Search the collections

Patrick Caulfield, 1936–2005

Bathroom Mirror

(1968)

• Materials & TechniquesScreen print
• DimensionsSheet: 28 x 36 3/4in. (71.1 x 93.3cm), Frame: 31 1/2 x 41 1/2 x 1 1/4in. (80 x 105.4 x 3.2cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Patricia C. Jones

John Greig, active 1803–1853

Herstmonceux Castle, Sussex

(1815)

• Materials & TechniquesEngraving, with graphite on smooth, medium, cream wove paper
• DimensionsSheet: 3 3/4 × 6 1/4 inches (9.5 × 15.9 cm), Plate: 3 1/2 × 5 3/4 inches (8.9 × 14.6 cm), Image: 2 1/4 × 3 1/2 inches (5.7 × 8.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

unknown artist

Herstmonceux Castle, Sussex

(undated)

• Materials & TechniquesEngraving on smooth, thin, brown laid paper pasted on wove paper
• DimensionsSheet: 1 7/8 × 2 3/8 inches (4.8 × 6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

William Tombleson, ca.1795–1835

Herstmonceux Castle, Sussex

(undated)

• Materials & TechniquesEngraving, (verso) graphite on smooth, medium, cream wove paper
• DimensionsSheet: 5 3/4 × 3 7/8 inches (14.6 × 9.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

William Henry Brooke, 1772–1860

Herstmonceux Castle from the Southwest

(undated)

• Materials & TechniquesEngraving
• Dimensions
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

unknown artist

Herstmonceux Castle and Moat

(undated)

• Materials & TechniquesEngraving on smooth, medium, cream wove paper
• DimensionsSheet: 8 5/8 × 5 1/2 inches (21.9 × 14 cm), Image: 6 1/2 × 3 7/8 inches (16.5 × 9.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Thomas Gilks, active 1866–1876

Lord Dacre's Tomb

(undated)

• Materials & TechniquesEngraving on smooth, medium, cream wove paper
• DimensionsSheet: 8 5/8 × 5 1/2 inches (21.9 × 14 cm), Image: 6 1/2 × 3 7/8 inches (16.5 × 9.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

William Watts, 1752–1851

Heveningham Hall, in Suffolk, the Seat of Sir Gerard William Vanneck Bartholomew

(1782)

• Materials & TechniquesEngraving
• Dimensions
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by William Angus, 1752–1821

West Hill in Surrey, the Seat of D. H. Rucker Esqr

(1810)

• Materials & TechniquesEtching and line engraving on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 8 1/4 × 10 3/8 inches (20.9 × 26.3 cm), Image: 5 1/8 × 7 3/8 inches (13 × 18.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Harriet Hunter

The Port of Wisbech, Cambridgeshire

(1840)

• Materials & Techniques
• Dimensions
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Tobias Muller, Died 1789

Palace of Whitehall. The Charing Cross Side

(1749)

• Materials & TechniquesEngraving on moderately thick, slightly textured, cream laid paper
• DimensionsSheet: 22 1/2 × 38 1/2 inches (57.2 × 97.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Pierre Charles Canot, ca. 1710–1777

Near Plymouth with the Ordinance Wharfe

(1756)

• Materials & TechniquesColor engraving
• Dimensions
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Thomas Patch, 1725–1782

Tommaso Patch Autore

(1768)

• Materials & TechniquesEtching on medium, slightly textured, cream laid paper
• DimensionsBinding: 18 1/2 inches (47 cm), Sheet: 18 1/2 × 14 inches (47 × 35.6 cm), Plate: 13 × 9 3/4 inches (33 × 24.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Francesco Bartolozzi, 1728–1815

Ascension of Madame Sage, Chevalier Biggin and Captain Vincent Lunardi in a... [Read more]

(1785)

• Materials & TechniquesStipple engraving, line engraving and etching on moderately thick, moderately textured, cream laid paper
• DimensionsSheet: 9 15/16 × 13 1/8 inches (25.2 × 33.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Rocque, 1704?–1762

...Plan of Windsor Park

(1738)

• Materials & TechniquesEngraving on moderately thick, moderately textured, cream laid paper
• DimensionsSheet: 20 3/8 × 27 7/8 inches (51.8 × 70.8 cm), Plate: 18 11/16 × 25 1/8 inches (47.5 × 63.8 cm), Image: 18 1/4 × 24 1/2 inches (46.4 × 62.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John Jones, ca. 1745–1797

Lady Caroline Price

(1788)

• Materials & TechniquesMezzotint
• DimensionsSheet: 14 7/8 x 10 7/8in. (37.8 x 27.6cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Thomas Sutherland, ca. 1785–1838

Improvements opposite Carlton House (Showing the view up Regent Street)

(1817)

• Materials & TechniquesAquatint
• Dimensions
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Samuel Buck, 1696–1779

The Southwest view of Hertsmonceux Castle in the County of Sussex

(1737)

• Materials & TechniquesEngraving with graphite on slightly textured, medium, cream laid paper
• DimensionsSheet: 10 5/8 × 16 3/4 inches (27 × 42.5 cm), Plate: 7 1/2 × 14 1/2 inches (19.1 × 36.8 cm), Image: 7 1/2 × 14 1/2 inches (19.1 × 36.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Samuel Buck, 1696–1779

The Southwest view of Hertsmonceux Castle in the County of Sussex

• Materials & TechniquesEngraving
• Dimensions
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Thomas Girtin, 1775–1802

View of the Pantheon, Paris

(1802)

• Materials & TechniquesSoft ground etching with gray, blue, and yellow wash on medium, slightly textured, cream wove paper
• DimensionsMount: 9 3/8 x 21 inches (23.8 x 53.3 cm), Sheet: 5 7/8 x 17 7/16 inches (14.9 x 44.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Henry Morton, ca. 1807–1825

Bodiam Castle

(1817)

• Materials & TechniquesColored aquatint
• DimensionsSheet: 9 3/4 x 13 3/8in. (24.8 x 34cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Thomas Patch, 1725–1782

Plates 9-12: Don Ciccio, Mr. Huger, Unidentified, and Mr. Cunningham

(1768 to 1770)

• Materials & TechniquesFour crayon manner prints in red ink; printed together on single sheet of medium, slightly textured, cream laid paper
• DimensionsBinding: 18 1/2 inches (47 cm), Sheet: 18 1/2 × 14 inches (47 × 35.6 cm), Plate: 6 × 4 1/2 inches (15.2 × 11.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Henry Morton, ca. 1807–1825

Strand Gateway, Winchelsea

(1817)

• Materials & TechniquesColored aquatint
• DimensionsSheet: 9 3/4 x 13 3/8in. (24.8 x 34cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Thomas Patch, 1725–1782

Plates 17-20: Dottore Binozzi, Pandolfo Collins, Mr. Light, and Winingam

(1768 to 1770)

• Materials & TechniquesFour crayon manner prints in red ink; printed together on single sheet of medium, slightly textured, cream laid paper
• DimensionsBinding: 18 1/2 inches (47 cm), Sheet: 18 1/2 × 14 inches (47 × 35.6 cm), Plate: 6 × 4 1/4 inches (15.2 × 10.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Thomas Patch, 1725–1782

Plates 13-16: Unidentified, Colonel St. John, Thomas, and L.B

(1768 to 1770)

• Materials & TechniquesFour crayon manner prints in red ink; printed together on single sheet of medium, slightly textured, cream laid paper
• DimensionsBinding: 18 1/2 inches (47 cm), Sheet: 18 1/2 × 14 inches (47 × 35.6 cm), Plate: 6 × 4 1/2 inches (15.2 × 11.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Thomas Patch, 1725–1782

Plates 25-27: Il Dentino, Captain Walcott, Two Unidentified Men

(1768 to 1770)

• Materials & TechniquesThree crayon manner prints in red ink; printed together on single sheet of medium, slightly textured, cream laid paper
• DimensionsBinding: 18 1/2 inches (47 cm), Sheet: 18 1/2 × 14 inches (47 × 35.6 cm), Plate: 6 × 4 1/4 inches (15.2 × 10.8 cm), Plate: 6 × 8 inches (15.2 × 20.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Thomas Patch, 1725–1782

Plates 21-24: Mr. W., Sir W.W.W., Mr. Apthorp, and Captain Elliott

(1768 to 1770)

• Materials & TechniquesFour crayon manner prints in red ink; printed together on single sheet of medium, slightly textured, cream laid paper
• DimensionsBinding: 18 1/2 inches (47 cm), Sheet: 18 1/2 × 14 inches (47 × 35.6 cm), Plate: 6 × 4 1/4 inches (15.2 × 10.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Thomas Patch, 1725–1782

Plates 1-4: Il Carlo, Mr. Piters, Mr. D., and an Unidentified Man

(1768)

• Materials & TechniquesFour etchings; printed together on single sheet of medium, slightly textured, cream laid paper
• DimensionsBinding: 18 1/2 inches (47 cm), Sheet: 18 1/2 × 14 inches (47 × 35.6 cm), Plate: 6 × 5 inches (15.2 × 12.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Thomas Patch, 1725–1782

Dr. Lambardi

(1770)

• Materials & TechniquesCrayon manner on medium, slightly textured, cream laid paper
• DimensionsBinding: 18 1/2 inches (47 cm), Sheet: 18 1/2 × 14 inches (47 × 35.6 cm), Plate: 13 × 6 1/2 inches (33 × 16.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Thomas Patch, 1725–1782

Cav. Alticozzi

(1769)

• Materials & TechniquesEtching on medium, slightly textured, cream laid paper
• DimensionsBinding: 18 1/2 inches (47 cm), Sheet: 18 1/2 × 14 inches (47 × 35.6 cm), Plate: 13 × 6 5/8 inches (33 × 16.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Thomas Patch, 1725–1782

Giusepe. Caramelli

(1769)

• Materials & TechniquesEtching on medium, slightly textured, cream laid paper
• DimensionsBinding: 18 1/2 inches (47 cm), Sheet: 18 1/2 × 14 inches (47 × 35.6 cm), Plate: 13 × 6 1/2 inches (33 × 16.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Thomas Patch, 1725–1782

Ferdo. Gregori

(1769)

• Materials & TechniquesEtching on medium, slightly textured, cream laid paper
• DimensionsBinding: 18 1/2 inches (47 cm), Sheet: 18 1/2 × 14 inches (47 × 35.6 cm), Plate: 13 × 6 5/8 inches (33 × 16.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Thomas Patch, 1725–1782

R. Dalton Esqr

(1769)

• Materials & TechniquesEtching on medium, slightly textured, cream laid paper
• DimensionsBinding: 18 1/2 inches (47 cm), Sheet: 18 1/2 × 14 inches (47 × 35.6 cm), Plate: 13 × 6 5/8 inches (33 × 16.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Thomas Patch, 1725–1782

Dr. Merlini

(1769)

• Materials & TechniquesEtching on medium, slightly textured, cream laid paper
• DimensionsBinding: 18 1/2 inches (47 cm), Sheet: 18 1/2 × 14 inches (47 × 35.6 cm), Plate: 13 × 6 1/2 inches (33 × 16.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Thomas Patch, 1725–1782

Alessandri il Neofito

(1769)

• Materials & TechniquesEtching on medium, slightly textured, cream laid paper
• DimensionsBinding: 18 1/2 inches (47 cm), Sheet: 18 1/2 × 14 inches (47 × 35.6 cm), Plate: 13 × 6 1/2 inches (33 × 16.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Thomas Patch, 1725–1782

Monsr. Clune detto L'Imperatore

(1769)

• Materials & TechniquesEtching on medium, slightly textured, cream laid paper
• DimensionsBinding: 18 1/2 inches (47 cm), Sheet: 18 1/2 × 14 inches (47 × 35.6 cm), Plate: 13 × 6 1/2 inches (33 × 16.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Thomas Patch, 1725–1782

Dr. Stern alias Tristram Shandy

(1769)

• Materials & TechniquesEtching on medium, slightly textured, cream laid paper
• DimensionsBinding: 18 1/2 inches (47 cm), Sheet: 18 1/2 × 14 inches (47 × 35.6 cm), Plate: 13 × 6 1/2 inches (33 × 16.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Thomas Patch, 1725–1782

Cosimo Fioravanti

(1768)

