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Glover, 1767–1849

River with Fishermen

(1792)

• Materials & TechniquesWatercolor and graphite on thick, moderately textured, beige laid paper
• DimensionsSheet: 4 x 6 inches (10.2 x 15.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Glover, 1767–1849

Windsor Castle

(undated)

• Materials & TechniquesPen and gray ink, gray wash and graphite on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 2 1/2 x 4 1/2 inches (6.4 x 11.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

George Lothian Hall, 1825–1888

A Mistica, Gibraltar

(1844)

• Materials & TechniquesWatercolor, pen and black ink and graphite on thick, moderately textured, cream wove paper
• DimensionsSheet: 3 × 4 1/8 inches (7.6 × 10.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Lt. Gen. Charles Emilius Gold, 1803?–1871

A View of Hobart, Tasmania

(1846)

• Materials & TechniquesWatercolor and gouache over graphite on moderately thick, moderately textured, cream laid paper
• DimensionsSheet: 7 1/2 x 13 5/16in. (19.1 x 33.8cm), Sheet: 7 1/2 × 13 1/4 inches (19.1 × 33.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

George Lothian Hall, 1825–1888

The Rock of Gibraltar, from the North Front Guard Room

(1843)

• Materials & TechniquesWatercolor and graphite on thick, moderately textured, cream wove paper
• DimensionsSheet: 5 1/4 × 8 3/4 inches (13.3 × 22.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

George Lothian Hall, 1825–1888

Casemates

(1843)

• Materials & TechniquesWatercolor and graphite on thick, moderately textured, cream wove paper
• DimensionsSheet: 4 1/8 × 2 7/8 inches (10.5 × 7.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Glover, 1767–1849

Distant View of Greenwich

(undated)

• Materials & TechniquesBlack ink over graphite on moderately thick, moderately textured, cream wove paper, laid on mount
• DimensionsSheet: 7 7/8 x 11 1/8 inches (20 x 28.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

George Lothian Hall, 1825–1888

The 48th Regiment with Casemate, Gibraltar

(1844)

• Materials & TechniquesWatercolor, pen and black ink, pen and brown ink and graphite with scratching out on thick, moderately textured, cream wove paper
• DimensionsSheet: 6 1/4 × 10 inches (15.9 × 25.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Glover, 1767–1849

A Yorkshire Road

(undated)

• Materials & TechniquesWatercolor over graphite with scraping out on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 4 1/4 x 7 1/4 inches (10.8 x 18.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection