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Period 18th century
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1
- The Distressed Poet
- 1740
2
- Simon, Lord Lovat
3
- Pit Ticket
- 1759
4
- Beer Street
- 1751
5
- Paul before Felix
6
- Mr. Garrick in the Character of Richard III
- 1746
7
- Fair Scene
- 1733
8
- Hudibras Vanquished by Trulla
9
- Painting of Pharoah's Daughter and Moses in the Foundling Hospital
- 1752
10
- The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
- 1751
11
- Prospectus print "Crown & Mitre"
- 1754
12
- Frontispiece and its Explanation (no.1)
- 1726
13
- Hudibras Triumphant (no.4)
14
- Hudibras Sallying Forth (no.2)
15
- Hudibras Catechiz'd (no.9)
16
- Burning ye Rumps at Temple-Barr (no.11)
17
- William Hogarth
- 1764
18
- Hudibras in Tribulation (no.6)
19
- Large Illustrations to Samuel Butler's Hudibras: Hudibras and the Skimmington (no.12)
20
- Hudibras Encounters the Skimmington (no.12)
21
- Hudibras Vanquish'd by Trulla (no.5)
22
- Hudibras's First Adventure (no.3)
23
- Beggar's Opera, Act III
- 1790
24
- Plate 33 (page 72): 'And vapid; sense and reason shew the door'
- 1797
![William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'](https://media.collections.yale.edu/thumbnail/ycba/5a919703-759e-494b-a892-d66a8288096b)
25
- Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
- 1797
26
- Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
- 1797
27
- Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
- 1797
28
- Plate 9 (page 15):' The longest night though longer far, would fail'
- 1797
29
- Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
- 1797
30
- Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
- 1797
31
- Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
- 1797
32
- Plate 22 (page 40): ' Angels should paint it, angels ever there'
- 1797
33
- Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
- 1797
34
- Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
- 1797
35
- Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
- 1797
36
- Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
- 1797
37
- Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
- 1797
38
- Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
- 1797
39
- Plate 37 (page 86): 'His hand the good man fastens on the skies'
- 1797
40
- Plate 41 (page 92): 'When faith is virtue, reason makes it so'
- 1797
41
- Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
- 1797
42
- Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
- 1797
43
- Plate 21 (page 37): 'Love, and love only, is the loan for love'
- 1797
44
- Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
- 1797
45
- Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
- 1797
46
- Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
- 1797
47
- Plate 3 (page 4): 'What, though my soul fantastick measures trod'
- 1797
48
- Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
- 1797
49
- Plate 7 (page 12): 'Its favours here are trials, not rewards'
- 1797
50
- Plate 8 (page 13): 'The present moment terminates our sight'
- 1797
51
- Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
- 1797
52
- Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
- 1797
53
- Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
- 1797
54
- Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
- 1797
55
- Plate 6 (page 10): 'Disease invades the chastest temperence'
- 1797
56
- Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
- 1797
57
- Plate 12 (page 19): 'Emblem of that which shall awake the dead'
- 1797
58
- Plate 13 (page 23): 'We censure nature for a span too short'
- 1797
59
- Plate 15 (page 25): 'Behold him, when past by; what then is seen'
- 1797
60
- Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
- 1797
61
- May-Day in London
- 1784
62
- "There is No Natural Religion", London, by William Blake
- ca. 1788
63
- "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
- 1797
64
- Songs of Innocence and of Experience
- 1789-1794
65
- "The Book of Thel William Blake Original Wrappers 1789"
- 1789
66
- Pascal Paoli
67
- A Blacksmith's Shop
- 1771
68
- Hippolytus
- 1796
69
- The Rich Man and Lazarus
- 1743
70
- Amelia Surprising Her Husband and Miss Matthews
- 1790
71
- The Infant Shakespeare (engraving for Boydell's "Shakespeare Gallery")
- 1799
72
- Pyrrhus when a Child
- 1769
73
- Venus relating to Adonis the Story of Hippomenes and Atlanta
- 1769
74
- The Witch of En-Dor
- 1788
75
- All's Well that Ends Well
- 1794
76
- An Exact Representation of the Burning, Plundering, and Destruction of Newgate by the Rioters
- 1780
77
- George Washington at Battle of Trenton
- 1795
78
- John Wilkes Esq
- 1800
79
- Rev. George Whitfield
80
- Agrippina Surrounded by her Children
- 1774
81
- The Deserted Village
- 1795
82
- Evening Return from the Fair
83
- Setting out for the Fair
- 1792
84
- The Fairings
- 1792
85
- 1790
86
- Fruiunentum electorum, et vinum germinans virgines Zach. 9. 17
87
- Religion
- 1793
88
- Atalanta and Hippomanes
- 1763
89
- Chryseis Restored To Her Father
- 1786
90
- Hercules, Deianeira and Nessus
- 1762
91
- Death of Dido
92
- Illustration from Orlando Furioso: "Che deb'bo sar? che poss'io sar qui sola? / che mi da ajuto, oime, che mi consola?"
- 1773
93
- Macbeth, Act I, Scene II
- 1784
94
- John Yenn, Architect
- 1785
95
- Cannon Foundry
- 1796
96
- The Birth of Pyrrhus
- 1797
97
- Sheet of Anatomical Studies of the Shoulder Muscles
- 1796
98
- A Monk's Head
- 1796
99
- Portrait Of An Aged Man, Looking Upward
- 1796
100
- Francis Bartolozzi Esqr., Ex Academia Regali Artium Londini
- 1788