• Materials & TechniquesEtching on medium, slightly textured, cream laid paper
• DimensionsBinding: 18 1/2 inches (47 cm), Sheet: 18 1/2 × 14 inches (47 × 35.6 cm), Plate: 13 × 6 1/2 inches (33 × 16.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Thomas Patch, 1725–1782

Cortigiani

(1768)

• Materials & TechniquesEtching on medium, slightly textured, cream laid paper
• DimensionsBinding: 18 1/2 inches (47 cm), Sheet: 18 1/2 × 14 inches (47 × 35.6 cm), Plate: 13 × 6 1/2 inches (33 × 16.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Thomas Patch, 1725–1782

Padri, e Madri mandate i vostri Figlioli

(1768)

• Materials & TechniquesEtching on medium, slightly textured, cream laid paper
• DimensionsBinding: 18 1/2 inches (47 cm), Sheet: 18 1/2 × 14 inches (47 × 35.6 cm), Plate: 13 × 6 1/2 inches (33 × 16.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Thomas Patch, 1725–1782

Benbridge

(1769)

• Materials & TechniquesEtching on medium, slightly textured, cream laid paper
• DimensionsBinding: 18 1/2 inches (47 cm), Sheet: 18 1/2 × 14 inches (47 × 35.6 cm), Plate: 13 × 6 5/8 inches (33 × 16.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Thomas Patch, 1725–1782

Frano. Harwood

(1768)

• Materials & TechniquesEtching on medium, slightly textured, cream laid paper
• DimensionsBinding: 18 1/2 inches (47 cm), Sheet: 18 1/2 × 14 inches (47 × 35.6 cm), Plate: 13 × 6 1/2 inches (33 × 16.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Thomas Patch, 1725–1782

Gio. Torello Leoni

(1768)

• Materials & TechniquesEtching on medium, slightly textured, cream laid paper
• DimensionsBinding: 18 1/2 inches (47 cm), Sheet: 18 1/2 × 14 inches (47 × 35.6 cm), Plate: 13 × 6 1/2 inches (33 × 16.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Thomas Patch, 1725–1782

Raimondo Cocchi

(1769)

• Materials & TechniquesEtching on medium, slightly textured, cream laid paper
• DimensionsBinding: 18 1/2 inches (47 cm), Sheet: 18 1/2 × 14 inches (47 × 35.6 cm), Plate: 13 × 6 3/4 inches (33 × 17.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Thomas Patch, 1725–1782

Tommaso Robinson

(1768)

• Materials & TechniquesEtching on medium, slightly textured, cream laid paper
• DimensionsBinding: 18 1/2 inches (47 cm), Sheet: 18 1/2 × 14 inches (47 × 35.6 cm), Plate: 13 × 6 1/2 inches (33 × 16.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Thomas Girtin, 1775–1802

The Watermill Above the Bridge at Charenton

(1803)

• Materials & TechniquesAquatint on moderately thick, slightly textured, beige wove paper
• DimensionsSheet: 8 9/16 x 13 7/16 inches (21.8 x 34.1 cm), Plate: 8 1/16 x 13 inches (20.4 x 33 cm), Image: 6 1/8 x 11 1/16 inches (15.5 x 28.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

unknown artist

Mansion of Thomas Hope Esqr. Flemish Picture Gallery

(1821)

• Materials & TechniquesEngraving proof
• Dimensions
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

unknown artist

Mansion of Thomas Hope Esqr. Flemish Picture Gallery

(1821)

• Materials & TechniquesEngraving: proof
• Dimensions
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

unknown artist

Mr. Thomas Hope's Picture Gallery, Duchess Street, London

(1821)

• Materials & TechniquesEngraving
• Dimensions
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Petrus Josephus Lutgers, 1808–1874

Bosbeek en Groenendaal nabij Heemstede

(between 1837 and 1844)

• Materials & TechniquesLithograph and pen and black ink on smooth, medium, white wove paper laid on slightly textured, moderately thick, cream wove paper
• DimensionsSheet: 7 1/2 × 9 1/2 inches (19.1 × 24.1 cm), Sheet: 19 3/16 × 20 3/8 inches (48.7 × 51.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection