Search the collections

Shows 1 - 40 from 249 results

List

Vanessa Bell, 1879–1961

Self-Portrait

(ca. 1915)
- Materials & TechniquesOil on canvas laid on panel
- Dimensions25 1/8 × 18 1/16 inches (63.8 × 45.9 cm), Frame: 29 1/4 × 23 1/8 × 2 inches (74.3 × 58.7 × 5.1 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
Vanessa Bell, 1879–1961

Design for Overmantel

(1912 to 1913)
- Materials & TechniquesOil on paper
- Dimensions30 × 22 inches (76.2 × 55.9 cm), Frame: 34 1/2 × 26 5/8 × 1 3/4 inches (87.6 × 67.6 × 4.4 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
On view
John Constable, 1776–1837

Stratford Mill

(1819 to 1820)
- Materials & TechniquesOil on canvas
- Dimensions51 1/2 × 72 1/2 inches (130.8 × 184.2 cm), Frame: 66 × 88 inches (167.6 × 223.5 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
John Constable, 1776–1837

Hampstead Heath

(between 1820 and 1830)
- Materials & TechniquesOil on canvas
- Dimensions17 3/4 × 14 inches (45.1 × 35.6 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
On view
William Hogarth, 1697–1764

Ann Hogarth

(ca. 1740)
- Materials & TechniquesOil on canvas
- Dimensions18 3/8 × 16 3/8 inches (46.7 × 41.6 cm), Frame: 25 3/4 × 23 3/4 inches (65.4 × 60.3 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
On view
William Hogarth, 1697–1764

Mary Hogarth

(ca. 1740)
- Materials & TechniquesOil on canvas
- Dimensions18 3/8 × 16 3/8 inches (46.7 × 41.6 cm), Frame: 25 3/4 × 23 3/4 inches (65.4 × 60.3 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
William Hogarth, 1697–1764

John and Elizabeth Jeffreys and Their Children

(1730)
- Materials & TechniquesOil on canvas
- Dimensions28 1/4 x 35 3/4 inches (71.8 x 90.8 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
Edward Lear, 1812–1888

Temple of Venus and Rome, Rome

(1840)
- Materials & TechniquesOil on paper laid on card
- Dimensions9 5/8 x 13 3/8 inches (24.4 x 34 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
George Romney, 1734–1802

Ann Wilson (née Harrison) and Her Daughter, Sybill

(between 1776 and 1777)
- Materials & TechniquesOil on canvas
- Dimensions49 × 39 1/2 inches (124.5 × 100.3 cm), Frame: 58 × 48 1/2 × 3 inches (147.3 × 123.2 × 7.6 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
Benjamin West, 1738–1820

Cymon and Iphigenia

(ca. 1766)
- Materials & TechniquesOil on panel
- Dimensions24 1/8 x 32 1/2 inches (61.3 x 82.6 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
Robert Peake the Elder, ca. 1551–1619

Portrait of a Man, possibly Thomas Howard, third Viscount Bindon (ca.... [Read more]

(1599)
- Materials & TechniquesOil on panel
- Dimensions44 1/2 × 35 1/4 inches (113 × 89.5 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
Sir Edwin Henry Landseer, 1802–1873

Donald McIntyre

(ca. 1830)
- Materials & TechniquesOil on panel
- Dimensions23 7/8 x 18 1/8 inches (60.6 x 46 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
On view
Walter Richard Sickert, 1860–1942

La Giuseppina

(1903 to 1904)
- Materials & TechniquesOil on canvas
- Dimensions21 1/2 × 18 3/16 inches (54.6 × 46.2 cm), Frame: 30 1/4 × 26 1/2 inches (76.8 × 67.3 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
On view
Sir Charles Lock Eastlake, 1793–1865

A View of Trajan's Forum, Rome

(1821)
- Materials & TechniquesOil on canvas
- Dimensions24 3/8 × 20 1/8 inches (61.9 × 51.1 cm), Frame: 30 3/4 × 26 5/8 × 2 1/2 inches (78.1 × 67.6 × 6.4 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
John Martin, 1789–1854

The Last Judgement (study)

(between 1851 and 1853)
- Materials & TechniquesOil on panel
- Dimensions7 3/4 × 12 inches (19.7 × 30.5 cm), Frame: 11 × 15 inches (27.9 × 38.1 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
Alexander Runciman, 1736–1785

Classical Landscape

(1767 to 1771)
- Materials & TechniquesOil on panel
- Dimensions12 7/8 x 18 3/16 inches (32.7 x 46.2 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
Sir Peter Lely, 1618–1680

Sir Ralph Bankes

(ca. 1660)
- Materials & TechniquesOil on canvas
- Dimensions46 7/8 x 38 3/4 inches (119.1 x 98.4 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
On view
Walter Richard Sickert, 1860–1942

The Camden Town Murder, or What Shall We Do for the Rent?

(ca. 1908)
- Materials & TechniquesOil on canvas
- Dimensions10 1/16 × 14 inches (25.6 × 35.6 cm), Frame: 17 1/8 × 21 × 3 inches (43.5 × 53.3 × 7.6 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
Sir Charles Lock Eastlake, 1793–1865

A View of the Church of S. Sabina and the Pyramid of Cestius, Rome

(ca. 1825)
- Materials & TechniquesOil on paper laid on canvas
- Dimensions10 3/4 × 15 inches (27.3 × 38.1 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
On view
Charles Ginner, 1878–1952

The Fruit Stall, King's Cross

(1914)
- Materials & TechniquesOil on canvas
- Dimensions25 3/4 x 22 inches (65.4 x 55.9 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
On view
Sir John Everett Millais, 1829–1896

L'Enfant du Régiment

(1854 to 1855)
- Materials & TechniquesOil on paper, laid on canvas, mounted on board
- Dimensions17 3/4 x 24 inches (45.1 x 61 cm), Frame: 31 × 37 1/4 inches (78.7 × 94.6 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
On view
Paul Sandby, 1731–1809

Hackwood Park, Hampshire

(undated, exhibited 1764)
- Materials & TechniquesOil on canvas
- Dimensions40 3/16 x 50 1/4 inches (102.1 x 127.6 cm), Frame: 40 1/4 × 50 1/4 × 4 inches (102.2 × 127.6 × 10.2 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
Albert Joseph Moore, 1841–1893

A Musician

(ca. 1867)
- Materials & TechniquesOil on canvas
- Dimensions11 1/4 x 15 1/4 inches (28.6 x 38.7 cm), Frame: 18 3/4 × 22 3/4 × 1 3/4 inches (47.6 × 57.8 × 4.4 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
Duncan Grant, 1885–1978

In Memoriam: Rupert Brooke

(1915)
- Materials & TechniquesOil and collage on panel
- Dimensions21 9/16 x 11 3/4 inches (54.8 x 29.8 cm), Frame: 23 × 13 1/2 × 1 1/2 inches (58.4 × 34.3 × 3.8 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
Gillian Ayres, 1930–2018

Flighted Ones

(1995)
- Materials & TechniquesOil on canvas
- Dimensions96 1/16 x 84 inches (244 x 213.4 cm), Sheet: 96 1/16 x 168 1/8 inches (244 x 427 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
Alexander Keirincx, 1600–1652

Richmond Castle, Yorkshire

(1639)
- Materials & TechniquesOil on panel
- Dimensions18 x 27 inches (45.7 x 68.6 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
On view
James Barry, 1741–1806

The Education of Achilles

(ca. 1772)
- Materials & TechniquesOil on canvas
- Dimensions40 1/2 x 50 3/4 inches (102.9 x 128.9 cm), Frame: 49 x 59 x 4 inches (124.5 x 149.9 x 10.2 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
Thomas Girtin, 1775–1802

Guisborough Priory

(between 1800 and 1802)
- Materials & TechniquesOil on canvas
- Dimensions13 3/4 x 19 3/4 inches (34.9 x 50.2 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
John Downman, 1750–1824

Robert, Duke of Normandy, in Prison

(1779)
- Materials & TechniquesOil on copper
- Dimensions9 1/16 x 7 1/2 inches (23 x 19.1 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
On view
unknown artist

Teyoninhokarawen (Major John Norton)

(ca. 1805)
- Materials & TechniquesOil on canvas
- Dimensions30 x 25 inches (76.2 x 63.5 cm), Frame: 36 × 31 × 2 1/4 inches (91.4 × 78.7 × 5.7 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
On view
Anna Elizabeth Blunden, 1829–1915

The Song of the Shirt

(1854)
- Materials & TechniquesOil on canvas
- Dimensions18 1/2 × 15 1/2 inches (47 × 39.4 cm), Frame: 23 1/2 × 20 1/4 inches (59.7 × 51.4 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
On view
Benjamin West, 1738–1820

The Battle of La Hogue

(1778, retouched 1806)
- Materials & TechniquesOil on canvas
- Dimensions64 3/4 x 96 1/4 inches (164.5 x 244.5 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
Thomas Jones, 1742–1803

View of the Campi Flegrei from the Camaldolese Convent near Naples

(1783)
- Materials & TechniquesOil on canvas
- Dimensions50 x 71 1/2 inches (127 x 181.6 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
Joe Tilson, 1928–2023

Zikkurat 4, Spectrum

(1967)
- Materials & TechniquesOil and acrylic on wood relief
- Dimensions85 3/4 x 85 3/4 x 5 1/4 inches (217.8 x 217.8 x 13.3 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
George James, active from 1755–died 1795

A Whole Length of a Lady of Petrella, in the Kingdom of Naples

(Exhibited 1762)
- Materials & TechniquesOil on canvas
- Dimensions76 x 59 1/2 inches (193 x 151.1 cm), Frame: 86 × 69 1/2 inches (218.4 × 176.5 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
Jacques-Laurent Agasse, 1767–1849

The Chalon Family in London

(ca. 1800)
- Materials & TechniquesOil on Academy Board
- Dimensions5 3/8 x 7 3/4 inches (13.7 x 19.7 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
Claude de Jongh, ca. 1600–1663

View of London Bridge

(1632)
- Materials & TechniquesOil on panel
- Dimensions19 1/4 x 43 inches (48.9 x 109.2 cm), Frame: 24 × 47 1/2 inches (61 × 120.7 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
George James, active from 1755–died 1795

A Whole Length of a Lady of Neturrio, a Sea-port in the Pope's Territories

(Exhibited 1762)
- Materials & TechniquesOil on canvas
- Dimensions76 x 59 1/2 inches (193 x 151.1 cm), Frame: 86 × 69 1/2 inches (218.4 × 176.5 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
Anton Raphael Mengs, 1728–1779

Sir James Gray

(1761)
- Materials & TechniquesOil on canvas
- Dimensions30 x 24 5/8 inches (76.2 x 62.5 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund
On view
Andrew Geddes, 1783–1844

Charles Lennox Cumming-Bruce in Turkish Dress

(1817)
- Materials & TechniquesOil on panel
- Dimensions25 1/4 x 21 inches (64.1 x 53.3 cm), Frame: 31 1/2 × 27 1/4 × 2 3/4 inches (80 × 69.2 × 7 cm)
- CollectionPaintings and Sculpture
- Credit lineYale Center for British Art, Paul Mellon Fund