<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Search Results

1. Black-George

Black-George
Creator:
John Chapman, active ca. 1792–1823
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection

2. All's Well... Act III, Sc. V

All's Well... Act III, Sc. V
Creator:
W. Taylor, active 1790–1810
Date:
1791
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

3. Merchant of Venice, Act III, Sc. I

Merchant of Venice, Act III, Sc. I
Creator:
J. Barlow, active 1791
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

4. Taming...Act III, Scene I

Taming...Act III, Scene I
Creator:
Page, fl. 1784–1803
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

5. Rehearsal: The Vision of Nantes or the Patriotick Attack of the Troops National

Rehearsal: The Vision of Nantes or the Patriotick Attack of the Troops National
Creator:
Isaac Cruikshank, 1764–1811
Date:
1791
Materials & Techniques:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Deserter, 29 July 1791

The Deserter, 29 July 1791
Creator:
George Keating, 1762–1842
Date:
1791
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. A View of Westminster Bridge, the Abbey and Church

A View of Westminster Bridge, the Abbey and Church
Creator:
John William Edy, 1760–1820
Date:
1791
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. Vignette: Four Putti, Two Holding Hands

Vignette: Four Putti, Two Holding Hands
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. Vignette: Four Putti, Two Holding Hands

Vignette: Four Putti, Two Holding Hands
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Contemplation

Contemplation
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Hebe

Hebe
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Taming... Act II, Sc. I

Taming... Act II, Sc. I
Creator:
Page, fl. 1784–1803
Date:
1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

13. St. Paul

St. Paul
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Domestic Architecture - N. E. View of an Old House lately Standing in Sweedon's Passage, Grub Street

Domestic Architecture - N. E. View of an Old House lately Standing in Sweedon's Passage, Grub Street
Creator:
John Thomas Smith, 1766–1833
Date:
1791
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. A View of Albion Mill on Fire

A View of Albion Mill on Fire
Creator:
John William Edy, 1760–1820
Date:
1791
Materials & Techniques:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. George, Prince of Wales

George, Prince of Wales
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Stipple engraving and line engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Hackney

Hackney
Creator:
William Ellis, 1747–1810
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. Hornsey

Hornsey
Creator:
William Ellis, 1747–1810
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Departure of Hagar

The Departure of Hagar
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. A Sacrifice To Diana The Goddess Of Hunting

A Sacrifice To Diana The Goddess Of Hunting
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1791
Materials & Techniques:
Line engraving and stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. Painting on the South Side Severts Tomb

Painting on the South Side Severts Tomb
Creator:
Jacob C. Schnebbelie, 1760–1792
Date:
1791
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. North End, Hampstead

North End, Hampstead
Creator:
Francis Jukes, 1747–1812
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Gateway of the Old Palace at Richmond

Gateway of the Old Palace at Richmond
Creator:
George Isham Parkyns, 1749/50–c.1820
Date:
1791
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. A Young Lady

A Young Lady
Creator:
Samuel William Reynolds, 1773–1835
Date:
ca. 1796
Materials & Techniques:
Mezzotint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The Deserter, 29 July 1791

The Deserter, 29 July 1791
Creator:
George Keating, 1762–1842
Date:
1791
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. The Deserter, 29 July 1791

The Deserter, 29 July 1791
Creator:
George Keating, 1762–1842
Date:
1791
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. The Deserter, 29 July 1791

The Deserter, 29 July 1791
Creator:
George Keating, 1762–1842
Date:
1791
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Sir Robert Strange

Sir Robert Strange
Creator:
Robert Strange, 1721–1792
Date:
1791
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.

Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it.
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax

Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House

Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn

Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality

Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving

Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...

Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ...
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.

Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water.
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax

Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry

Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction

Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction
Creator:
William Hincks, 1752–1797
Date:
1791
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. French Democrats surprizing the Royal Runaways

French Democrats surprizing the Royal Runaways
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Les Trois Magots

Les Trois Magots
Creator:
James Gillray, 1756–1815
Date:
1791
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Collection of Prints by Notable Dilettanti

Collection of Prints by Notable Dilettanti
Creator:
Print made by unknown artist
Date:
1791
Materials & Techniques:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Painting on the South Side Seberts Tomb

An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Painting on the South Side Seberts Tomb
Creator:
Jacob C. Schnebbelie, 1760–1792
Date:
1791
Materials & Techniques:
Hand colored engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection