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Author ss after Henry Tresham, 1751–1814, British

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Period 18th century

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Troilus and Cressida, Act 4, Scene II
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Line engraving, stipple engraving, aquatint, and brown wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Anthony and Cleopatra, Act 3, Scene II
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Line engraving, stipple engraving and brown wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
King Lear, Act 4, Scene VII
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Line engraving, stipple engraving, aquatint, and brown wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Troilus and Crssida, Act 3, Scene II
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Line engraving, aquatint, and brown wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Antony and Cleopatra, Act I, Scene II
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Line engraving, aquatint, and hand-colored brown wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Ophelia vide Hamlet, Act 4, Scene VII
Creator:
Francesco Bartolozzi, 1728–1815
Date:
1794
Materials & Techniques:
Line engraving, stipple engraving, aquatint, and brown wash
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Imposture of the Holy Maid of Kent
Creator:
Print made by Isaac Taylor, 1759–1829
Date:
1796
Materials & Techniques:
Line engraving on medium, slightly textured, cream wove paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection