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Author removed ss after William Hogarth, 1697–1764, British

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Period 18th century

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A Midnight Modern Conversation
Creator:
unknown artist
Date:
ca. 1732
Materials & Techniques:
Oil on canvas
Dimensions:
30 × 64 1/2 inches (76.2 × 163.8 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Painting of Pharoah's Daughter and Moses in the Foundling Hospital
Creator:
William Hogarth, 1697–1764
Date:
1752
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fair Scene
Creator:
William Hogarth, 1697–1764
Date:
1733
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mr. Garrick in the Character of Richard the Third - "Richard III," Act V, Scene VII
Creator:
William Hogarth, 1697–1764
Date:
1746
Materials & Techniques:
Engraving
Dimensions:
Sheet: 16 1/2 x 10 1/2in. (41.9 x 26.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
William Hogarth
Creator:
William Hogarth, 1697–1764
Date:
1764
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Polling, Plate III
Creator:
William Hogarth, 1697–1764
Date:
1758
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 3/8 x 22 1/8in. (44.1 x 56.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chairing the Members, Plate IV
Creator:
William Hogarth, 1697–1764
Date:
1758
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 5/8 x 21 1/4in. (39.7 x 54cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
And the Child Grew, and She Brought Him unto Pharaohs Daughter, and He Became Her Son, and Called his name Moses
Creator:
William Hogarth, 1697–1764
Date:
1752
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 1/8 x 19 3/4in. (38.4 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Prospectus print "Crown & Mitre"
Creator:
William Hogarth, 1697–1764
Date:
1754
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Auction of Pictures, &c.
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Auction of Pictures, &c.
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
The Polling
Creator:
after William Hogarth, 1697–1764
Date:
1766
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Chairing the Members
Creator:
after William Hogarth, 1697–1764
Date:
1766
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
The Laughing Audience
Creator:
after William Hogarth, 1697–1764
Date:
1768
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Sketches from Pen and Ink Drawings, Character and Caricatura
Creator:
after William Hogarth, 1697–1764
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Sketches from Pen and Ink Drawings, Character and Caricatura
Creator:
after William Hogarth, 1697–1764
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Sketches from Pen and Ink Drawings, Character and Caricatura
Creator:
after William Hogarth, 1697–1764
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Sketches from Pen and Ink Drawings, Character and Caricatura
Creator:
after William Hogarth, 1697–1764
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Sketches from Pen and Ink Drawings, Character and Caricatura
Creator:
after William Hogarth, 1697–1764
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Sketches from Pen and Ink Drawings, Character and Caricatura
Creator:
after William Hogarth, 1697–1764
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Sketches from Pen and Ink Drawings, Character and Caricatura
Creator:
after William Hogarth, 1697–1764
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
The Invasion, Plate II, England
Creator:
after William Hogarth, 1697–1764
Date:
1768
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
The Chorus
Creator:
after William Hogarth, 1697–1764
