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John Constable, 1776–1837

Hampstead Heath looking towards Harrow

1821 to 1822

John Constable, 1776–1837

Fen Lane, East Bergholt

ca. 1811

John R. Skeaping, 1901–1980

Racing Group

1977

Print made by Robert Polhill Bevan, 1865–1925

A London Church

1924

John Constable, 1776–1837

Salisbury Cathedral from the Meadows

1829

John Constable, 1776–1837

Fulham Church from across the River

1818

John Constable, 1776–1837

Trees in a Meadow

ca. 1805

Print made by Samuel Palmer, 1805–1881

The Vine

1852

Print made by Samuel Palmer, 1805–1881

The Early Ploughman

begun before 1861

Print made by Samuel Palmer, 1805–1881

The Vine

1852

Print made by Samuel Palmer, 1805–1881

The Herdsman's Cottage

1850

Print made by Samuel Palmer, 1805–1881

The Sleeping Shepherd

1857

Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

1858

Samuel Palmer, 1805–1881

Mountains by the Traveller's Rest near Dolgelly

1835

Print made by William Hogarth, 1697–1764

The Cockpit

1759

Print made by William Hogarth, 1697–1764

The Invasion, Plate 2: England

1756

after William Hogarth, 1697–1764

Frontispiece to Hogarth's Works, The Milk Maid

between 1849 and 1895

Print made by William Hogarth, 1697–1764

Industry and Idleness, Plate 12: The Industrious 'Prentice Lord Mayor... [Read more]

1747

Print made by William Hogarth, 1697–1764

The Cockpit

1759

Print made by William Hogarth, 1697–1764

The Cockpit

1759

Print made by William Hogarth, 1697–1764

The Five Orders of Periwigs

1761

Print made by William Hogarth, 1697–1764

Industry and Idleness, Plate 10: The Industrious 'Prentice Alderman of... [Read more]

1747

William Hogarth, 1697–1764

Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the... [Read more]

undated

Joseph Mallord William Turner, 1775–1851

Fluelen: Morning (Looking towards the Lake)

1845

Etched by Joseph Mallord William Turner, 1775–1851

Flint Castle, Vessels Unloading

1807

Etched by Joseph Mallord William Turner, 1775–1851

Mt. St. Gothard

1808

Etched by Joseph Mallord William Turner, 1775–1851

Sheep-Washing, Windsor

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851

Dunstanborough Castle

1808

Etched by Joseph Mallord William Turner, 1775–1851

Windmill and Lock

1811

Joseph Mallord William Turner, 1775–1851

St. Catherine's Hill, Guildford, Surrey

1830

Joseph Mallord William Turner, 1775–1851

Barnard Castle, Durham

ca. 1825

Etched by Joseph Mallord William Turner, 1775–1851

London from Greenwich

1811

Etched by Joseph Mallord William Turner, 1775–1851

Young Anglers

1811

Etched by Joseph Mallord William Turner, 1775–1851

The Mildmay Sea-Piece

1812

Etched by Joseph Mallord William Turner, 1775–1851

Dunstanborough Castle

1808

Print made by Joseph Mallord William Turner, 1775–1851

The Drawing of the Clyde

1809

Print made by Joseph Mallord William Turner, 1775–1851

Hind Head Hill

1811

Etched by Joseph Mallord William Turner, 1775–1851

Winchelsea, Sussex

1812

Print made by Joseph Mallord William Turner, 1775–1851

Procris and Cephalus

1812

Etched by Joseph Mallord William Turner, 1775–1851

The Bridge and Goats

1812

Print made by Joseph Mallord William Turner, 1775–1851

Calm

1812

Etched by Joseph Mallord William Turner, 1775–1851

Ville de Thun, Switzerland

1816

Etched by Joseph Mallord William Turner, 1775–1851

Tenth Plague of Egypt

1816

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Etched by Joseph Mallord William Turner, 1775–1851

Chain of Alps from Grenoble to Chamberi

1812

Etched by Joseph Mallord William Turner, 1775–1851

River Wye

1812

Etched by Joseph Mallord William Turner, 1775–1851

Solitude

1814

Etched by Joseph Mallord William Turner, 1775–1851

Norham Castle on the Tweed

1816

Print made by Joseph Mallord William Turner, 1775–1851

Entrance of Calais Harbour

1816

Print made by Joseph Mallord William Turner, 1775–1851

The Source of the Arveron in the Valley of Chamouni, Savoy

1816

Prints made by William Blake, 1757–1827

The Book of Thel

1789

Attributed to William Blake, 1757–1827

A Corrected and Revised Map of the Country of Allestone

1806

Print made by William Blake, 1757–1827

Chapter IV, "From the caverns of his jointed spine..." (Plate 10)

1794

Print made by William Blake, 1757–1827

Urizen (Plate 8)

1794

Print made by William Blake, 1757–1827

Chapter V, "Thus the Eternal Prophet was divided..." (Plate 13)

1794

Print made by William Blake, 1757–1827

Los with the child Orc and Enitharmon (Plate 18)

1794

Print made by William Blake, 1757–1827

Chapter VIII, "Of life on his forsaken mountains..." (Plate 20)

1794

Print made by William Blake, 1757–1827

Urizen (Plate 14)

1794

Print made by William Blake, 1757–1827

Urizen (Plate 21)

1794

Print made by William Blake, 1757–1827

The First Book of Urizen, Title Page (Plate 1)

1794

Print made by William Blake, 1757–1827

Preludium to the First Book of Urizen, "Of the primeval Priests assum'd... [Read more]

1794

Print made by William Blake, 1757–1827

Chapter I, "Lo, a shadow of horror is risen..." (Plate 3)

1794

Print made by William Blake, 1757–1827

Chapter II, "Muster around the bleak desarts..." (Plate 4)

1794

Print made by William Blake, 1757–1827

"In living creations appear'd..." (Plate 6)

1794

Print made by William Blake, 1757–1827

Urizen Swims through Dark Waters (Plate 5)

1794

Print made by William Blake, 1757–1827

Chapter III, "As the stars are apart from the earth..." (Plate 7)

1794

Print made by William Blake, 1757–1827

Chapter IV, "Ages on ages roll'd over him..." (Plate 9)

1794

Print made by William Blake, 1757–1827

Chapter V, "Two Nostrils bent down to the deep..." (Plate 11)

1794

Print made by William Blake, 1757–1827

Fettered Urizen Weeping (Plate 12)

1794

Print made by William Blake, 1757–1827

Chapter V, "The globe of life blood trembled..." (Plate 15)

1794

Print made by William Blake, 1757–1827

Chapter VII, "Stretch'd for a work of eternity..." (Plate 19)

1794

Print made by William Blake, 1757–1827

"They call'd her Pity, and fled..." (Plate 17)

1794

Print made by William Blake, 1757–1827

From a Globe of Blood Rises Enitharmon (Plate 16)

1794

Print made by William Blake, 1757–1827

Urizen (Plate 22)

1794

Print made by William Blake, 1757–1827

"The Ox in the slaughter house moans..." (Plate 23)

1794

Print made by William Blake, 1757–1827

Praying Child and Howling Dog (Plate 24)

1794

Print made by William Blake, 1757–1827

Chapter IX, "They lived a period of years..." (Plate 25)

1794

Print made by William Blake, 1757–1827

Preludium to the First Book of Urizen, "Of the primeval Priests assum'd... [Read more]

1794

George Romney, 1734–1802

Standing Figure and Seated Figure

ca. 1773-1775

George Romney, 1734–1802

Howard Visiting a Prison

1790-1991

George Romney, 1734–1802

Emma Hart, Lady Hamilton as Circe

undated

George Romney, 1734–1802

Seated Woman Feeding a Dog

late 1770s

Richard Parkes Bonington, 1802–1828

Calais Jetty, France

ca. 1824

Edward Brian Seago, 1910–1974

Low Tide, Honfleur

undated

Richard Dadd, 1817–1886

Caravanserai at Mylasa in Asia Minor

1845

George Jones, 1786–1869

Studies of Royal Horse Artillery Uniform, and of an A.D.C. to the... [Read more]

1815

George Garrard, 1760–1826

One of George Lane Fox's Winning Greyhounds: the Black and White Greyhound... [Read more]

1822

George Garrard, 1760–1826

Turk, a greyhound, the property of George Lane Fox

1822

Edward William Cooke, 1811–1880

Opposite my House at Barnes

1862

Samuel John Egbert Jones, active 1820–1845

Pheasant Shooting

mid-19th century

James Ward, 1769–1859

Gloucestershire Old Spot

between 1800 and 1805

George Chinnery, 1774–1852

A Man Carrying Faggots

ca. 1799

George Chinnery, 1774–1852

Men Round the Food Vendor’s Stall

after 1825

George Morland, 1763–1804

A Woman, possibly Anne (née Ward) Morland, Wife of the Artist

ca. 1795

unknown artist

Tantallon Castle (?), a study

ca. 1830

unknown artist

Upright Landscape

ca. 1830

Attributed to William James, active 1754–1771

Northumberland House, London

ca. 1759

George Smith of Chichester, 1714–1776

A Winter Landscape

ca. 1770

John Webber, 1752–1793

Burial Ground in the South Seas

ca. 1777

John Varley, 1778–1842

A View along the Thames towards Chelsea Old Church

between 1810 and 1815