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Creator William Blake, 1757–1827, British

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William Blake Virgin and Child
William Blake, 1757–1827, British
Virgin and Child
1825
William Blake The Horse
William Blake, 1757–1827, British
The Horse
ca. 1805
William Blake Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
William Blake, 1757–1827, British
Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
1797
William Blake Plate 6 (page 10): 'Disease invades the chastest temperence'
William Blake, 1757–1827, British
Plate 6 (page 10): 'Disease invades the chastest temperence'
1797
William Blake Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
William Blake, 1757–1827, British
Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
1797
William Blake Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
William Blake, 1757–1827, British
Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
1797
William Blake Plate 3 (page 4): 'What, though my soul fantastick measures trod'
William Blake, 1757–1827, British
Plate 3 (page 4): 'What, though my soul fantastick measures trod'
1797
William Blake Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
William Blake, 1757–1827, British
Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
1797
William Blake Plate 41 (page 92): 'When faith is virtue, reason makes it so'
William Blake, 1757–1827, British
Plate 41 (page 92): 'When faith is virtue, reason makes it so'
1797
William Blake Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
William Blake, 1757–1827, British
Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
1797
William Blake Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
William Blake, 1757–1827, British
Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
1797
William Blake Plate 37 (page 86): 'His hand the good man fastens on the skies'
William Blake, 1757–1827, British
Plate 37 (page 86): 'His hand the good man fastens on the skies'
1797
William Blake Illustrations of The Book of Job, Title Page
William Blake, 1757–1827, British
Illustrations of The Book of Job, Title Page
1825
William Blake Book of Job, Plate 2, Satan before the Throne of God
William Blake, 1757–1827, British
Book of Job, Plate 2, Satan before the Throne of God
1825
William Blake Book of Job, Plate 14, When the Morning Stars Sang Together
William Blake, 1757–1827, British
Book of Job, Plate 14, When the Morning Stars Sang Together
1825
William Blake Visions of the Daughters of Albion, Plate 1, Frontispiece
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 1, Frontispiece
1793
William Blake Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
1793
William Blake Book of Job, Plate 13, The Lord Answering Job out of the Whirlwind
William Blake, 1757–1827, British
Book of Job, Plate 13, The Lord Answering Job out of the Whirlwind
1825
William Blake Book of Job, Plate 18, Job's Sacrifice
William Blake, 1757–1827, British
Book of Job, Plate 18, Job's Sacrifice
1825
William Blake Book of Job, Plate 20, Job and His Daughters
William Blake, 1757–1827, British
Book of Job, Plate 20, Job and His Daughters
1825
William Blake Book of Job, Plate 1, Job and His Family
William Blake, 1757–1827, British
Book of Job, Plate 1, Job and His Family
1825
William Blake Book of Job, Plate 3, Jacob's Sons and Daughters Overwhelmed by Satan
William Blake, 1757–1827, British
Book of Job, Plate 3, Jacob's Sons and Daughters Overwhelmed by Satan
1825
William Blake Book of Job, Plate 5, Satan Going Forth from the Presence of the Lord and Job's Charity
William Blake, 1757–1827, British
Book of Job, Plate 5, Satan Going Forth from the Presence of the Lord and Job's Charity
1825
William Blake Book of Job, Plate 8, Job's Despair
William Blake, 1757–1827, British
Book of Job, Plate 8, Job's Despair
1825
William Blake Book of Job, Plate 9, The Vision of Eliphaz
William Blake, 1757–1827, British
Book of Job, Plate 9, The Vision of Eliphaz
1825
William Blake Book of Job, Plate 11, Job's Evil Dreams
William Blake, 1757–1827, British
Book of Job, Plate 11, Job's Evil Dreams
1825
William Blake Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)
William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)
1794
William Blake Book of Job, Plate 4, The Messengers Tell Job of His Misfortunes
William Blake, 1757–1827, British
Book of Job, Plate 4, The Messengers Tell Job of His Misfortunes
1825
William Blake Book of Job, Plate 16, The Fall of Satan
William Blake, 1757–1827, British
Book of Job, Plate 16, The Fall of Satan
1825
William Blake Book of Job, Plate 19, Every One also Gave Him a Piece of Money
William Blake, 1757–1827, British
Book of Job, Plate 19, Every One also Gave Him a Piece of Money
1825
William Blake Book of Job, Plate 21, Job and His Family Restored to Prosperity
William Blake, 1757–1827, British
Book of Job, Plate 21, Job and His Family Restored to Prosperity
1825
William Blake Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
1793
William Blake Book of Job, Plate 6, Satan Smiting Job with Boils
William Blake, 1757–1827, British
Book of Job, Plate 6, Satan Smiting Job with Boils
1825
William Blake Book of Job, Plate 7, Job's Comforters
William Blake, 1757–1827, British
Book of Job, Plate 7, Job's Comforters
1825
William Blake Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
1794
William Blake Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
William Blake, 1757–1827, British
Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
1797
William Blake Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
William Blake, 1757–1827, British
Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
1797
William Blake Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
William Blake, 1757–1827, British
Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
1797
William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
William Blake, 1757–1827, British
Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
1797
William Blake Plate 8 (page 13): 'The present moment terminates our sight'
William Blake, 1757–1827, British
Plate 8 (page 13): 'The present moment terminates our sight'
1797
William Blake Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
William Blake, 1757–1827, British
Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
1797
William Blake Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
William Blake, 1757–1827, British
Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
1797
William Blake Plate 7 (page 12): 'Its favours here are trials, not rewards'
William Blake, 1757–1827, British
Plate 7 (page 12): 'Its favours here are trials, not rewards'
1797
William Blake Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
William Blake, 1757–1827, British
Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
1797
William Blake Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
William Blake, 1757–1827, British
Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
1797
William Blake Plate 21 (page 37): 'Love, and love only, is the loan for love'
William Blake, 1757–1827, British
Plate 21 (page 37): 'Love, and love only, is the loan for love'
1797
William Blake Plate 12 (page 19): 'Emblem of that which shall awake the dead'
William Blake, 1757–1827, British
Plate 12 (page 19): 'Emblem of that which shall awake the dead'
1797
William Blake Plate 15 (page 25): 'Behold him, when past by; what then is seen'
William Blake, 1757–1827, British
Plate 15 (page 25): 'Behold him, when past by; what then is seen'
1797
William Blake Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
William Blake, 1757–1827, British
Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
1797
William Blake Plate 22 (page 40): ' Angels should paint it, angels ever there'
William Blake, 1757–1827, British
Plate 22 (page 40): ' Angels should paint it, angels ever there'
1797
William Blake Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
William Blake, 1757–1827, British
Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
1797
William Blake Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
William Blake, 1757–1827, British
Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
1797
William Blake Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
William Blake, 1757–1827, British
Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
1797
William Blake Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
William Blake, 1757–1827, British
Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
1797
William Blake The Complaint and the Consolation; or Night Thoughts (and title page)
William Blake, 1757–1827, British
The Complaint and the Consolation; or Night Thoughts (and title page)
1797
William Blake Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
William Blake, 1757–1827, British
Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
1797
William Blake Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
William Blake, 1757–1827, British
Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
1797
William Blake Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
William Blake, 1757–1827, British
Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
1797
William Blake Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
William Blake, 1757–1827, British
Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
1797
William Blake Plate 33 (page 72): 'And vapid; sense and reason shew the door'
William Blake, 1757–1827, British
Plate 33 (page 72): 'And vapid; sense and reason shew the door'
1797
William Blake Book of Job, Plate 12, The Wrath of Elihu
William Blake, 1757–1827, British
Book of Job, Plate 12, The Wrath of Elihu
1825
William Blake Book of Job, Plate 15, Behemoth and Leviathan
William Blake, 1757–1827, British
Book of Job, Plate 15, Behemoth and Leviathan
1825
William Blake Book of Job, Plate 17, The Vision of Christ
William Blake, 1757–1827, British
Book of Job, Plate 17, The Vision of Christ
1825
William Blake "The Book of Thel William Blake Original Wrappers 1789"
William Blake, 1757–1827, British
"The Book of Thel William Blake Original Wrappers 1789"
William Blake Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
William Blake, 1757–1827, British
Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
1797
William Blake Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 47, "My Pretty Rose Tree" (Bentley 43)
1794
William Blake Visions of the Daughters of Albion, Plate 2, Title Page
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 2, Title Page
1793
William Blake Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
1793
William Blake Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
1793
William Blake The Poems of Thomas Gray, Design 63, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 63, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 65, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 65, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 89, "The Triumphs of Owen."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 9, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 99, "Ode for Music."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 99, "Ode for Music."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 55, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 55, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 61, "The Bard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 61, "The Bard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 67, "The Fatal Sisters."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 7, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
William Blake Jerusalem, Plate 78, "The Spectres of..."
William Blake, 1757–1827, British
Jerusalem, Plate 78, "The Spectres of..."
1804 to 1820
William Blake May-Day in London
William Blake, 1757–1827, British
May-Day in London
1784
William Blake "For Children. The Gates of Paradise", London, by William Blake
William Blake, 1757–1827, British
"For Children. The Gates of Paradise", London, by William Blake
1793
William Blake Illustrations of the Book of Job
William Blake, 1757–1827, British
Illustrations of the Book of Job
1825
William Blake "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
William Blake, 1757–1827, British
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
William Blake "There is No Natural Religion", London, by William Blake
William Blake, 1757–1827, British
"There is No Natural Religion", London, by William Blake
William Blake "Visions of the Daughters of Albion", London, by William Blake
William Blake, 1757–1827, British
"Visions of the Daughters of Albion", London, by William Blake
1793
William Blake Songs of Innocence and of Experience
William Blake, 1757–1827, British
Songs of Innocence and of Experience
1789-1794
William Blake The Complaint and The Consolation: or Night Thoughts
William Blake, 1757–1827, British
The Complaint and The Consolation: or Night Thoughts
ca. 1797
William Blake The Complaint and the Consolation; or Night Thoughts
William Blake, 1757–1827, British
The Complaint and the Consolation; or Night Thoughts
1797
William Blake Book of Job, Plate 10, Job Rebuked by His Friends
William Blake, 1757–1827, British
Book of Job, Plate 10, Job Rebuked by His Friends
1825
William Blake For the Sexes: The Gates of Paradise, London, 1826
William Blake, 1757–1827, British
For the Sexes: The Gates of Paradise, London, 1826
1826
William Blake The [First] Book of Urizen
William Blake, 1757–1827, British
The [First] Book of Urizen
1794
William Blake Sheet from the Blake-Varley Sketchbook of 1819, Pages 27 and 28
William Blake, 1757–1827, British
Sheet from the Blake-Varley Sketchbook of 1819, Pages 27 and 28
1819
William Blake Europe. A Prophecy, 1793 (printed 1795)
William Blake, 1757–1827, British
Europe. A Prophecy, 1793 (printed 1795)
1793, printed 1795
William Blake The Shepherd, from Songs of Innocence
William Blake, 1757–1827, British
The Shepherd, from Songs of Innocence
ca. 1795
William Blake Illustrations of Imitation of Eclogue I, Frontispiece
William Blake, 1757–1827, British
Illustrations of Imitation of Eclogue I, Frontispiece
1821
James Basire An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)
James Basire, 1769–1822, British
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Figures supposed to be those of King Sebert and King Henry III (Plate V)
1780
William Blake Beggar's Opera, Act III
William Blake, 1757–1827, British
Beggar's Opera, Act III
c.1790
William Blake Publius Virgilius Maro
William Blake, 1757–1827, British
Publius Virgilius Maro
1821
James Basire An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Under Vaulting of one side of the Canopy of the Monument of Aveline, Coutess of Lancaster (Plate III)
James Basire, 1769–1822, British
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: The Under Vaulting of one side of the Canopy of the Monument of Aveline, Coutess of Lancaster (Plate III)
1780
William Blake Joseph and Potiphar's Wife
William Blake, 1757–1827, British
Joseph and Potiphar's Wife
1803 to 1805