<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

You searched for:

Creator Thomas Rowlandson, 1756–1827, British

Remove constraint Creator: Thomas Rowlandson, 1756–1827, British

Subject Terms hats

Remove constraint Subject Terms: hats

Search Results

The Guards on the March for the Duke of York's Campaign in France
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor, pen and brown ink, pen and red ink, pen and gray ink, and graphite on moderately thick, moderately textured, beige wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
View on Exmoor
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and red-brown ink, and graphite on moderately thick, moderately textured, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Interior of a Stable
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and gray and brown ink over graphite on moderately thick, moderately textured, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The London Citizen
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor and graphite with pen and brown ink on medium, slightly textured, blued white wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Doctor Syntax loses his Money on the Race Ground at York
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1820
Medium:
Watercolor and graphite with pen and black ink, pen and gray ink, and pen and red-brown ink on medium medium, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Vicar of Wakefield: The Departure from Wakefield
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
ca. 1817
Medium:
Watercolor with pen and red-brown, brown and light gray ink over graphite; verso: graphite on medium, smooth, blued white wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Vicar of Wakefield: Attendance on a Nobleman
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
ca. 1817
Medium:
Watercolor, with pen and gray-brown and red-brown ink, over graphite on medium, smooth, blued white wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Elegant Company Dancing
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor and pen and red-brown, red, and brown ink on medium, slightly textured, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Embarkation at Southampton, June 20th 1794
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1794
Medium:
Watercolor and pen and brown, gray, and red-brown ink over graphite on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Black Leg Detected Secreting Cards
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor, with pen and gray ink on medium, smooth, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Comforts of Bath: The Concert
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1798
Medium:
Watercolor with pen and gray and black ink on medium, slightly textured, blued white wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Review in a Market Place
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
ca. 1790
Medium:
Watercolor with pen and gray and black ink on cream, moderately thick, moderately textured, wove paper, mounted on moderately thick, moderately textured, brown, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. Checkmate

Checkmate
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and black ink over graphite on medium, slightly textured, blued white laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Billiard Room
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
ca. 1801
Medium:
Watercolor with pen and brown ink over graphite on medium, slightly textured, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Lord Harrington and Lord Petersham
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and gray and red-brown ink, over graphite; verso: graphite shading on medium, slightly textured, biege, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Milkmaids and Gentlemen in St. James's Park
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Pen and gray-brown ink with wash, over graphite; verso: pen and gray brown ink and watercolor blots on medium, moderately textured, blued white, laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Vinery
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Pen and brown ink with pale brown and pale green wash over graphite on medium, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Visitors Being Shown the Baby
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and red-brown ink over graphite on medium, slightly textured, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Covent Garden Market
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1795 and 1810
Medium:
Watercolor with pen and red-brown and brown ink, and graphite, with pen and gray line and gray wash on border; verso: watercolor blots and pen and ink lines on medium, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Club Room
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and red-brown and gray ink over graphite; verso: graphite on medium, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Exhibition Stare-Case, Somerset House
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
ca. 1800
Medium:
Watercolor and pen and ink on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Group of Figures
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
ca. 1820
Medium:
Watercolor with pen and red-brown and gray ink on medium, slightly textured wove paper mounted on mat board, with gold paper and red and brown ink borders
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Henry Angelo and Madame Cain Fencing
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and red-brown and gray-brown ink on moderately thick, moderately textured, wove paper, mounted on cream, thick, rough wove paper with gray ink and wash line borders
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Captain Barclay's Rally Match - The Finish
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and red-brown and gray ink over graphite on thick, moderately textured, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Riding and Driving Mishaps
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Pen and brown ink over graphite on moderately thick, moderately textured, beige, laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Naval Officers and a Bowl of Punch
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor and graphite with pen and red ink and pen and gray ink on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Miseries of the Country
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and red-brown and gray ink, over graphite on medium, slightly textured, cream wove paper mounted on cream, moderately thick, moderately textured wove paper mount with pen and red-gray ink and gray blue wash lines
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Race on the Knavesmire at York
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor, with pen, in brown ink and gray ink on thick, slightly textured, brown, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Military Adventures of Johnny Newcome
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor, with pen, in gray ink, brown ink, and graphite on medium, slightly textured, beige, wove paper, mounted on, moderately thick, slightly textured, beige, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Crowd by a Gibbet
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and brown ink, over graphite on medium, smooth, beige, wove paper, mounted on heavy board
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Diners in a Chop Shop
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1800 and 1805
Medium:
Watercolor with pen and brown and red-brown ink over graphite, verso: black crayon, graphite, and ink lines, numbers and tracing of recto image on medium, smooth, blued white wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ladies at Tea
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1790 and 1795
Medium:
Watercolor with pen and red-brown and brown ink, over graphite on medium, moderately textured, laid paper with gray wash line border mounted on medium, moderately textured, beige, laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Soldiers in St. James Park
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor, graphite, pen and brown ink, and pen and gray ink on medium, moderately textured, beige wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Comforts of Bath: Gouty Persons Fall on Steep HIll
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1798
Medium:
Watercolor with pen and black ink over graphite on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Punch and Judy Show
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor and graphite with pen and brown ink and pen and black ink on medium, moderately textured, blued white wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Vicar of Wakefield: Frontispiece
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1817
Medium:
Watercolor, with pen and red-brown ink; verso: graphite on medium, smooth, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Vicar of Wakefield: The Vicar's Family on the Road to Church
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
ca. 1817
Medium:
Watercolor, with pen and brown and red-brown ink; verso: graphite on medium, smooth, blued white wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Rag Fair or Rosemary Lane
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor, pen and red-brown and gray ink over graphite on medium, slightly textured, blued white laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Comforts of Bath: The Pump Room
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1798
Medium:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Chess Players
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Brown wash and graphite with pen and black ink and pen and gray ink on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Comforts of Bath: The Breakfast
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1798
Medium:
Watercolor and graphite with pen and black ink on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Two Men on Horseback Seen from Behind
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and red-brown and gray ink over graphite on medium, smooth, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Plymouth Dock
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1817
Medium:
Watercolor with pen and gray ink, pen and red ink, and pen and brown ink on medium, moderately textured, beig, laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Review on Blackheath, May 1785
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1785
Medium:
Watercolor with pen and black ink, over graphite on medium, slightly textured, blued white laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Review of the Northapmton Militia at Brackley
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and gray ink and pen and brown ink on medium, slightly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Gendarme and Another Man
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Pen and red-gray ink, and graphite; verso: graphite sketch on medium, moderately textured, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
An Artist's Studio
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1814
Medium:
Watercolor with pen and red-brown, brown, and gray ink, over graphite on moderately thick, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Bookmaker and his Client outside the Ram Inn, Newmarket
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and gray ink over graphite on moderately thick, moderately textured, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Dr. Syntax Copying the Wit of the Window
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1809 and 1812
Medium:
Watercolor with pen and gray and brown ink, over graphite on medium, moderately textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Mausoleum
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and red-brown ink and pen and gray brown ink, over graphite on medium, slightly textured, beige, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Labourers at Rest
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1790 and 1795
Medium:
Watercolor with pen and red-brown and blue ink, over graphite with pen and gray ink and wash line on border on medium, moderately textured, beige, laid paper, mounted on, medium, slightly textured, beige, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Bodmin Cornwall: The Arrival of the Stage-Coach
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1795
Medium:
Watercolor with pen and gray and black ink over graphite on moderately thick, slightly textured, cream, wove paper; mounted on moderately thick, moderately textured, beige, laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Elopement
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1792
Medium:
Watercolor with pen and gray and black ink, over graphite on medium, slightly textured, white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
An Officer and his Servant
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and gray ink over graphite on medium, moderately textured, blued white laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Crowded Race Meeting
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1805 and 1810
Medium:
Watercolor, with pen, in brown ink, gray ink, and graphite on medium, slightly textured, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Evading the Toll
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1805 and 1810
Medium:
Watercolor, pen and black ink, gray ink, brown ink, and graphite on medium, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Viewing at the Royal Academy
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
ca. 1815
Medium:
Watercolor with pen and gray and brown ink over graphite on moderately thick, moderately textured, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

58. Gardening

Gardening
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor, with pen, and brown ink, gray ink and graphite on moderately thick, slightly textured, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Horse Sale at Hopkins's Repository (An outline)
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Pen and black ink and graphite on moderately thick, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Vicar of Wakefield: The Welcome
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
ca. 1817
Medium:
Watercolor, with pen and red-brown and gray-brown ink; verso: graphite on medium, smooth, blued white wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Vicar of Wakefield: The Vicar Selling his Horse
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
ca. 1817
Medium:
Watercolor, with pen and red-brown ink, over graphite on medium, smooth, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Jealousy, Rage, Disappointment...
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1817
Medium:
Watercolor, with pen and brown, black, red-brown, and gray ink over graphite on very thick, moderately textured, beige wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Two Studies of a (?) French Cavalryman.
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Pen and gray-brown ink; verso: graphite and pen in brown ink on medium, moderately textured, blued white laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Comforts of Bath: Private Practice Previous to the Ball
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1798
Medium:
Watercolor with pen and black ink on medium, slightly textured, cream laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Gaming Table
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1801
Medium:
Watercolor with pen and brown and gray ink, over graphite on moderately thick, moderatedly textured, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Vicar of Wakefield: The Surprise
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
ca. 1817
Medium:
Watercolor, pen and red-brown ink; verso: graphite on medium, smooth, blued white wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Book Auction
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1810 and 1815
Medium:
Watercolor and graphite with pen and brown ink and pen and gray ink on medium, slightly textured, blued white wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Customs House at Boulogne
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
1790s
Medium:
Watercolor with pen and gray and black ink over graphite; verso: graphite on medium, moderately textured, blued white, laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
A Village Scene with Peasants Resting
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and red and black ink over graphite on medium, smooth, beige, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Drury Lane. The School for Scandal
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and black, gray and brown ink over graphite on moderately thick, moderately textured, beige, laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Three Full-Length Figures of Men Talking
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
ca. 1815
Medium:
Pen and red-brown ink on moderately thick, moderately textured, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Recruiting Sargeant
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
ca. 1790
Medium:
Watercolor with pen and black ink over graphite on medium, slightly textured, laid paper, mounted on moderately thick, slightly textured, laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Market Place, Brackley, Northamptonshire
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and black, gray and red brown ink over graphite on medium, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Register Office for the Hiring of Servants
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1800 and 1805
Medium:
Watercolor with pen and brown and gray ink over graphite on moderately thick, moderately textured, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hungarian and Highland Broadsword Exercise
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and gray and black ink over graphite; verso: graphite on medium, slightly textured, blued white, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Outside the Greengrocer's Shop
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
between 1805 and 1810
Medium:
Watercolor with pen and brown and gray ink over graphite on moderately thick, slightly textured, beige, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hot Spice Gingerbread, all Hot
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and brown ink on medium, slightly textured, wove paper, mounted on thick, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hot Spice Gingerbread All Hot
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Watercolor with pen and gray and red-brown ink over graphite on medium, smooth, cream wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Hyde Park Corner
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
undated
Medium:
Pen and black ink and gray wash over graphite on medium, moderately textured, blued white, laid paper, mounted on thick, slightly textured, cream, wove paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
An Audience Watching a Play at Drury Lane Theatre
Creator:
Thomas Rowlandson, 1756–1827, British
Date:
ca. 1785
Medium:
Watercolor with pen and black ink over graphite on moderately thick, moderately textured, blued white, laid paper
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection