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Creator Print made by William Blake, 1757–1827, British

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1. Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."

Young's Night Thoughts, Page 17, "Night the Second, On Time, Death and Friendship."
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"

Young's Night Thoughts, Page 19, "Emblem of that which shall awake the dead"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)

The First Book of Urizen, Plate 20, "Of life forsaken mountains . . . ." (Bentley 23)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The First Book of Urizen, Plate 22 (Bentley 24)

The First Book of Urizen, Plate 22 (Bentley 24)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The First Book of Urizen, Plate 24 (Bentley 26)

The First Book of Urizen, Plate 24 (Bentley 26)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. For Children. The Gates of Paradise, Plate 6, "Air"

For Children. The Gates of Paradise, Plate 6, "Air"
Creator:
Print made by William Blake, 1757–1827, British
Date:
1793
Medium:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. For Children. The Gates of Paradise, Plate 12, "Help! Help!"

For Children. The Gates of Paradise, Plate 12, "Help! Help!"
Creator:
Print made by William Blake, 1757–1827, British
Date:
1793
Medium:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. For Children. The Gates of Paradise, Plate 10, "My Son! my Son!"

For Children. The Gates of Paradise, Plate 10, "My Son! my Son!"
Creator:
Print made by William Blake, 1757–1827, British
Date:
1793
Medium:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. For Children. The Gates of Paradise, Plate 11, "I want! I want!"

For Children. The Gates of Paradise, Plate 11, "I want! I want!"
Creator:
Print made by William Blake, 1757–1827, British
Date:
1793
Medium:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)

Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in green with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)

Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in green with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)

Songs of Innocence and of Experience, Plate 24, "The Divine Image" (Bentley 18)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in green with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)

Songs of Innocence and of Experience, Plate 26, "A Cradle Song" (Bentley 16)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in green with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)

Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Songs of Innocence and of Experience, Plate 37, "Nurses Song" (Bentley 38)

Songs of Innocence and of Experience, Plate 37, "Nurses Song" (Bentley 38)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)

Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)

Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. For Children. The Gates of Paradise, Plate 2, Title Page

For Children. The Gates of Paradise, Plate 2, Title Page
Creator:
Print made by William Blake, 1757–1827, British
Date:
1793
Medium:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. For Children. The Gates of Paradise, Plate 4, "Water"

For Children. The Gates of Paradise, Plate 4, "Water"
Creator:
Print made by William Blake, 1757–1827, British
Date:
1793
Medium:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. For Children. The Gates of Paradise, Plate 7, "Fire"

For Children. The Gates of Paradise, Plate 7, "Fire"
Creator:
Print made by William Blake, 1757–1827, British
Date:
1793
Medium:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. For Children. The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"

For Children. The Gates of Paradise, Plate 8, "At length for hatching ripe he breaks the shell"
Creator:
Print made by William Blake, 1757–1827, British
Date:
1793
Medium:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)

Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in green with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

23. Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)

Songs of Innocence and of Experience, Plate 18, "The Lamb" (Bentley 8)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in green with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

24. Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)

Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in green with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)

Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in green with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

26. Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)

Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

27. Songs of Innocence and of Experience, Plate 35, "Earth's Answer" (Bentley 31)

Songs of Innocence and of Experience, Plate 35, "Earth's Answer" (Bentley 31)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

28. Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)

Songs of Innocence and of Experience, Plate 33, Experience Title Page (Bentley 29)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

29. Songs of Innocence and of Experience, Plate 39, "London" (Bentley 46)

Songs of Innocence and of Experience, Plate 39, "London" (Bentley 46)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

30. Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49)

Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

31. Songs of Innocence and of Experience, Plate 43, "A Little Boy Lost" (Bentley 50)

Songs of Innocence and of Experience, Plate 43, "A Little Boy Lost" (Bentley 50)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

32. For Children. The Gates of Paradise, Plate 1, Frontispiece, "What is Man!"

For Children. The Gates of Paradise, Plate 1, Frontispiece, "What is Man!"
Creator:
Print made by William Blake, 1757–1827, British
Date:
1793
Medium:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

33. For Children. The Gates of Paradise, Plate 3, "I found him beneath a Tree"

For Children. The Gates of Paradise, Plate 3, "I found him beneath a Tree"
Creator:
Print made by William Blake, 1757–1827, British
Date:
1793
Medium:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

34. For Children. The Gates of Paradise, Plate 5, "Earth"

For Children. The Gates of Paradise, Plate 5, "Earth"
Creator:
Print made by William Blake, 1757–1827, British
Date:
1793
Medium:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

35. For Children. The Gates of Paradise, Plate 9, "Alas!"

For Children. The Gates of Paradise, Plate 9, "Alas!"
Creator:
Print made by William Blake, 1757–1827, British
Date:
1793
Medium:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

36. Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)

Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in green with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

37. Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)

Songs of Innocence and of Experience, Plate 2, Innocence Title Page (Bentley 3)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in green with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

38. Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4)

Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in green with watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

39. Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)

Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in green with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

40. Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)

Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in green with pen and ink watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

41. Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)

Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in green with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

42. Songs of Innocence and of Experience, Plate 44, "A Little Girl Lost" (Bentley 51)

Songs of Innocence and of Experience, Plate 44, "A Little Girl Lost" (Bentley 51)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

43. For Children. The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"

For Children. The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"
Creator:
Print made by William Blake, 1757–1827, British
Date:
1793
Medium:
Etching and line engraving on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

44. Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)

Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching with watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

45. Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

46. Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"

Young's Night Thoughts, Page 10, "Disease invades the chastest temperence"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

47. Young's Night Thoughts, Page 13, "The present moment terminates our sight"

Young's Night Thoughts, Page 13, "The present moment terminates our sight"
Creator:
Print made by William Blake, 1757–1827, British
Date:
ca. 1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

48. The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)

The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1794
Medium:
Color-printed relief etching in orange-brown with watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

49. Songs of Innocence and of Experience, Plate 2, Combined Title Page (Bentley 1)

Songs of Innocence and of Experience, Plate 2, Combined Title Page (Bentley 1)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789 to 1794
Medium:
Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

50. Songs of Innocence and of Experience, Plate 20, "The Blossom" (Bentley 11)

Songs of Innocence and of Experience, Plate 20, "The Blossom" (Bentley 11)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789 to 1794
Medium:
Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

51. Songs of Innocence and of Experience, Plate 22, "The Little Boy Found" (Bentley 14)

Songs of Innocence and of Experience, Plate 22, "The Little Boy Found" (Bentley 14)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789 to 1794
Medium:
Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

52. Songs of Innocence and of Experience, Plate 23, "Infant Joy" (Bentley 25)

Songs of Innocence and of Experience, Plate 23, "Infant Joy" (Bentley 25)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789 to 1794
Medium:
Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

53. Songs of Innocence and of Experience, Plate 24, "The Lamb" (Bentley 8)

Songs of Innocence and of Experience, Plate 24, "The Lamb" (Bentley 8)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789 to 1794
Medium:
Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

54. Songs of Innocence and of Experience, Plate 25, "The Voice of the Ancient Bard" (Bentley 54)

Songs of Innocence and of Experience, Plate 25, "The Voice of the Ancient Bard" (Bentley 54)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789 to 1794
Medium:
Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

55. Songs of Innocence and of Experience, Plate 27, "The Divine Image" (Bentley 18)

Songs of Innocence and of Experience, Plate 27, "The Divine Image" (Bentley 18)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789 to 1794
Medium:
Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

56. Songs of Innocence and of Experience, Plate 3, Innocence Title Page (Bentley 3)

Songs of Innocence and of Experience, Plate 3, Innocence Title Page (Bentley 3)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789 to 1794
Medium:
Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

57. Songs of Innocence and of Experience, Plate 51, "London" (Bentley 46)

Songs of Innocence and of Experience, Plate 51, "London" (Bentley 46)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789 to 1794
Medium:
Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Songs of Innocence and of Experience, Plate 9, "The Little Black Boy" (Bentley 10)

Songs of Innocence and of Experience, Plate 9, "The Little Black Boy" (Bentley 10)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789 to 1794
Medium:
Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

59. Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)

Songs of Innocence and of Experience, Plate 1, Innocence Frontispiece (Bentley 2)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789 to 1794
Medium:
Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

60. Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)

Songs of Innocence and of Experience, Plate 12, "Spring" (Bentley 23)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789 to 1794
Medium:
Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

61. Songs of Innocence and of Experience, Plate 13, "Nurse's Song" (Bentley 24)

Songs of Innocence and of Experience, Plate 13, "Nurse's Song" (Bentley 24)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789 to 1794
Medium:
Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

62. Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)

Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in brown with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

63. Songs of Innocence, Plate 3, "Introduction" (Bentley 4)

Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in brown with watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

64. Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)

Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

65. Songs of Innocence, Plate 4, "A Dream" (Bentley 26)

Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in brown with watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

66. Songs of Innocence, Plate 6, "The Little Girl Found" (Bentley 35)

Songs of Innocence, Plate 6, "The Little Girl Found" (Bentley 35)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789
Medium:
Relief etching printed in brown with pen and ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

67. Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"
Creator:
Print made by William Blake, 1757–1827, British
Date:
1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

68. Songs of Innocence and of Experience, Plate 8, "The Little Black Boy" (Bentley 9)

Songs of Innocence and of Experience, Plate 8, "The Little Black Boy" (Bentley 9)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789 to 1794
Medium:
Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

69. Songs of Innocence and of Experience, Plate 10, "Holy Thursday" (Bentley 19)

Songs of Innocence and of Experience, Plate 10, "Holy Thursday" (Bentley 19)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789 to 1794
Medium:
Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

70. Songs of Innocence and of Experience, Plate 11, "Spring" (Bentley 22)

Songs of Innocence and of Experience, Plate 11, "Spring" (Bentley 22)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789 to 1794
Medium:
Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

71. Songs of Innocence and of Experience, Plate 14, "The Shepherd" (Bentley 5)

Songs of Innocence and of Experience, Plate 14, "The Shepherd" (Bentley 5)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789 to 1794
Medium:
Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

72. Songs of Innocence and of Experience, Plate 15, "A Dream" (Bentley 26)

Songs of Innocence and of Experience, Plate 15, "A Dream" (Bentley 26)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789 to 1794
Medium:
Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

73. Songs of Innocence and of Experience, Plate 18, "Night" (Bentley 20)

Songs of Innocence and of Experience, Plate 18, "Night" (Bentley 20)
Creator:
Print made by William Blake, 1757–1827, British
Date:
1789 to 1794
Medium:
Relief etching printed in dark-brown with pen and black ink and watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

74. Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
Creator:
Print made by William Blake, 1757–1827, British
Date:
1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

75. Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"

Young's Night Thoughts, Page 49, "As If the Sun Could Envy, Check'd His Beam"
Creator:
Print made by William Blake, 1757–1827, British
Date:
1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

76. Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"

Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
Creator:
Print made by William Blake, 1757–1827, British
Date:
1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

77. Young's Night Thoughts, Page 43, "Night the Third, Narcissa."

Young's Night Thoughts, Page 43, "Night the Third, Narcissa."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1797
Medium:
Etching and line engraving with watercolor on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

78. Jerusalem, Plate 1, Frontispiece

Jerusalem, Plate 1, Frontispiece
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

79. Jerusalem, Plate 10, "Into the Furnaces...."

Jerusalem, Plate 10, "Into the Furnaces...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

80. Jerusalem, Plate 25, "And there was heard...."

Jerusalem, Plate 25, "And there was heard...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange with pen and black ink, watercolor, and gold on moderately thick, smooth, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

81. Jerusalem, Plate 26, "Such Visions Have...."

Jerusalem, Plate 26, "Such Visions Have...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

82. Jerusalem, Plate 27, "To the Jews...."

Jerusalem, Plate 27, "To the Jews...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

83. Jerusalem, Plate 28, "Jerusalem / Chap. 2...."

Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

84. Jerusalem, Plate 29, "Then the Divine Vision...."

Jerusalem, Plate 29, "Then the Divine Vision...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. Jerusalem, Plate 3, "To the Public...."

Jerusalem, Plate 3, "To the Public...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

86. Jerusalem, Plate 30, "And the Two that escaped...."

Jerusalem, Plate 30, "And the Two that escaped...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

87. Jerusalem, Plate 31, "His western heaven...."

Jerusalem, Plate 31, "His western heaven...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

88. Jerusalem, Plate 37, "And One stood forth...."

Jerusalem, Plate 37, "And One stood forth...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

89. Jerusalem, Plate 38, "His face and bosom...."

Jerusalem, Plate 38, "His face and bosom...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

90. Jerusalem, Plate 39, "By Satans Watch-fiends...."

Jerusalem, Plate 39, "By Satans Watch-fiends...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

91. Jerusalem, Plate 4, "Jerusalem / Chap. 1...."

Jerusalem, Plate 4, "Jerusalem / Chap. 1...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

92. Jerusalem, Plate 41, "Bath who is Legions...."

Jerusalem, Plate 41, "Bath who is Legions...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

93. Jerusalem, Plate 42, "Thus Albion sat...."

Jerusalem, Plate 42, "Thus Albion sat...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

94. Jerusalem, Plate 44, "With one accord...."

Jerusalem, Plate 44, "With one accord...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

95. Jerusalem, Plate 48, "These were his last words...."

Jerusalem, Plate 48, "These were his last words...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

96. Jerusalem, Plate 5, "The banks of the Thames...."

Jerusalem, Plate 5, "The banks of the Thames...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

97. Jerusalem, Plate 50, "The Atlantic Mountains...."

Jerusalem, Plate 50, "The Atlantic Mountains...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

98. Jerusalem, Plate 51

Jerusalem, Plate 51
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in black with pen and black ink and watercolor on moderately thick, smooth, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

99. Jerusalem, Plate 57, "And the voices of Bath...."

Jerusalem, Plate 57, "And the voices of Bath...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

100. Jerusalem, Plate 58, "In beauty the Daughters of Albion...."

Jerusalem, Plate 58, "In beauty the Daughters of Albion...."
Creator:
Print made by William Blake, 1757–1827, British
Date:
1804 to 1820
Medium:
Relief etching printed in orange with pen and black ink and watercolor on moderately thick, smooth, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection