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John Neagle "-the Stag repells each bold assault."
John Neagle, 1796–1865
"-the Stag repells each bold assault."
1796
Sawrey Gilpin "...esq. of Nottinghamshire (B)rown Mare Almost Black"
Sawrey Gilpin, 1733–1807
"...esq. of Nottinghamshire (B)rown Mare Almost Black"
ca. 1749
William Blake "A brace of warriors... rustling in their silks and tissues..."(Design 27)
William Blake, 1757–1827
"A brace of warriors... rustling in their silks and tissues..."(Design 27)
between 1797 and 1798
Pierre Charles Canot "A View of Charles Town the Capital of South Carolina in North America," from Scenographia Americana
Pierre Charles Canot, ca. 1710–1777
"A View of Charles Town the Capital of South Carolina in North America," from Scenographia Americana
1758-1760
William Blake "A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
William Blake, 1757–1827
"A wond'rous boy shall Rinda bear, Who ne'er shall comb his raven hair..." (Design 83)
between 1797 and 1798
Isaac Weld "After Pinnelli" (Group of Peasants Outside a House)
Isaac Weld, 1774–1856
"After Pinnelli" (Group of Peasants Outside a House)
1817
William Blake "Albion cold lays on his Rock..." (Plate 94)
Print made by William Blake, 1757–1827
"Albion cold lays on his Rock..." (Plate 94)
1804 to 1820
William Blake "Albion thy fear has made me tremble..." (Plate 22)
Print made by William Blake, 1757–1827
"Albion thy fear has made me tremble..." (Plate 22)
1804 to 1820
William Blake "Albions Angel rose upon the Stone of Night..." (Plate 12)
Print made by William Blake, 1757–1827
"Albions Angel rose upon the Stone of Night..." (Plate 12)
1794
William Blake "Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
Print made by William Blake, 1757–1827
"Albions Angel stood beside the Stone of night, and saw..." (Plate 7)
1793
James Gillray "all Bond Street trembled as he strode"
James Gillray, 1756–1815
"all Bond Street trembled as he strode"
1802
William Blake "All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
Print made by William Blake, 1757–1827
"All Human Forms identified... The End of The Song of Jerusalem" Colophon (Plate 99)
1804 to 1820
William Blake "Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
William Blake, 1757–1827
"Ambition this shall tempt to rise, The whirl the wretch from high..." (Design 19)
between 1797 and 1798
William Blake "An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
William Blake, 1757–1827
"An ancient pile of building stands... there Employed the power of Fairy hands" (Design 25)
between 1797 and 1798
Sir Alfred J. Munnings "An Easy Liver": Study of a Grazing Horse, Facing Right
Sir Alfred J. Munnings, 1878–1959
"An Easy Liver": Study of a Grazing Horse, Facing Right
undated