The Devastations occasioned by the Rioters of London Firing the New Goal of Newgate and burning Mr. Akerman's furniture & c. June 6, 1780
1780
2
William Watts, 1752–1851
Cadland Park, in Hampshire, the Seat of Robert Drummond, Esquire (published by W. Watts); page 56 (Volume One)
1780
3
John Raphael Smith, 1752–1812
The Fruit Barrow
1780
4
unknown artist
Procession of the Protestant Association to Westminster
1780
5
Robert Blyth, 1750–1784
Fisherman
1780
6
Robert Blyth, 1750–1784
Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair
1780
7
Robert Blyth, 1750–1784
Two Studies, Each of Three (Historical ?) Characters, Two Male and One Female: a pair
1780
8
Robert Blyth, 1750–1784
Banditti Going Out (number 52 of Catalogue Mortimer Exhibition 1968)
1780
9
Francesco Bartolozzi, 1728–1815
His Ego Ne Metas Rerum, Nec Tempora Pono:..
ca.1785
10
Francesco Bartolozzi, 1728–1815
Vignette: Monk Giving Letter to a Pregnant Woman in a Cell
ca.1785
11
Francesco Bartolozzi, 1728–1815
Socrates
1780
12
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume LXXXVII Hammond
1780
13
Francesco Bartolozzi, 1728–1815
Illustration From Bell's Edition of The Poets of Great Britain
ca. 1785
14
Francesco Bartolozzi, 1728–1815
Illustration from Bell's Edition of the Poets of Great Britain, Volume: CVII Churchill
ca.1785
15
Francesco Bartolozzi, 1728–1815
Roman General Julius Caesar Dedicating the Temple of Venus Genetrix in the Forum of Caesar, Rome, 46BC
1780
16
Francesco Bartolozzi, 1728–1815
Diana of Ephesus Being Unveiled by Cupid and Mercury
ca.1785
17
Francesco Bartolozzi, 1728–1815
Ticket to Mr. Fierville's Ball
ca.1785
18
Francesco Bartolozzi, 1728–1815
Time and Beauty
1780
19
Francesco Bartolozzi, 1728–1815
Concert Ticket: Benefit Night of Luigi Borghi
1780
20
Francesco Bartolozzi, 1728–1815
Cipriani's Daughter
ca.1785
21
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
22
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
23
Print made by John Chapman, act. 1772–1778
Collection of Prints by Notable Dilettanti
ca. 1785
24
J. Carwitham, active 1720–1740
A South-East View of the City of Boston in North America
undated
25
Thomas Bowles, ca. 1712–died 1753
A View of part of Amsterdam from the Harbour Y, Shewing the Herring Packers Tower, the Sluice of Haarlem, & the New Fishmarket
between 1780 and 1815
26
Nathaniel Parr, active 1742–1751
A View of the Doge's Palace at Venice with the Grand landing place before it. The Prison on the right hand the Custom House and Entrance of the Grand Canal in front
between 1780-1815
27
Thomas Bowles, ca. 1712–died 1753
A Perspective View of the Town and Fortifications of Malta
between 1780 and 1815
28
Thomas Bowles, ca. 1712–died 1753
A View of Amsterdam on each side the Old Rampart as seen from the Harbor
between 1780 and 1815
29
Thomas Bowles, ca. 1712–died 1753
A Prospect of the New Aqueduct of Lisbon, as crossing over the Valley of Alcantra on Stone Arches, the Largest of which is 150 feet wide, and 249 feet High. Which is 47 feet higher than the Monument in London
between 1780 and 1815
30
Charles Reuben Ryley, 1752–1798
Soldier with A Pike
1780
31
Robert Blyth, 1750–1784
Rustick Dance
1780
32
Robert Blyth, 1750–1784
Portraits of James Smithson, Marshall of the King's Bench 1422 and his wife Alice Whitworth (Laid down on the same sheet as B1977.14.12074)
1780
33
Charles Reuben Ryley, 1752–1798
Two Women at Toilette
1780
34
Robert Blyth, 1750–1784
Banditti Returning (number 53 of Catalogue Mortimer Exhibition 1968)
1780
35
Charles Reuben Ryley, 1752–1798
Bacchanalian with Maiden
1780
36
Charles Reuben Ryley, 1752–1798
Monster with Maiden
1780
37
Charles Reuben Ryley, 1752–1798
Putti Dancing to the Pipe and Tambourine
1780
38
Charles Reuben Ryley, 1752–1798
The Heads in this and the Following Plates were drawn by Mr. Mortimer, on a Chimney Piece, from Ideas suggested by the Natural Veins in the Marble
1780
39
Francesco Bartolozzi, 1728–1815
Miniature Of Elizabeth Farren, Countess Of Derby
ca.1785
40
Francesco Bartolozzi, 1728–1815
Group Of Four Children
ca.1785
41
Francesco Bartolozzi, 1728–1815
Vignette: Angel Holding Medallion Of Composer. G.F. Handel
ca.1785
42
John Bowles, 1701–1779
A Perspective View of Venice
between 1780 and 1815
43
Thomas Bowles, ca. 1712–died 1753
A View of Little St. Mark's Place at Venice to the Sea
between 1780 and 1815
44
Thomas Colley, active 1780s
The English Lion Dismember'd
1780
45
James Gillray, 1756–1815
National Discourse
1780
46
Francesco Bartolozzi, 1728–1815
Cupid's Manufactory
ca.1785
47
Henry Roberts, ca. 1710–1790
An Exact Representation of the Burning, Plundering, and Destruction of Newgate by the Rioters
1780
48
Francesco Bartolozzi, 1728–1815
Three Cupids With Bows & Arrows, And Two Doves
ca.1785
49
Francesco Bartolozzi, 1728–1815
Che L'uom Trae Dal Sepolgro E A Morte Fura
c.1780
50
Francesco Bartolozzi, 1728–1815
Medalian Design Of Francis Hutchenson, A Philosopher (Above) and Laurence Natter, A Medalist (Center)
1780
51
Francesco Bartolozzi, 1728–1815
Lavinia, The Milk Maid
ca.1785
52
James Fittler, 1758–1835
View of the Encampment in the Museum Gardens, August 1780
1780
53
Francis Chesham, 1749–1806
View of the Encampment in Hyde Park, from Marshal Sac's Tent
1780
54
William Watts, 1752–1851
The Lodge, in Richmond Park, the residence of Phillip Medows, Esquire, West Suburb
1780
55
Francesco Bartolozzi, 1728–1815
I Have Laid The Foundation And Another Buildeth Thereon, But Let Every Man Take Heed How He Buildeth Thereon, 1 Cor. 3, 10
ca.1785
56
Francesco Bartolozzi, 1728–1815
Three Putti And A Goat
ca.1785
57
Francesco Bartolozzi, 1728–1815
Classical Scene: Woman, Two Children, One Sheep, Man Reading In Background
ca.1785
58
Francesco Bartolozzi, 1728–1815
Vide Howard On Prisons
1780
59
Francesco Bartolozzi, 1728–1815
Sir Henry Clinton, K.B
1780
60
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figure of Aveline Countess of Lancaster, Cumbent on her Monument (Plate II)
1780
61
Attributed to Sir Joseph Ayloffe, 1709–1781
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Front of the Monument of Aveline, First Wife of Edmund Crouchback (Plate I)
1780
62
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Under Vaulting of one side of the Canopy of the Monument of Aveline, Coutess of Lancaster (Plate III)
1780
63
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)
1780
64
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The North Front of the Monument of King Schert (Plate IV)
1780
65
James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Heads and Ornaments on the North Side of the Monument of King Sebert (Plate VI)
1780
66
Engraved by James Basire the younger, 1769–1822
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Monument of Ann of Cleves, fourth Wife of King Henry VIII (Plate VII)
1780
67
Francesco Bartolozzi, 1728–1815
Hope Nursing Love (Fan)
1780
68
Francesco Bartolozzi, 1728–1815
Fan Mount: Decorated with three Medallions, the Central Medallion represents Love holding a Lyre and Seated on a Lion
1780
69
Print made by Francesco Bartolozzi, 1728–1815
Ticket for the Benefit of Mrs. Grassi
1780
70
unknown artist
South Terrace, Windsor(from a small set of Windsor views); page 104 (Volume Three)
1780
71
unknown artist
Windsor Castle from the Black Road [page not numbered] (Volume Three)