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Author ss after Robert West, Active 1744–1770, Irish

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1. The South-East Prospect of King Henry The VII's Chapel at Westminster

The South-East Prospect of King Henry The VII's Chapel at Westminster
Creator:
Print made by William Henry Toms, ca. 1700–ca. 1750
Date:
1739
Materials & Techniques:
Line engraving on moderately textured, medium, white laid paper
Dimensions:
Sheet: 11 7/8 × 13 inches (30.2 × 33 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

2. The South Prospect of the Church of St. Sepulchre

The South Prospect of the Church of St. Sepulchre
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1737
Materials & Techniques:
Engraving
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

3. The Southeast Prospect of the Church of All Hallows Barking. Eastern Outer Suburb.

The Southeast Prospect of the Church of All Hallows Barking. Eastern Outer Suburb.
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 x 12 1/4in. (27.9 x 31.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

4. The Southwest Prospect of the Church of All Hallows Staining

The Southwest Prospect of the Church of All Hallows Staining
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 1/8 x 12 3/16in. (28.3 x 31cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

5. The Southeast Prospect of the King Henry the VII's Chapel at Westminster

The Southeast Prospect of the King Henry the VII's Chapel at Westminster
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1739
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 x 12 3/8in. (27.9 x 31.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

6. The East Prospect of the Church of St. Leonard, Shoreditch

The East Prospect of the Church of St. Leonard, Shoreditch
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1735
Materials & Techniques:
Engraving
Dimensions:
Sheet: 10 3/8 x 11 7/8in. (26.4 x 30.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

7. The South Prospect of the Church of St. Alphage

The South Prospect of the Church of St. Alphage
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 12 x 13 1/16in. (30.5 x 33.2cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

8. The Southeast Prospect of the Church of All Hallows, London Wall

The Southeast Prospect of the Church of All Hallows, London Wall
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 x 12 1/2in. (27.9 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

9. The Northwest Prospect of the Church of St. Andrew Undershaft

The Northwest Prospect of the Church of St. Andrew Undershaft
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 1/4 x 12 1/2in. (28.6 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

10. The Southwest Prospect of the Church of St. Helen

The Southwest Prospect of the Church of St. Helen
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 x 12 1/4in. (27.9 x 31.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

11. The Southwest Prospect of St. Katherine Cree church

The Southwest Prospect of St. Katherine Cree church
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 1/8 x 12 1/2in. (28.3 x 31.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

12. The South Prospect of the Church of St. Olave in Southwark

The South Prospect of the Church of St. Olave in Southwark
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 x 12 1/4in. (27.9 x 31.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

13. The Northeast Prospect of the Church of St. Martin, Outwich

The Northeast Prospect of the Church of St. Martin, Outwich
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1736
Materials & Techniques:
Engraving
Dimensions:
Sheet: 9 3/4 x 12 1/8in. (24.8 x 30.8cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

14. The Southeast Prospect of the Church of St. Dunstan in the West

The Southeast Prospect of the Church of St. Dunstan in the West
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1737
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 x 12 1/4in. (27.9 x 31.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

15. The Southeast Prospect of the Chapel Royal of St. Peter in the Tower

The Southeast Prospect of the Chapel Royal of St. Peter in the Tower
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1737
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 x 12 3/8in. (27.9 x 31.4cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

16. The Southwest Prospect of the Church of St. Giles Without Cripplegate

The Southwest Prospect of the Church of St. Giles Without Cripplegate
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1737
Materials & Techniques:
Engraving
Dimensions:
Sheet: 10 7/8 x 12 1/4in. (27.6 x 31.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

17. The South Prospect of the Church of Sepulchre

The South Prospect of the Church of Sepulchre
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1737
Materials & Techniques:
Engraving
Dimensions:
Sheet: 10 3/4 x 12in. (27.3 x 30.5cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

18. The Northeast Prospect of the Church of St. Botolph Without Aldersgate

The Northeast Prospect of the Church of St. Botolph Without Aldersgate
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1737
Materials & Techniques:
Engraving
Dimensions:
Sheet: 12 1/2 x 14in. (31.8 x 35.6cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

19. The Southeast Prospect of the Church of St. Duncan

The Southeast Prospect of the Church of St. Duncan
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1737
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 x 11 15/16in. (27.9 x 30.3cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

20. The Southwest Prospect of the Church of St. Giles without Cripplegate

The Southwest Prospect of the Church of St. Giles without Cripplegate
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1737
Materials & Techniques:
Engraving
Dimensions:
Sheet: 11 x 12 1/4in. (27.9 x 31.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

21. The West Prospect of the Church of St. Barts the Great

The West Prospect of the Church of St. Barts the Great
Creator:
William Henry Toms, ca. 1700–ca. 1750
Date:
1737
Materials & Techniques:
Hand colored engraving
Dimensions:
Sheet: 11 x 12 1/4in. (27.9 x 31.1cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection

22. The South East Prospect of the Chapel Royal of St. Peter in the Tower

The South East Prospect of the Chapel Royal of St. Peter in the Tower
Creator:
Print made by unknown artist
Date:
undated
Materials & Techniques:
Etching and line engraving on medium, slightly textured, cream laid paper
Dimensions:
Sheet:
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art; Yale University Art Gallery Collection