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Credit Line Yale Center for British Art, Paul Mellon Collection
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1
- Self-Portrait
- ca. 1735
- On view at YUAG
2
- William Augustus, Duke of Cumberland
- 1732
- Not on view
3
- John Palmer, Barrister of the Inner Temple
- 1749
- Not on view
4
- The Family of John, 2nd Duke of Montagu and an Attendant
- between 1730 and 1735
- Not on view
5
- The Beggar's Opera
- 1729
- Not on view
6
- William Cavendish, Marquess of Hartington, Later fourth Duke of Devonshire
- 1741
- Not on view
7
- Miss Wood
- ca. 1730
- Not on view
8
- The Revd. John Lloyd, DD
- 1738
- Not on view
9
- Girl in a Plumed Hat
- ca. 1740
- Not on view
10
- Fair Scene
- 1733
11
- Painting of Pharoah's Daughter and Moses in the Foundling Hospital
- 1752
12
- Trade Sheet for: Richard Hand, The Oldest Original Chelsey Bunn Baker at the King's Arms Chelsey
- 1718
13
- The First Stage of Cruelty
- ca. 1750
14
- A Rake's Progress, Plate I: He Takes Possession
- 1735
15
- A Rake's Progress, Plate II: His Levee
- 1735
16
- A Rake's Progress, Plate IV: Goes to Court
- 1735
17
- A Rake's Progress, Plate III: He Revels
- 1735
18
- A Rake's Progress, Plate VIII: In Bedlam
- 1735
19
- Simon Lord Lovat
- 1746
20
- Subscription Ticket: Three Characters and Four Caricaturas
- 1743
21
- The First Stage of Cruelty: First, Children Torturing Animals
- 1751
22
- The Four Times of Day, Plate IV: Night
- 1738
23
- The Four Times of Day, Plate II: Noon
- 1738
24
- A Rake's Progress, Plate VI: He Gambles
- 1735
25
- Scholars at a Lecture (A Chorus of Singers)
- 1736
26
- The Stage Coach; Or Country Inn Yard
- 1747
27
- Strolling Actresses Dressing in a Barn
- 1738
28
- The Four Stages of Cruelty: The Reward of Cruelty (Anatomy Theatre)
- 1751
29
- Gulielmus Hogarth
- 1749
30
- The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
- 1751
31
- Analysis of Beauty, Plate II: A Country Dance
- 1753
32
- Analysis of Beauty, Plate I: A Statuary's Yard
- 1753
33
- The Second Stage of Cruelty: Second, Coachman Beating a Fallen Horse
- 1751
34
- The Invasion, Plate II: England
- 1756
35
- The Invasion, Plate I: France
- 1756
36
- The Polling, Plate III
- 1758
37
- Chairing the Members, Plate IV
- 1758
38
- An Election Entertainment, Plate I
- 1755-58
39
- The Cockpit
- 1759
40
- The Laughing Audience
- 1733
41
- And the Child Grew, and She Brought Him unto Pharaohs Daughter, and He Became Her Son, and Called his name Moses
- 1752
42
- And as he Reasoned of Righteousness, Temperance, and Judgment to Come, Felix Trembled
- 1752
43
- Prospectus print "Crown & Mitre"
- 1754
44
- Colombus breaking the Egg
- 1753
45
- The Enraged Musician
- 1741
46
- A Consultation of Physicians
- 1736
47
- The Distrest(ed) Poet
- 1740
48
- The Bench
- 1758
49
- William Hogarth
- 1764
50
- Study of a Female Nude
- undated
51
- Study for the Foundlings
- ca. 1739
52
- George Taylor's Epitaph: George Taylor Breaking the Ribs of Death
- ca. 1750
53
- Gabriel Hunt
- undated
54
- Benjamin Read
- ca. 1757
55
- Hymen
- ca. 1748
56
- Operation Scene in a Hospital with Subsidiary Sketches in the Margin at the Lower Right
- undated
57
- George Taylor's Epitaph: Death Giving George Taylor a Cross Buttock
- ca. 1750
58
- Mr. Garrick in the Charakter (sic) of Richard the 3D
- 1746