Creator Gender: male / Period: 18th century / Creator: Unknown artist

401. A West View of the Ruins of the Great Temple in Palmyra

Creator:: John Record, active 1768–1784
Date:: 1768
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mr. and Mrs. Leon Korn

402. Plan of the Second Battle of Serbraxos Fought 20 May 1772

Creator:: unknown artist
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

403. Plan of theThird Battle of Serbraxos Fought 23 May 1772

Creator:: unknown artist
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

404. Windsor Castle from the Black Road [page not numbered] (Volume Three)

Creator:: unknown artist
Date:: 1780
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

405. Stonebyres the Seat of Daniel Vere, Esquire (drawn in 1796); page 63 (Volume Three)

Creator:: unknown artist
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

406. Algiers

Creator:: unknown artist
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

407. Raith House; page twenty-three (Volume Three)

Creator:: Archibald Robertson, 1748–1788
Date:: undated
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

408. Raith House and Hill Fifeshire the Property of William Ferguson, Esq.; page twenty-four (Volume Three)

Creator:: unknown artist
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

409. A Plan of Susanna Wells's House at Enfield-Wash and A Perspective View of Elizabeth Canning's Supposed Prison; page 89 (Volume Three)

Creator:: Benjamin Cole, 1697–1783
Date:: undated
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

410. South Terrace, Windsor(from a small set of Windsor views); page 104 (Volume Three)

Creator:: unknown artist
Date:: 1780
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

411. Wrythe's Houses; page 110 (Volume Three)

Creator:: Archibald Robertson, 1748–1788
Date:: undated
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

412. A View of St. James' Park taken near the Stable Yard. Comprising St. James's Palace, Westminster Abbey and Whitehall

Creator:: unknown artist
Date:: 1794
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

413. Horse Guards

Creator:: Thomas Medland, 1755–1823
Date:: 1795
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

414. Whitehall

Creator:: Possibly Thomas Medland, 1755–1823
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

415. Privy Garden

Creator:: unknown artist
Date:: 1794
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

416. A Perspective View of the Admiralty Office, the New Buildings for the Horse Guards, Whitehalls

Creator:: unknown artist
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

417. A Perspective View of the Admiralty Office, the new Buildings for the Horse Guards, Whitehall

Creator:: unknown artist
Date:: 1794
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

418. Melbourne House, White-Hall

Creator:: unknown artist
Date:: 1797
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

419. Old Palace Yard, Westminster

Creator:: Thomas Medland, 1755–1823
Date:: 1796
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

420. Les Voyageurs

Creator:: Thomas Major, 1714–1799
Date:: 1748
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

421. La Vielleuse

Creator:: unknown artist
Date:: published 1754
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

422. Le Joueur de Musette

Creator:: unknown artist
Date:: published 1754
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

423. L'Usuriere

Creator:: Dominique Sornique, 1722–1756
Date:: published 1754
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

424. La Caniche

Creator:: unknown artist
Date:: published 1754
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

425. Fan Mount: Decorated with three Medallions, the Central Medallion represents Love holding a Lyre and Seated on a Lion

Creator:: Francesco Bartolozzi, 1728–1815
Date:: 1780
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

426. Ground Plan of Ely Palace, Holborn, as it appeared before its almost total Demolition

Creator:: C. F. Kell, active 1882
Date:: 1772
Materials & Techniques:: Letterpress
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

427. A View of the Treasury and Canal in St. Jame's Park

Creator:: unknown artist
Date:: 1755
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

428. The Horse Guards, Front facing St. Jame's Park

Creator:: William Le Petit, early 1800s
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

429. The Parade

Creator:: unknown artist
Materials & Techniques:: Aquatint
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

430. The Admiralty

Creator:: unknown artist
Date:: 1795
Materials & Techniques:: Aquatint, hand-colored
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

431. A Prospect of Westminster (General View from Lambeth)

Creator:: Print made by unknown artist
Date:: 1748
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

432. A Correcto Ground Plan of the Dreadful Fire at Radcliff which began....on Wednesday July 23rd 1794

Creator:: unknown artist
Date:: after 1794
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

433. Plan of Stepney with Various engraved views of London

Creator:: John Baptist Homann, 1664–1724
Date:: 1736
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

434. George, Duke of Clarence

Creator:: after Richard Bernard Godfrey, 1728–op.1794
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

435. The Royal Banqueting House in Whitehall

Creator:: unknown artist
Date:: ca. 1720
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

436. View of Whitehall

Creator:: Thomas Medland, 1755–1823
Date:: 1793
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

437. L'Occupation Champetre

Creator:: unknown artist
Date:: published 1754
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

438. A View of Hampstead Road near Tomkin's House, 1750

Creator:: Thomas Major, 1714–1799
Date:: 1750
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

439. Animals

Creator:: unknown artist
Date:: published 1754
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

440. Animals

Creator:: unknown artist
Date:: published 1754
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

441. Mr. Petrus Simon

Creator:: Gerard Edelinck, 1640–1707
Date:: published 1754
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

442. Don Quixote washed by the Duchesses' Ladies

Creator:: unknown artist
Date:: published 1754
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

443. Monsieur L'Abbe

Creator:: unknown artist
Date:: published 1754
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

444. La Pintresse

Creator:: unknown artist
Date:: published 1754
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

445. A View of Fulham Bridge and Putney, 1750

Creator:: Thomas Major, 1714–1799
Date:: 1750
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

446. A View of the River Thames from Chadwick, 1750

Creator:: Thomas Major, 1714–1799
Date:: 1750
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

447. Le Grivois Flamand, 1745

Creator:: unknown artist
Date:: 1745
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

448. Le Boulanger Flamand, 1743

Creator:: unknown artist
Date:: 1743
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

449. Le Buveur Flamand, 1743

Creator:: unknown artist
Date:: 1743
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

450. Les Bons Amis

Creator:: unknown artist
Date:: published 1754
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

451. Le Peintre

Creator:: Le Fevre
Date:: published 1754
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

452. Route Dumonde

Creator:: unknown artist
Date:: published 1754
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

453. Another View of the River Thames from Chelsea, 1750

Creator:: Thomas Major, 1714–1799
Date:: 1750
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

454. A View of the River Thames from Chelsea, 1750

Creator:: Thomas Major, 1714–1799
Date:: 1750
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

455. A View of the River Thames form the end of Chelsea

Creator:: Thomas Major, 1714–1799
Date:: 1750
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

456. Canterbury Tales: The Coke and Perkin (notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)

Creator:: unknown artist
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

457. Plan of the Second Battle of Serbraxos fought 20 May 1772

Creator:: unknown artist
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

458. Plan of the Third battle of Serbraxos fought 23 May 1772

Creator:: unknown artist
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

459. Collection of Proof Engravings after Palladio for Burlington

Creator:: unknown artist
Date:: 1730
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

460. Collection of Proof Engravings after Palladio for Burlington

Creator:: unknown artist
Date:: 1730
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

461. Collection of Proof Engravings after Palladio for Burlington

Creator:: unknown artist
Date:: 1730
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

462. Collection of Proof Engravings after Palladio for Burlington

Creator:: unknown artist
Date:: 1730
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

463. Collection of Proof Engravings after Palladio for Burlington

Creator:: unknown artist
Date:: 1730
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

464. Collection of Proof Engravings after Palladio for Burlington

Creator:: unknown artist
Date:: 1730
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

465. Collection of Proof Engravings after Palladio for Burlington

Creator:: unknown artist
Date:: 1730
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

466. Collection of Proof Engravings after Palladio for Burlington

Creator:: unknown artist
Date:: 1730
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

467. Collection of Proof Engravings after Palladio for Burlington

Creator:: unknown artist
Date:: 1730
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

468. Collection of Proof Engravings after Palladio for Burlington

Creator:: unknown artist
Date:: 1730
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

469. Collection of Proof Engravings after Palladio for Burlington

Creator:: unknown artist
Date:: 1730
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

470. Collection of Proof Engravings after Palladio for Burlington

Creator:: unknown artist
Date:: 1730
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

471. Collection of Proof Engravings after Palladio for Burlington

Creator:: unknown artist
Date:: 1730
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

472. Collection of Proof Engravings after Palladio for Burlington

Creator:: unknown artist
Date:: 1730
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

YCBA Collections Search

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Creator Gender male

Period 18th century

Creator Unknown artist

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401. A West View of the Ruins of the Great Temple in Palmyra

402. Plan of the Second Battle of Serbraxos Fought 20 May 1772

403. Plan of theThird Battle of Serbraxos Fought 23 May 1772

404. Windsor Castle from the Black Road [page not numbered] (Volume Three)

405. Stonebyres the Seat of Daniel Vere, Esquire (drawn in 1796); page 63 (Volume Three)

406. Algiers

407. Raith House; page twenty-three (Volume Three)

408. Raith House and Hill Fifeshire the Property of William Ferguson, Esq.; page twenty-four (Volume Three)

409. A Plan of Susanna Wells's House at Enfield-Wash and A Perspective View of Elizabeth Canning's Supposed Prison; page 89 (Volume Three)

410. South Terrace, Windsor(from a small set of Windsor views); page 104 (Volume Three)

411. Wrythe's Houses; page 110 (Volume Three)

412. A View of St. James' Park taken near the Stable Yard. Comprising St. James's Palace, Westminster Abbey and Whitehall

413. Horse Guards

414. Whitehall

415. Privy Garden

416. A Perspective View of the Admiralty Office, the New Buildings for the Horse Guards, Whitehalls

417. A Perspective View of the Admiralty Office, the new Buildings for the Horse Guards, Whitehall

418. Melbourne House, White-Hall

419. Old Palace Yard, Westminster

420. Les Voyageurs

421. La Vielleuse

422. Le Joueur de Musette

423. L'Usuriere

424. La Caniche

425. Fan Mount: Decorated with three Medallions, the Central Medallion represents Love holding a Lyre and Seated on a Lion

426. Ground Plan of Ely Palace, Holborn, as it appeared before its almost total Demolition

427. A View of the Treasury and Canal in St. Jame's Park

428. The Horse Guards, Front facing St. Jame's Park

429. The Parade

430. The Admiralty

431. A Prospect of Westminster (General View from Lambeth)

432. A Correcto Ground Plan of the Dreadful Fire at Radcliff which began....on Wednesday July 23rd 1794

433. Plan of Stepney with Various engraved views of London

434. George, Duke of Clarence

435. The Royal Banqueting House in Whitehall

436. View of Whitehall

437. L'Occupation Champetre

438. A View of Hampstead Road near Tomkin's House, 1750

439. Animals

440. Animals

441. Mr. Petrus Simon

442. Don Quixote washed by the Duchesses' Ladies

443. Monsieur L'Abbe

444. La Pintresse

445. A View of Fulham Bridge and Putney, 1750

446. A View of the River Thames from Chadwick, 1750

447. Le Grivois Flamand, 1745

448. Le Boulanger Flamand, 1743

449. Le Buveur Flamand, 1743

450. Les Bons Amis

451. Le Peintre

452. Route Dumonde

453. Another View of the River Thames from Chelsea, 1750

454. A View of the River Thames from Chelsea, 1750

455. A View of the River Thames form the end of Chelsea

456. Canterbury Tales: The Coke and Perkin (notes to numbers 77-78 of Catalogue Mortimer Exhibition 1968)

457. Plan of the Second Battle of Serbraxos fought 20 May 1772

458. Plan of the Third battle of Serbraxos fought 23 May 1772

459. Collection of Proof Engravings after Palladio for Burlington

460. Collection of Proof Engravings after Palladio for Burlington

461. Collection of Proof Engravings after Palladio for Burlington

462. Collection of Proof Engravings after Palladio for Burlington

463. Collection of Proof Engravings after Palladio for Burlington

464. Collection of Proof Engravings after Palladio for Burlington

465. Collection of Proof Engravings after Palladio for Burlington

466. Collection of Proof Engravings after Palladio for Burlington

467. Collection of Proof Engravings after Palladio for Burlington

468. Collection of Proof Engravings after Palladio for Burlington

469. Collection of Proof Engravings after Palladio for Burlington

470. Collection of Proof Engravings after Palladio for Burlington

471. Collection of Proof Engravings after Palladio for Burlington

472. Collection of Proof Engravings after Palladio for Burlington