Creator: Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99) / Image Available: Available

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

The Death of Arcite

1790

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Richard Wynne

undated

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Shrimps!

1782

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Princess Charlotte Augusta

1797

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

...tu Sola animos, Mentemque peruris Gloria, te viriden violet, immunemque Senectae

undated

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Young Girl with a Mouse on a String Teasing a Cat

1782

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Two Putti, One Drawing the Other

undated

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Angelica and Medora

1787

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

The Distinguishing Characteristic of Masonry

1802

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Venus

1781

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Narcissus

1763

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Paulus Aemelius when no Public Affairs Hindered Him

1783

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Bacchanalians

1786

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

The Rape of Cephalus with Aurora

1776

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

A Woman (as ? Venus) with two Cherubs

1782

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Diana and Cupids

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Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Faun

1787

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Cupid making a Bow

1785

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

The Toilet of Venus

1788

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Bacchus and Bacchante

1787

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Nymphs and Diana Bathing

1787

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Bacchante and Cupid

1800

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

The Judgement of Paris

1788

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Perseus cautiously relating to Andromeda the Transforming power of Medusa's Head

1789

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Vortigern and Rowena

1788

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

...Scuote, / il lembo pieno; e nella torbid'onda / Tutte lascia cader l'impiesse note..

1773

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

E d'uccider se stesso in pensier venne / E lo facea, ma il Re Sobrrin lo tenne!

1773

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Socrates

1780

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Both sides of a Coin, showing Man's Head with Oak Leaf Wreath and a ? Fruit and Knife

undated

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Venus standing by the Sea, Two Cupids carry Masks

undated

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Troilus and Crssida, Act 3, Scene II

1794

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

As You Like It, Act IV, Orlando and Oliver

1788

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Soldier kneeling on a Stone embracing a Woman, Soldiers in Background

undated

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Macbeth, Act I, Scene II

1784

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Britannia rewarding Music and Literature

1792

Francesco Bartolozzi RA Diana preparing for the Hunt, Apollo and a Woman watch, The Woman has a Snake around her arm which is Drinking from a Cup she Holds

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Diana preparing for the Hunt, Apollo and a Woman watch, The Woman has a Snake around her arm which is Drinking from a Cup she Holds

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Cecilia

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Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Vignette: lettered "Bono Eventui"

undated

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Ticket to Mr. Fierville's Ball

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Joseph Andrews, see Book 2, Chapter 16

1781

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Memorial to the Children of James and Mary Woodmason

1798

$Francesco Bartolozzi RA Acer amor fractas utinam tua tela sagittas, scilicet extinctas afpiciamque faces$

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Acer amor fractas utinam tua tela sagittas, scilicet extinctas afpiciamque faces

undated

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

The Fair Alsacien

1779

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

The Hours

1788

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Vignette on title page of volume III, L'Amico' de Fanciulli, lettered 'Ti Guida Felice'

Francesco Bartolozzi RA Illustration from Bell's edition of the Poets of Great Britain, Volume LXX Savage: "Content from noise and court retires, / and smiling sits, while Muses tune their lyres"

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Illustration from Bell's edition of the Poets of Great Britain, Volume LXX Savage: "Content from noise and court retires, / and smiling sits, while Muses tune their lyres"

Francesco Bartolozzi RA Illustration from Bell's edition of the Poets of Great Britain, Volume LXXIII, Mallet: "...and close within his grasp /was clenched a broken oar"

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Illustration from Bell's edition of the Poets of Great Britain, Volume LXXIII, Mallet: "...and close within his grasp /was clenched a broken oar"

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Illustration depicting Mercury leading ? Venus from a Warrior ? Mars to a waiting Chariot

1794

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

A Man (? Military Hero or ? Poet) offering Gifts at the Altar of Venus

1780

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Time and Beauty

1780

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

A King presenting a cup to a Queen who refuses to Drink "...storzata e vinta, / Dindi beveo pui Lagrime che Vino"

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Venus with three Cupids in the Sky

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Frontispiece to Volume II of a Book, Woman pointing to a Tablet on which is written "Sanchos letters"

undated

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Shakespeare's Tomb

1782

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Illustration from Orlando Furioso: "Che debbo far? che poss'io far qui sola? / che mi da ajuto, oime, che mi consola?"

1773

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Vignette: Angel blowing long Trumpets each with a "W" on a Flag attached

undated

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Diana of Ephesus being unveiled by Cupid and Mercury and shown to ? Jupiter

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

The Last Supper

undated

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Venus and Adonis

1778

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

His Ego ne metas rerum, nec tempora pono: Imperium sine fine dedi.....Virg. Aen. lib. I

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Jonah, an Oratorio, Disposed for Voice and Harpsicord

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

The Prosperity of Great Britain, Contrasted with the Misery of France

1794

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

A Plate from Orlando Furioso: Vede di mezzo il fiume un cavaliero / Insino al petto uscir, d'aspetto fiero

1773

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Angelica, e Medoro in varj modi / Legati iusienne di diversi nodi

1773

Francesco Bartolozzi RA Illustration from Bell's edition of the Poets of Great Britain, Volume CVII Churchill: "Set one poor sprig and bay around my head, bloom shilst I live, and point me out when dead"

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Illustration from Bell's edition of the Poets of Great Britain, Volume CVII Churchill: "Set one poor sprig and bay around my head, bloom shilst I live, and point me out when dead"

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Antony and Cleopatra, Act I, Scene II

1794

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Mary Queen of Scots

1779

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Cordelia

1784

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

A Naiad

1779

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Cupids and Diana Bathing

1788

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Venus Sleeping

1785

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Orlando rescues Olympia from the Orca in the Island Ebuda

1768

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Minerva and the Muses

1788

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Sheet of Anatomical Studies of the Shoulder Muscles

1796

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Portrait of An: Caracci

1796

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Sheet of Anatomical Studies of Postcranial Bones

1795

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Old Man's Head looking Upwards

1796

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Frodate et Peso etc

undated

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Cleopatra and Meleagar

1783

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Pax Artium Nutrix

1787

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

A Plate from Orlando Furioso: Depicting Orlando and Rodomont Fighting

1773

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

In quel momento il monte, e il piano scosse / ..

1773

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Vignette: Monk giving Letter to a Pregnant Woman in a Cell

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Portrait in profile of Leonardo da Vinci

1795

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

A Man's Fate, Front View

1796

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Jacob's Vision, Genesis 28, v. II

1797

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Abraham entertaining Three Angels, Genesis 18, v. 1

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

The Birth of Pyrrhus

1797

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

A Monk's Head

1796

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Atalanta and Hippomanes

1763

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Bacchus amidst Solitary Rocks teaching the Nymphs to make Verses

1801

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Clytie

1772

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Laocoon and his Sons wrestling with two Snakes

1765

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Hermaphrodite

1787

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Medea Murdering her two Children

1787

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Hercules, Deianeira and Nessus

1787

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Nymph and Cupid

1800

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Minerva, Hercules, Mercury, Jupiter, and Hera, with a Youth with a Cup on a Plate

1788

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Cornelia, Mother of the Gracchi

1788

Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)

Jane of Flanders, Countess of Mountford assembling the Inhabitants of Rennes

1789

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