Date:
1768
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Sketches from Pen and Ink Drawings, Character and Caricatura
Creator:
after William Hogarth, 1697–1764
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Concert Ticket, Mary's Chappel
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Concert Ticket, Mary's Chappel
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Concert Ticket, Mary's Chappel
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Concert Ticket, Mary's Chappel
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Concert Ticket, Mary's Chappel
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Concert Ticket, Mary's Chappel
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Concert Ticket, Mary's Chappel
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Satire on False Perspective
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Satire on False Perspective
Creator:
after William Hogarth, 1697–1764
Date:
1799
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Industry and Idleness, Plate XI, The Idle 'Prentice Executed at Tyburn
Creator:
after William Hogarth, 1697–1764
Date:
1768
Materials & Techniques:
Etching and line engravng on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Beggar's Opera, Act III
Creator:
William Blake, 1757–1827
Date:
1790
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Mrs. Lyall Dean, Mrs. Borden Helmer, and the Estate of Bliss Reed Crocker in memory of Mr and Mrs. Edward Bliss Reed, transfer from the Yale University Art Gallery
Beggar's Opera, Act III
Creator:
William Blake, 1757–1827
Date:
c.1790
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 7/16 x 22 9/16in. (44.3 x 57.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Royal Sport, Pit Ticket
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Gouache on ivory
Dimensions:
Image: 5 1/8 x 6 11/16 inches (13 x 17 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Melville and Naomi Stone
"The Indian Emperor" or "The Conquest of Mexico"
Creator:
Robert Dodd, 1748–1816
Date:
1792
Materials & Techniques:
Etching and engraving
Dimensions:
Sheet: 17 11/16 x 21 1/2in. (44.9 x 54.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Gift of David Bindman
The Foundlings
Creator:
Print made by François M. la Cave, active 1726–1766
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet: 4 3/4 × 8 3/8 inches (12.1 × 21.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Burning the Rumps, Temple Bar
Creator:
unknown artist
Date:
undated
Materials & Techniques:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Shakespear Chair
Creator:
unknown artist
Date:
1799
Materials & Techniques:
Etching, tone left on plate
Dimensions:
Image: 6 1/2 x 1 1/2in. (16.5 x 3.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
The March to Finchley
Creator:
Luke Sullivan, 1705–1771
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
A Midnight Modern Conversation
Creator:
Print made by Elisha Kirkall, ca. 1682–1742
Date:
ca. 1733, printed after 1779
Materials & Techniques:
Mezzotint on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 14 5/8 × 17 3/4 inches (37.1 × 45.1 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Fund
Rosamond's Pond
Creator:
Merigot, active 1772–1791
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Members of a Society of Artists that Existed About 1730
Creator:
Richard Sawyer, active 1820–1830
Date:
ca. 1829
Materials & Techniques:
Etching
Dimensions:
Sheet: 11 3/8 x 13 1/2in. (28.9 x 34.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Daniel Lock, Esqr.
Creator:
James McArdell, ca. 1729–1765
Materials & Techniques:
Mezzotint
Dimensions:
Sheet: 13 3/4 x 10in. (34.9 x 25.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Untitled

Untitled
Creator:
Samuel Ireland, active 1760–died 1800
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Arms of the Cutchess of Kendal
Creator:
Samuel Ireland, active 1760–died 1800
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
George Lambart
Creator:
Samuel Ireland, active 1760–died 1800
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
George Lambart
Creator:
Samuel Ireland, active 1760–died 1800
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Design for a New Order of Architecture
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1799
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
First Design for the Enraged Musician
Creator:
unknown artist
Date:
1799
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection

53. Hogarth

Hogarth
Creator:
Charles Townley, 1746–c.1800
Date:
1781
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
John Wilkes Esq.
Creator:
Thomas Cook, 1744–1818
Date:
1800
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection; Gift of Chauncey B. Tinker, B.A. 1899

55. Shrimps!

Shrimps!
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1782
Materials & Techniques:
Stipple engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Marriage A-La-Mode, Plate II: The Breakfast Scene
Creator:
Bernard Baron, 1696–1762
Date:
1745
Materials & Techniques:
Engraving
Dimensions:
Sheet: 14 x 17 5/8in. (35.6 x 44.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Marriage A-La-Mode, Plate IV: The Toilet Scene
Creator:
Simon François Ravenet, 1706–1774
Date:
1745
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 7/8 x 17 5/8in. (35.2 x 44.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Marriage A-La-Mode, Plate III: The Scene with the Quack
Creator:
Bernard Baron, 1696–1762
Date:
1745
Materials & Techniques:
Engraving
Dimensions:
Sheet: 14 x 17 5/8in. (35.6 x 44.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Marriage A-La-Mode, Plate V: The Death of the Earl
Creator:
Simon François Ravenet, 1706–1774
Date:
1745
Materials & Techniques:
Engraving
Dimensions:
Sheet: 13 7/8 x 17 5/8in. (35.2 x 44.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Marriage A-La-Mode, Plate VI: The Death of the Countess
Creator:
Gerard Jean Baptiste Scotin, 1671–1716
Date:
1745
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 1/2 x 18 1/4in. (39.4 x 46.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Canvassing for Votes, Plate II
Creator:
Print made by Charles Grignion, 1717–1810
Date:
1755-1758
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 7/8 x 21 1/8in. (40.3 x 53.7cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Representation of the March of the Guards towards Scotland in the Year 1745 (from: Caricature, vol. 5)
Creator:
Luke Sullivan, 1705–1771
Date:
1745
Materials & Techniques:
Engraving
Dimensions:
Sheet: 16 1/4 x 21 3/8in. (41.3 x 54.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mr. Garrick in the Charakter (sic) of Richard the 3D
Creator:
Charles Grignion, 1717–1810
Date:
1746
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 1/8 x 19 3/4in. (38.4 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled
Creator:
Luke Sullivan, 1705–1771
Date:
1752
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 x 19 3/4in. (38.1 x 50.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Good Samaritan
Creator:
Simon François Ravenet, 1706–1774
Date:
1772
Materials & Techniques:
Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 1/4 × 22 1/2 inches (48.9 × 57.2 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Pool of Bethesda
Creator:
Simon François Ravenet, 1706–1774
Date:
1772
Materials & Techniques:
Line engraving on moderately thick, slightly textured, cream laid paper
Dimensions:
Sheet: 19 3/8 x 22 5/8 inches (49.2 x 57.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Design for a New Order of Architecture
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1799
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Design for a New Order of Architecture
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1799
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Design for a New Order of Architecture
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1799
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Design for a New Order of Architecture
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1799
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Design for a New Order of Architecture
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1799
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Design for a New Order of Architecture
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1799
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Design for a New Order of Architecture
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1799
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Design for a New Order of Architecture
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1799
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Design for a New Order of Architecture
Creator:
Samuel Ireland, active 1760–died 1800
Date:
1799
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Marriage A-La-Mode, Plate I: The Contract
Creator:
Gerard Jean Baptiste Scotin, 1671–1716
Date:
1745
Materials & Techniques:
Engraving
Dimensions:
Sheet: 15 3/16 x 18 7/16in. (38.6 x 46.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
William Hogarth
Creator:
Print made by Thomas Chambars, ca. 1724–1789
Date:
undated
Materials & Techniques:
Etching on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 10 7/16 x 7 7/8 inches (26.5 x 20 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Four Times of Day, Plate III: Evening
Creator:
Bernard Baron, 1696–1762
Date:
1738
Materials & Techniques:
Engraving
Dimensions:
Sheet: 17 7/8 x 14 3/4in. (45.4 x 37.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wm. Hogarth died Octr. 26th 1764 Aged 67
Creator:
Samuel Ireland, active 1760–died 1800
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sir James Thornhill
Creator:
Samuel Ireland, active 1760–died 1800
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
David Garrick in the Character of Richard III
Creator:
Print made by Thomas Cook, 1744–1818
Date:
1798
Materials & Techniques:
Line engraving
Dimensions:
Sheet: 18 3/8 x 22 3/4in. (46.7 x 57.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Jules David Prown, Yale MA (HON.) 1971
A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, active 1760–died 1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, active 1760–died 1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, active 1760–died 1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, active 1760–died 1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, active 1760–died 1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
A Third Modern Military Punishment
Creator:
Print made by Samuel Ireland, active 1760–died 1800
Date:
1794
Materials & Techniques:
Etching and aquatint on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Plate 1, A Seated Roman General and Plate 2, Issued Barley Instead of Wheat
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection
Plate 3, Banishment, Plate 4, Degrading Punishments, and Plate 5, Freemen Degraded and Sold into Slavery
Creator:
Print made by A. M. Ireland, active before 1801
Date:
1794
Materials & Techniques:
Etching on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection