Creator: after Joseph Mallord William Turner, 1775–1851, British / Exhibition History: The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)

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Creator after Joseph Mallord William Turner, 1775–1851, British

Exhibition History The Romantic Print in Britain - Yale Center for British Art (Carnegie Museum of Art, 2004-02-14 - 2004-05-09)

George Cooke, 1781–1834, British

Poole, Dorsetshire

1814

Etched by Joseph Mallord William Turner, 1775–1851, British

Peat Bog, Scotland

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Frontispiece

1812

Etched by Joseph Mallord William Turner, 1775–1851, British

Norham Castle on the Tweed

1816

Print made by William Miller, 1796–1882, British

Modern Italy

1842

W. R. Smith, active 1819–1851

Chain Bridge over the River Tees

1838

Print made by Edward Goodall, 1795–1870, British

Fingal's Cave, Staffa

1833

Print made by Henry Le Keux, 1787–1868, British

Abbotsford

1834

Print made by William Bernard Cooke, 1778–1855, British

Torbay from Brixham

1821

John Horsburgh, 1791–1869, British

Folkestone: Harbour, and Coast to Dover, Kent

1831

Print made by Charles Turner, 1774–1857, British

Shields, on the River Tyne

1823

Print made by Frederick Christian Lewis the Elder, 1779–1856, British

The Field of Waterloo

1830

W. R. Smith, active 1819–1851

Harlech Castle, North Wales

1836

Robert Wallis, 1794–1878, British

Dudley, Worcestershire

1835

Robert Wallis, 1794–1878, British

Stone Henge

1829

Print made by William Bernard Cooke, 1778–1855, British

Battle Abbey, The Spot where Harold Fell

1819

John Horsburgh, 1791–1869, British

Folkstone: Harbour, and Coast to Dover, Kent

1831

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