<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Search Results

Set of eight (2): Cries of London
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1799
Medium:
Etching with aquatint, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Set of eight (3): Cries of London
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1799
Medium:
Etching with aquatint, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Set of eight (7): Cries of London
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1799
Medium:
Etching with aquatint, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Set of eight (5): Cries of London
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1799
Medium:
Etching with aquatint, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Set of eight (6): Cries of London
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1799
Medium:
Etching with aquatint, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Set of Sixteen: Outlines of Figure and Landscapes
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1790-1792
Medium:
Etching, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Journalist, with a view of Auchinleck or the Land of Stones
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1786
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Yale University Art Gallery Collection
The Guards on the March for the Duke of York's Campaign in France
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor, pen and brown ink, pen and red ink, pen and gray ink, and graphite on moderately thick, moderately textured, beige wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1790-1792
Medium:
Etching, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1790-1792
Medium:
Etching, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Set of sixteen: Outlines of Figures and Landscapes
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1790-1792
Medium:
Etching, colored by hand
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dr. Syntax Made Free of the Cellar
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and brown and gray ink on medium, moderately textured, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mrs. Abington
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor, pen and gray ink, pen and black ink, and gray wash on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Cat Like Courtship
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor, pen and gray ink, pen and red-brown ink, gray wash, and graphite on medium, slightly textured, beige wove paper mounted on thick, moderately textured, beige wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bucks of the First Head
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
ca. 1785
Medium:
Watercolor, with pen and black, and gray-brown ink, over graphite on medium, moderately textured, blued white, laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Actresses Dressing Room at Drury Lane
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1800 and 1810
Medium:
Watercolor with pen and red-brown and gray ink, over graphite on medium, moderately textured, blued white, laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View on Exmoor
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and red-brown ink, and graphite on moderately thick, moderately textured, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Soldiers on a March: "To pack up her tatters and follow the Drum"
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1811
Medium:
Hand-colored etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Picnic
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and gray and brown ink over graphite; verso: graphite on medium, slightly textured, blued white, wove paper, mounted on moderately thick, sligtly textured, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Pier at Amsterdam (Version A)
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1792
Medium:
Watercolor with pen and red-brown and brown ink over graphite on medium, slightly textured, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Undergraduate's Room
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and red-brown and brown-gray ink on medium, slightly textured, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rowlandson and Wigstead on Tour
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and black and gray ink on medium, moderately textured, cream, laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Interior of a Stable
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and gray and brown ink over graphite on moderately thick, moderately textured, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dr. Syntax Painting a Portrait
Creator:
Thomas Rowlandson, 1756–1827, British
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Angry Scene in a Street
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1805 and 1810
Medium:
Watercolor with pen and red-brown and gray-brown ink, over graphite on medium, wove paper, mounted on, moderately thick, cream, laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Recruiting Officer
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1797
Medium:
Watercolor with pen and red-brown, gray and black ink; verso: watercolor stains. on medium, moderately textured, blued white, laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Three Sportsmen Sleeping at the Table in Their Chairs
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and gray-brown ink, and graphite; verso: graphite on medium, slightly textured, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
St. Paul's Cathedral
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1809
Medium:
Aquatint
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Guildhall Examination of a Bankrupt before his Creditors
Creator:
Thomas Rowlandson, 1756–1827, British
Medium:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Common Council Chamber, Guildhall
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1808
Medium:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Freemasons Hill, Great Queen Street
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1808
Medium:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Post Office
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1809
Medium:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Debating Society, Piccadilly
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1808
Medium:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bartholomew Fair
Creator:
John Bluck, active 1791–1831, British
Date:
1808
Medium:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
House of Lords
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1809
Medium:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Light House Volunteers of London and Westminster
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1798
Medium:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sketched at the Cockpit, Nottingham
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1801
Medium:
Pen and brown ink with gray wash on laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Gift of Melville and Naomi Stone
Loading Sacks into a Cart
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Pen and red, red-brown and dark gray ink with brown wash over graphite on medium, moderately textured, beige, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Peep into the Retreat at Tinnehinch
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1799
Medium:
Etching, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Race on the Knavesmire at York
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor, with pen, in brown ink and gray ink on thick, slightly textured, brown, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Return from the Hunt
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1787
Medium:
Watercolor, with pen, in gray ink and black ink on moderately thick, slightly textured, cream, laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Four O'Clock in the Country
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1788 and 1790
Medium:
Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Runaway Coach
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
ca. 1791
Medium:
Watercolor, pen and black ink, gray ink, and graphite on moderately thick, moderately textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Stage Coach Outside of the Entrance of an Inn
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Brown wash, and gray wash, with pen, in black ink, and brown ink, over graphite on medium, slightly textured, blued white, wove paper mounted on moderately thick, moderately textured, beige, laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ages of the Horse: The Foal, The Colt, The Racer, The Hunter, The Post-Horse, Food for the Hounds
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Graphite on medium, slightly textured, cream, laid paper and wove paper, mounted on very thick, moderately textured, blue, wove paper.
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Secret Influence directing the new Parliament
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Melpomene in the Dumps; or, Child's Play Defended by Theatrical Monarchs
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1804
Medium:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Famous Black Coal Heaver, Black Charley, Looking into the mouth of the wondeful Coal Pit
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1805
Medium:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Vicar of Wakefield: The Family Picture
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1817
Medium:
Pen in gray and red-brown ink and watercolor; verso: graphite on medium, smooth, blued white wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Vicar of Wakefield: The Fair Penitent
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
ca. 1817
Medium:
Watercolor, with pen and gray, brown, and red-brown ink on medium, smooth, blued white wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Vicar of Wakefield: Attendance on a Nobleman
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
ca. 1817
Medium:
Watercolor, with pen and gray-brown and red-brown ink, over graphite on medium, smooth, blued white wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Vicar of Wakefield: The Scold, with news of Olivia
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
ca. 1817
Medium:
Watercolor, with pen and gray ink over graphite on medium, smooth, blued white wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Elegant Company Dancing
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor and pen and red-brown, red, and brown ink on medium, slightly textured, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mad'elle du de l'Opera
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor, with pen and red-brown, and gray ink over graphite on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Diners in a Chop Shop
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1800 and 1805
Medium:
Watercolor with pen and brown and red-brown ink over graphite, verso: black crayon, graphite, and ink lines, numbers and tracing of recto image on medium, smooth, blued white wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Crowd by a Gibbet
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and brown ink, over graphite on medium, smooth, beige, wove paper, mounted on heavy board
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Comforts of Bath: Gouty Gourmands at Dinner
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1798
Medium:
Watercolor, pen and gray-brown ink, and graphite on medium, moderately textured, beige wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Comforts of Bath: The Concert
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1798
Medium:
Watercolor with pen and gray and black ink on medium, slightly textured, blued white wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Comforts of Bath: The Music Master
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1798
Medium:
Watercolor with pen and black ink on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Comforts of Bath: Private Practice Previous to the Ball
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1798
Medium:
Watercolor with pen and black ink on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Butterfly Hunting
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
ca. 1806
Medium:
Watercolor with pen and gray ink over graphite on medium, smooth, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Legal Wrangle
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor and graphite with pen and black ink and pen and brown ink on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Mother and Child
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Graphite with pen and brown ink on moderately thick, moderately textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Modern Grace...The Ballet of Alonzo e Cara
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1796
Medium:
Watercolor with pen and brown ink on medium, smooth, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Parisian Street Figures
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1786
Medium:
Gray wash and graphite with pen and brown ink; verso: watercolor on medium, moderately textured, blued white laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Phaeton and Six
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and gray and brown ink over graphite on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A View at Blackwall
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor, graphite, pen and brown ink, and pen and gray ink on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Southhampton, the Watergate and Globe Inn
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Gray wash and graphite with pen and brown ink on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Female Dancer with a Tambourine
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1790 and 1795
Medium:
Watercolor and graphite with pen and gray ink and pen and brown ink on medium, slightly textured, wove paper, mounted on thick, moderately textured, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mr. Drummond's Cottage, East Cowes, Isle of Wight
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1797 and 1800
Medium:
Watercolor with pen and gray and red-brown ink over graphite on moderately thick, moderately textured, white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Village Scene with Girls Spinning
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Pen in gray and black ink with gray wash over graphite on moderately thick, moderately textured, blued white, laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Gypsies Cooking on an Open Fire
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor and with pen and brown ink and pen and gray ink on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wapping Old Stairs
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and red-brown ink over graphite on medium, smooth, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Two Sleeping Figures
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Gray wash with pen and gray ink and red-brown ink on medium, slightly textured, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Labourers at Rest
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1790 and 1795
Medium:
Watercolor with pen and red-brown and blue ink, over graphite with pen and gray ink and wash line on border on medium, moderately textured, beige, laid paper, mounted on, medium, slightly textured, beige, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mother Bundle in a Rage or Too late for the Stage
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
ca. 1809
Medium:
Watercolor with pen and brown-gray, red-brown, and brown ink, over graphite; verso: graphite on medium, moderately textured, blued white, laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Cloisters of a Monastery
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor and graphite with pen and red ink and pen and gray ink on medium, smooth, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Livery Stable
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor and graphite with pen and red-brown ink, pen and gray ink, and pen and brown ink on medium, slightly textured, beige, wove paper with pen in gray ink line and gray wash borders
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bookmaker and his Client outside the Ram Inn, Newmarket
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Road by a Farm
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor and graphite with pen and red-brown ink and pen and gray ink on medium, slightly textured, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Selling Fish on a Beach
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and gray and red-brown ink, and graphite; verso: watercolor blots on moderately thick, moderately textured, beige, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Elopement
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1792
Medium:
Watercolor with pen and gray and black ink, over graphite on medium, slightly textured, white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Doctor Syntax loses his Money on the Race Ground at York
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1820
Medium:
Watercolor and graphite with pen and black ink, pen and gray ink, and pen and red-brown ink on medium medium, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
How to Ride Genteel and Agreeably Downhill
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor and graphite with pen and red-brown ink on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

85. The Kill

The Kill
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and gray ink over graphite on medium, slightly textured, blued white wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Visitors Inspecting Abbey Ruins
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and gray ink, and pen and red ink, over graphite on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Reflections, or the Music Lesson
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor and graphite with pen and gray ink and pen and brown ink on medium, moderately textured cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Gaming Table
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1801
Medium:
Watercolor with pen and brown and gray ink, over graphite on moderately thick, moderatedly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Billiard Room
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
ca. 1801
Medium:
Watercolor with pen and brown ink over graphite on medium, slightly textured, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Undercliff, Steephill, Isle of Wight
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor over graphite on moderately thick, slightly textured, beige, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Two Men on Horseback Seen from Behind
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and red-brown and gray ink over graphite on medium, smooth, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
An Artist's Studio
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1814
Medium:
Watercolor with pen and red-brown, brown, and gray ink, over graphite on moderately thick, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Quakers' Meeting
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
ca. 1810
Medium:
Watercolor with pen and gray-brown and red-brown ink over graphite on medium, slightly textured, blued white, wove paper, mounted on moderately thick, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fox-Hunting [set of six]: 3. The Death of the Fox
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1787
Medium:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fox-Hunting [set of six]: 2. The Chase
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1787 and 1788
Medium:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fox-Hunting [set of six]: 4. The Refreshment
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1788
Medium:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Fox-Hunting [set of six]: 5. The Return
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1788
Medium:
Aquatint, hand-colored
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Racing [set of six]: 5. Running out of the Course
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1799
Medium:
Hand colored etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Melpomene in the Dumps; of, Child's Play Defended by Theatrical Monarchs
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1804
Medium:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Famous Black Coal Heaver, Black Charley, Looking into the mouth of the wonderful Coal Pit
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1805
Medium:
Etching
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection