<< YCBA Home Yale Center for British Art Yale Center for British Art << YCBA Home

YCBA Collections Search

Search Constraints

Start Over
You searched for:

Author ss after Robert West, Active 1744–1770, Irish

Remove constraint Author ss: after Robert West, Active 1744–1770, Irish

Credit Line Yale Center for British Art, Paul Mellon Collection

Remove constraint Credit Line: Yale Center for British Art, Paul Mellon Collection

Image Available Available

Remove constraint Image Available: Available

Search Results

1. The South Prospect of the Church of St. Sepulchre

The South Prospect of the Church of St. Sepulchre
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1737
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The Southwest Prospect of the Church of St. Giles without Cripplegate

The Southwest Prospect of the Church of St. Giles without Cripplegate
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1737
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 x 12 1/4in. (27.9 x 31.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Southeast Prospect of the Church of St. Duncan

The Southeast Prospect of the Church of St. Duncan
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1737
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 x 11 15/16in. (27.9 x 30.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The West Prospect of the Church of St. Barts the Great

The West Prospect of the Church of St. Barts the Great
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1737
Materials & Techniques:
Hand colored engraving
Dimensions:
Sheet: 11 x 12 1/4in. (27.9 x 31.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Southeast Prospect of the Church of All Hallows Barking. Eastern Outer Suburb.

The Southeast Prospect of the Church of All Hallows Barking. Eastern Outer Suburb.
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 x 12 1/4in. (27.9 x 31.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The Southwest Prospect of the Church of All Hallows Staining

The Southwest Prospect of the Church of All Hallows Staining
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 1/8 x 12 3/16in. (28.3 x 31cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The Southeast Prospect of the Church of All Hallows, London Wall

The Southeast Prospect of the Church of All Hallows, London Wall
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 x 12 1/2in. (27.9 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The South Prospect of the Church of St. Alphage

The South Prospect of the Church of St. Alphage
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 12 x 13 1/16in. (30.5 x 33.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The East Prospect of the Church of St. Leonard, Shoreditch

The East Prospect of the Church of St. Leonard, Shoreditch
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1735
Materials & Techniques:
Engraving
Dimensions:
Sheet: 10 3/8 x 11 7/8in. (26.4 x 30.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Southeast Prospect of the King Henry the VII's Chapel at Westminster

The Southeast Prospect of the King Henry the VII's Chapel at Westminster
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1739
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 x 12 3/8in. (27.9 x 31.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Southwest Prospect of the Church of St. Giles Without Cripplegate

The Southwest Prospect of the Church of St. Giles Without Cripplegate
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1737
Materials & Techniques:
Engraving
Dimensions:
Sheet: 10 7/8 x 12 1/4in. (27.6 x 31.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The Northwest Prospect of the Church of St. Andrew Undershaft

The Northwest Prospect of the Church of St. Andrew Undershaft
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 1/4 x 12 1/2in. (28.6 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Southwest Prospect of St. Katherine Cree church

The Southwest Prospect of St. Katherine Cree church
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 1/8 x 12 1/2in. (28.3 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The South Prospect of the Church of St. Olave in Southwark

The South Prospect of the Church of St. Olave in Southwark
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 x 12 1/4in. (27.9 x 31.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Southwest Prospect of the Church of St. Helen

The Southwest Prospect of the Church of St. Helen
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 x 12 1/4in. (27.9 x 31.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection