The High German Method of Destroying Vermin at Rat-Stadt
1799
5
James Gillray, 1757–1815, British
Exhibition of a Democratic Transparency,-with its Effect upon Patriotic Feelings: Representing, the Secret-Committee throwing a Light upon the Dark Sketches of a Revolution found among the Papers of the Jacobin Societies lately apprehended..
1799
6
James Gillray, 1757–1815, British
New Morality; - or - The Promis'd Installment of the High-Priest of the Theophilanthropes, - with the Homage of Leviathan and his Suite
1798
7
James Gillray, 1757–1815, British
Two Pair of Portraits; - Presented to all the Unbiassed Electors of Great Britain, by John Horne Tooke _____
1798
8
James Gillray, 1757–1815, British
The Gordon-Knot, - or - The Bonny - Duchess Hunting the Bedfordshire Bull
1797
9
James Gillray, 1757–1815, British
The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd Posture Master
1791
10
James Gillray, 1757–1815, British
The Leadenhall Volunteer, Drest in his Shawl
1797
11
James Gillray, 1757–1815, British
A Man of Importance
1799
12
James Gillray, 1757–1815, British
Homer Singing His Verses to the Greeks
1797
13
James Gillray, 1757–1815, British
A Portrait ------------
1799
14
James Gillray, 1757–1815, British
Crumbs of Comfort, - or - Old-Orthodox Restoring Consolation to His Fallen Children
1782
15
James Gillray, 1757–1815, British
A New Administration, or - The State Quacks Administring
1783
16
James Gillray, 1757–1815, British
The Friendly Agent
1787
17
James Gillray, 1757–1815, British
Margarets Ghost. What's the Matter Auntee-Peg, What Makes You Put on Such a Long Face?
1791
18
James Gillray, 1757–1815, British
The Bubbles of Opposition
1788
19
James Gillray, 1757–1815, British
The Triumphant Britons
1780
20
James Gillray, 1757–1815, British
The R't Hon'ble Catch Singers
1783
21
James Gillray, 1757–1815, British
Aside he Turn'd for Envy, yet with Jealous leer Malign, Eyd them Askance
1782
22
James Gillray, 1757–1815, British
The Soliloquy
1782
23
James Gillray, 1757–1815, British
Paille d'Avoine - Paille d'Avoine
1786
24
James Gillray, 1757–1815, British
A Morning Ride
1804
25
James Gillray, 1757–1815, British
Evacuation Before Resignation
1782
26
James Gillray, 1757–1815, British
Sophia, Honour, and the Chambermaid
1780
27
James Gillray, 1757–1815, British
The Funeral Procession of Miss Regency
1789
28
James Gillray, 1757–1815, British
The Tottering Pyramid
1784
29
James Gillray, 1757–1815, British
The Times - or a View of the Old House in Little Brittain - with Nobody Giving to Hannover
1784
30
James Gillray, 1757–1815, British
The English Regency
1789
31
James Gillray, 1757–1815, British
The Battle of Bow-Street
1788
32
James Gillray, 1757–1815, British
Doublûres of Characters; - or - Striking Resemblance in Phisiognomy
1798
33
James Gillray, 1757–1815, British
The Apotheosis of Hoche
1798
34
James Gillray, 1757–1815, British
The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with the Evil-one, Peeping at the Charms of Eden." (from Milton)
1797
35
James Gillray, 1757–1815, British
Nelson's Victory: - or - Good - News Operating Upon Loyal - Feelings
1798
36
James Gillray, 1757–1815, British
Destruction of the French Collossus
1798
37
James Gillray, 1757–1815, British
Buonaparte Leaving Egypt
1800
38
James Gillray, 1757–1815, British
Cincinnatus in Retirement, Falsely Supposed to Represent Jesuit-Pad' Driven Back to his Native Potatoes. (from: Caricature, vol. 2)
1782
39
James Gillray, 1757–1815, British
Gloria Mundi, or - The Devil Addressing the Sun
1782
40
James Gillray, 1757–1815, British
Committee of Grievances and Apprehensions
1792
41
James Gillray, 1757–1815, British
The Seige of Blenheim, - or - The New System of Gunning, Discovered -- Vide - A Bold Stroke for a Husband-Dedicated to the Duke of A.-
1791
42
James Gillray, 1757–1815, British
The Cole - Heavers. Two Virtuous Elves, Taking care of Themselves
1783
43
James Gillray, 1757–1815, British
Jack A Both Sides!
1783
44
James Gillray, 1757–1815, British
The Thunderer. Vide; Every Man in His Humour, Alter'd From Ben John
1782
45
James Gillray, 1757–1815, British
The Castle in the Moon. A New Adventure, Not Mentioned By Cerventes
1782
46
James Gillray, 1757–1815, British
Exit Liberte a la Francois! - or - Buounaparte Closing the Farce of Egalite, at St. Cloud near Paris, Nov. 10th 1799
1799
47
James Gillray, 1757–1815, British
The Prince at Grass --- The Prince in Clover
1787
48
James Gillray, 1757–1815, British
The Republican - Attack
1795
49
James Gillray, 1757–1815, British
French Generals Retiring, on Account of their Health; - with Lepaux Presiding in the Directorial Dispensary
1799
50
James Gillray, 1757–1815, British
Evidence to Character; - Being, a Portrait of a Traitor by His Friends and by Himself
1798
51
James Gillray, 1757–1815, British
The Feast of Reason, & the Flow of Soul, - ie: - The Wits of the Age, Setting the Table in a Roar
1797
52
James Gillray, 1757–1815, British
Field Marshall Count Suwarrow-Rominskoy ---
1799
53
James Gillray, 1757–1815, British
And The' - Tisick, - The Colic, Punch Cures The Gout
1799
54
James Gillray, 1757–1815, British
Pity The Sorrows of a Poor Old Man, Vide, Scene in Bloomsbury Square
1796
55
James Gillray, 1757–1815, British
John Bull & His Dog Faithful; - "Among The Faithless, Faithful Only Found"
1796
56
James Gillray, 1757–1815, British
Opening of the Budget; - or - John Bull Giving His Breeches to Save His Bacon
1796
57
James Gillray, 1757–1815, British
Hint to Modern Sculptors, as an Ornament to a Future Square ---
1796
58
James Gillray, 1757–1815, British
Patience on a Monument
1791
59
James Gillray, 1757–1815, British
A Sun Setting in a Fog, With The Old Hanover Hack Descending
1783
60
James Gillray, 1757–1815, British
A Uniform Whig ---
1791
61
James Gillray, 1757–1815, British
A Natural Crop; - Alias - A Norfolk Dumpling
1791
62
James Gillray, 1757–1815, British
The April Fool or The Follies of a Night ---
1786
63
James Gillray, 1757–1815, British
Gloria Mundi, or The Devil Addressing the Sun
ca. 1782
64
James Gillray, 1757–1815, British
A Warm Birth for the Old Administration -----
1783
65
James Gillray, 1757–1815, British
John Bull Triumphant
1780
66
James Gillray, 1757–1815, British
The Fall of the Wolsey of the Woolsack
1792
67
James Gillray, 1757–1815, British
Balaam, - or - The Majesty of the People,- The Lord Open'd the Mouth of the Ass, . . . etc
1783
68
James Gillray, 1757–1815, British
Bonus - Melior - Optimus, or the Devil's The Best of the Bunch
1783
69
James Gillray, 1757–1815, British
A Block for the Wigs - or, The New State Whirligig
1783
70
James Gillray, 1757–1815, British
Two New Sliders for the State Magic Lanthern
1783
71
James Gillray, 1757–1815, British
Fatal Effect of the French Defeat - Hanging (and) Drowning
1795
72
James Gillray, 1757–1815, British
The Monster Broke Loose - or - A Peep into the Shakespeare - Gallery
1791
73
James Gillray, 1757–1815, British
Independence
1799
74
James Gillray, 1757–1815, British
Elegance - Democratique, - A Sketch Found Near High-Wycombe; - Whenever I Wish to Form a Proper,- Estimate - of a Mans Mind, I Observe his Manners and his Dress. --- Lord Chesterfield,
1799
75
James Gillray, 1757–1815, British
The General of Patriotism, - or -The Bloomsbury Farmer, Planting Bedfordshire Wheat
1796
76
James Gillray, 1757–1815, British
Democratic Leveling; - Alliance a la Francoise; - or - The Union of the Coronet and Clyster-Pipe
1796
77
James Gillray, 1757–1815, British
A Hackney Meeting
1796
78
James Gillray, 1757–1815, British
The Grand-Signior Retiring
1796
79
James Gillray, 1757–1815, British
Fashionable - Jockeyship
1796
80
James Gillray, 1757–1815, British
Glorious Reception of the Ambassador of Peace, on His Entry Into Paris
1796
81
James Gillray, 1757–1815, British
The Royal Whim, or the Crouch-a-la Mode: A New Dance to The Old Tune. Comus, Euphrosyne, and The Bacchanalian Crew. ---Dedicated to Mr. Kelly, by Soliloquy Whistlepipe
1792
82
James Gillray, 1757–1815, British
The - Battle Royal, or Who Wears the Breeches
1784
83
James Gillray, 1757–1815, British
A Witch, Upon a Mount's Edge - Vide: Fuzelli
1791
84
James Gillray, 1757–1815, British
Which is the Better Man or The Pot Calls the Kettle Blacka-e
1786
85
James Gillray, 1757–1815, British
The Royal Academy
1786
86
James Gillray, 1757–1815, British
A Copper Countenance, Selling by Private Contract, The Property of a Noble Lord Out of Office Having No Further Use for It..
1780
87
James Gillray, 1757–1815, British
Ah, Grant A Me Von Letel Bite
1780
88
James Gillray, 1757–1815, British
The Legacy
1786
89
James Gillray, 1757–1815, British
The Loves of the Fox and the Badger, - or The Coalition Wedding
1784
90
James Gillray, 1757–1815, British
The Doctor Indulged with his Favorite Scene ---
ca. 1790
91
James Gillray, 1757–1815, British
Blowing up the Pic Nic's: or Harlequin Quioxtte Attacking the Puppets
1802
92
James Gillray, 1757–1815, British
Freedom (France) - Slavery (Britain)
1789
93
James Gillray, 1757–1815, British
Betty Canning (Gunning) Revived, or a Peep at the Conjuration of Mary Squires and the Gipsy Family
1791
94
James Gillray, 1757–1815, British
The Caneing in Conduit Street - Dedicated to the Flag Officers of the British Navy
1796
95
James Gillray, 1757–1815, British
The Impeachment, - or - "The Father of the Gang, Turn'd Kings-Evidence"
1791
96
James Gillray, 1757–1815, British
Search-Night;- or - State-Watchmen, Mistaking Honest-Men for Conspirators - Vide, State Arrests
1798
97
James Gillray, 1757–1815, British
United Irishmen Upon Duty
1798
98
James Gillray, 1757–1815, British
A Dash Up St. James's Street
1797
99
James Gillray, 1757–1815, British
Patriotic Regeneration, - Viz - Parliament Refoun'd a la Francoise, - that is, - Honest Men (i.e. Opposition) in the Seat of Justice. Vide, Carmaguol Expectations
1795
100
James Gillray, 1757–1815, British
The Genius of France Triumphant - or - Britannia Petitioning for Peace - Vide. The Proposals of Opposition