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Author ss after James Northcote, 1746–1831, British

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Period 18th century

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Samuel William Reynolds Hawking: The Falconer. Mr. Sam'l. Northcote of Plymouth
Print made by Samuel William Reynolds, 1773–1835
Hawking: The Falconer. Mr. Sam'l. Northcote of Plymouth
1797
Samuel William Reynolds Animals [a pair]: 1. Lioness
Samuel William Reynolds, 1773–1835
Animals [a pair]: 1. Lioness
1799
Samuel William Reynolds Vulture and Lamb
Print made by Samuel William Reynolds, 1773–1835
Vulture and Lamb
1799
John Murphy [Animals: an eagle with a dead pheasant, watched by a fox]
Print made by John Murphy, ca. 1748–1820
[Animals: an eagle with a dead pheasant, watched by a fox]
1799
Peter Simon Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
Print made by Peter Simon, 1750–1810
Romeo and Juliet: Act IV, Scene III (A Monument Belonging to the Capulets)
1791
Robert Thew King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
Print made by Robert Thew, 1758–1802
King Henry VI, Part I: Act II, Scene V, A Room in the Tower (The Death of Mortimer)
1792
Charles Gauthier Playter Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . . .
Print made by Charles Gauthier Playter, died 1809
Henry VI, Part III: Act I, Scene III, A Field of Battle betwixt Sandal Castle . .
1793
Robert Thew King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
Print made by Robert Thew, 1758–1802
King Richard III: Act III, Scene I (The Meeting of Edward V and His Brother, Richard, Duke of York)
1789
Jean B. Michel King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)
Print made by Jean B. Michel, active 1803
King Henry VI, Part III: Act V, Scene VII (Queen Bess Presenting King Edward . . . with Their Infant Son)
1791
Samuel William Reynolds Lion and Snake
Print made by Samuel William Reynolds, 1773–1835
Lion and Snake
1799
William S. Leney Thomas Banks, Esqr., R.A.
Print made by William S. Leney, 1769–1831
Thomas Banks, Esqr., R.A
1794
William Skelton Richard III: Act IV, Scene III, Tower of London
Print made by William Skelton, 1763–1848
Richard III: Act IV, Scene III, Tower of London
1795
Samuel William Reynolds Animals [a pair]: 2. Tigress
Samuel William Reynolds, 1773–1835
Animals [a pair]: 2. Tigress
1799
Charles Turner Tiger and Crocodile
Print made by Charles Turner, 1774–1857
Tiger and Crocodile
1799
E. J. Dumée Connubial Happiness
Print made by E. J. Dumée, active 1790
Connubial Happiness
1786
Samuel William Reynolds James Hawkins Whitshed Esq.
Print made by Samuel William Reynolds, 1773–1835
James Hawkins Whitshed Esq
1799
Philip Dawe Gadshill
Print made by Philip Dawe, ca.1745–ca.1809
Gadshill
1796
Francis Legat King Richard the Third: Act IV, Scene III (The Murder of the Princes in the Tower)
Print made by Francis Legat, 1755–1809
King Richard the Third: Act IV, Scene III (The Murder of the Princes in the Tower)
1790
Samuel William Reynolds Death of Captain Alexander Hood
Print made by Samuel William Reynolds, 1773–1835
Death of Captain Alexander Hood
1798
James Walker The Spell, or Hobnelia
Print made by James Walker, 1748–1808
The Spell, or Hobnelia
1783
William Ward A Young Lady Encouraging the Low Comedian
Print made by William Ward, 1766–1826
A Young Lady Encouraging the Low Comedian
1787
Henry Kingsbury Samuel, Lord Hood
Print made by Henry Kingsbury, active 1750–1780
Samuel, Lord Hood
1783
Thomas Gaugain Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl and the Wanton/ Fellow Servants in a Gentleman's House (Plate 1)
1797
Thomas Gaugain Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
1797
Thomas Gaugain Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton in her Bed Chamber (Plate 3)
1797
Thomas Gaugain Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl in her Bed Chamber (Plate 4)
1797
Thomas Gaugain Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
1797
Thomas Gaugain Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Modest Girl rejects the Illicit Addresses of her Master (Plate 6)
1797
Thomas Gaugain Diligene and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)
Print made by Thomas Gaugain, 1748–1812
Diligene and Dissipation: The Good Girl Receives the Honourable Addresses of her Master (Plate 8)
1797
Thomas Gaugain Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Good Girl Married to her Master/ The Wanton laid in her Grave (Plate 10)
1797
Thomas Gaugain Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)
Print made by Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton Dying in Poverty and Disease Visited by the Modest Girl (Plate 9)
1797
Thomas Gaugain Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)
Thomas Gaugain, 1748–1812
Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)
1797
Frantz Gabriel Fiesinger The Right Honorable Samuel Lord Hood
Print made by Frantz Gabriel Fiesinger, German, 1723–1807
The Right Honorable Samuel Lord Hood
1793
Thomas Gaugain Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782
Print made by Thomas Gaugain, 1748–1812
Portraits Painted from Life, Representing Capt. Englefield with Eleven of his Crew Saving Themselves in the Pinnace, from the Wreck of the Centaur, of 74 Guns, Lost Sept. 1782
1796
Robert Thew First Part of King Henry the sixth: Keep, My Lord ... (Act II, Scene 5)
Print made by Robert Thew, 1758–1802
First Part of King Henry the sixth: Keep, My Lord ... (Act II, Scene 5)
1793