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Creator Thomas Rowlandson, 1756–1827, British

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A Potter Going Out
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1815 and 1820
Medium:
Watercolor with pen and brown ink, over graphite on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Mausoleum
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and red-brown ink and pen and gray brown ink, over graphite on medium, slightly textured, beige, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Family of Children
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and red-brown ink over graphite on medium, slightly textured, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Death and the Debauchee
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1814 and 1816
Medium:
Watercolor with pen and red-brown ink over graphite on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Elopement
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1792
Medium:
Watercolor with pen and gray and black ink, over graphite on medium, slightly textured, white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dr. Syntax Copying the Wit of the Window
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1809 and 1812
Medium:
Watercolor with pen and gray and brown ink, over graphite on medium, moderately textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Wapping Old Stairs
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and red-brown ink over graphite on medium, smooth, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Cloisters of a Monastery
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor and graphite with pen and red ink and pen and gray ink on medium, smooth, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Jealousy, Rage, Disappointment...
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1817
Medium:
Watercolor, with pen and brown, black, red-brown, and gray ink over graphite on very thick, moderately textured, beige wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Black Leg Detected Secreting Cards
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor, with pen and gray ink on medium, smooth, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Breakfast before the Hunt
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1785 and 1790
Medium:
Pen and black and gray ink with brown and blue wash on medium, moderately textured, beige, laid paper, mounted on, moderately thick, moderately textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
How to Vault in the Saddle
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1813
Medium:
Watercolor, with pen, in brown ink, gray ink, and graphite on moderately thick, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Four O'Clock in the Country
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1788 and 1790
Medium:
Watercolor, pen and black ink, gray ink and graphite on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Stage Coach Outside of the Entrance of an Inn
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Brown wash, and gray wash, with pen, in black ink, and brown ink, over graphite on medium, slightly textured, blued white, wove paper mounted on moderately thick, moderately textured, beige, laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. Gardening

Gardening
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor, with pen, and brown ink, gray ink and graphite on moderately thick, slightly textured, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Butterfly Hunting
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
ca. 1806
Medium:
Watercolor with pen and gray ink over graphite on medium, smooth, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Flower Seller
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and red-brown and gray ink, and graphite on medium, smooth, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Arrival of the Fire Engine
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and red brown and brown ink, over graphite on medium, smooth, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Punch and Judy Show
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor and graphite with pen and brown ink and pen and black ink on medium, moderately textured, blued white wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Undergraduate's Room
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and red-brown and brown-gray ink on medium, slightly textured, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rowlandson and Wigstead on Tour
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and black and gray ink on medium, moderately textured, cream, laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Stable of an Inn
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
ca. 1790
Medium:
Watercolor, pen and black ink, graphite, gouache and brown wash on medium, moderately textured, laid paper, mounted on, thick, moderately textured, beige, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dr Syntax & Dairymaid
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1821
Medium:
Watercolor with pen and red ink and graphite on medium, slightly textured, cream wove paper mounted on moderately thick, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Waggoner's Rest
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1800 and 1805
Medium:
Watercolor with pen and gray ink over graphite on thick, moderately textured, beige wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

25. The Test

The Test
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Pen and gray ink and wash over graphite on medium, moderately textured, light blue, (faded to beige), laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lord Harrington Leaving Mother Matthew's
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Pen and brown ink over graphite on medium, slightly textured, beige, laid paper, mounted on thick, rough, beige, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Carrier's Waggon
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1785 and 1790
Medium:
Watercolor with pen and black and gray ink on medium, slightly textured, blued white laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Sailor's Return
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor, with pen and brown, red-brown, and gray ink, over graphite on medium, slightly textured, beige wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Vicar of Wakefield: The Surprise
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
ca. 1817
Medium:
Watercolor, pen and red-brown ink; verso: graphite on medium, smooth, blued white wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Maiden Aunt Smelling Fire
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1804
Medium:
Watercolor and graphite with pen and red-brown and pen and gray ink on medium, slightly textured, beige, wove paper, mounted on, thick, moderately textured, beige, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Comforts of Bath: The Pump Room
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1798
Medium:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
'The Doctor is so Severely Bruised that Cupping is Judged Necessary'
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1809 and 1811
Medium:
Watercolor with pen and brown ink and graphite on medium, moderately textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Mr. Michell's Picture Gallery, Grove House, Enfield 1817
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1817
Medium:
Watercolor and graphite with pen and gray ink and pen and brown ink on medium, moderately textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection