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Print made by William Hogarth, 1697–1764

Hudibras Encounters the Skimmington (no. 7)

undated

Print made by William Hogarth, 1697–1764

The Cockpit

1759

Print made by William Blake, 1757–1827

May-Day in London

1784

Print made by William Blake, 1757–1827

The Complaint, and the Consolation; or, Night Thoughts

ca. 1797

Print made by R. Dunning, active 1819

East Part of Fountains Abbey

1819

Print made by R. Dunning, active 1819

Part of the Cloisters at Fountains Abbey

1819

Print made by R. Dunning, active 1819

South Entrance to Fountains Abbey

1819

Print made by R. Dunning, active 1819

Gateway at Fountains Abbey

1819

Print made by R. Dunning, active 1819

North-East End of the Upper Transept at Fountains Abbey

1819

Print made by James Duffield Harding, 1798–1863

Castle of Ballincolly, Cork

1826

Print made by James Duffield Harding, 1798–1863

Buttevent Abbey, Cork

1826

Print made by James Duffield Harding, 1798–1863

Mallow Castle, Cork

1826

Print made by James Duffield Harding, 1798–1863

Cathedral at Cashel, Tipperary

1826

Print made by James Duffield Harding, 1798–1863

Roche's Castle, Castletown Roche, Cork

1826

Print made by James Duffield Harding, 1798–1863

Roche's Castle, Castletown Roche, Cork

1826

Print made by James Duffield Harding, 1798–1863

Carraig O Goinneal, Limerick

1826

Print made by James Duffield Harding, 1798–1863

Kilcrea Abbey, Cork

1826

Richard Earlom, 1743–1822

Tiger Hunting in the East Indies

1802

Print made by William Heath, 1795–1840

Finis

1829

Print made by Francesco Bartolozzi, 1728–1815

Miss Farren

1792

Print made by Thomas Girtin, 1775–1802

On the Banks of the Marne below the Bridge at Charenton

1803

Print made by William Henry Simmons, 1811–1882

The Departure (Second Class)

1857

Richard Bernard Godfrey, 1728–op.1794

Ships in Distress

1796

Print made by Henry Papprill, 1816–d.after 1883

View of the Capture of Amoy on the Coast of China, on the 26th August, 1841; Plate 1

1842

Print made by William Daniell, 1769–1837

A View of the Frigates Stationed in the Hope under the Command of the Elder... [Read more]

1804

Francesco Bartolozzi, 1728–1815

Queen Katherine's Dream

1788

William Hincks, 1752–1797

Plate I: View taken near Scarva in the County of Downe, representing... [Read more]

1791

Print made by Edward Duncan, 1803–1882

Whampoa, in China

1835

Print made by Gerard van der Gucht, 1696–1776

The Cape of Good Hope

1736

Print made by Francis Jukes, 1747–1812

The Essex East Indiaman in the Morning after the Storm with Her Signal... [Read more]

1785

Print made by Joseph Samuel Alpenny, 1787–1858

Two Travellers Watering Three Horses

undated

Print made by Thomas Gaugain, 1748–1812

Turnips & Carrots ho

1797

Print made by F. Ross, active 1840

View in St. James's Park Showing Rosamond's Pond

1840

Print made by Joseph Wood, 1720–1763 or 1764

The View from One Tree Hill in Greenwich Park

1744

Print made by Henry Hulsberg, active 1700s–died 1729

Dover Castle

undated

Capt. Francis Grose, 1731–1791

Cowdray Court from the Lodging House

undated

Print made by William Day, 1764–1807

The High Street, Southampton

1828

Print made by William James Bennett, 1787–1844

The Supreme Court of Judicature in the Island of Ceylon

1829

unknown artist

Marlow, Bucks

1805

Charles Tomkins, 1757–1823

Encampment at Farnham near St. Edmund's Bury

1782

Print made by Gerard van der Gucht, 1696–1776

Tellicherry

1736

Print made by Gerard van der Gucht, 1696–1776

Fort St. George

1736

Etched by Thomas Rowlandson, 1756–1827

French Barracks

1791

Etched by Thomas Rowlandson, 1756–1827

English Barracks

1791

Francesco Bartolozzi, 1728–1815

Reapers

1790

Print made by William O'Keefe, active 1794–1807

A Vision, Vide, the Monster of Slaughter, The Distress of Nations; Deluge of... [Read more]

1796

Print made by James Sayers, 1748–1823

Dun-shaw, One Foot in Leadenhall Street, and the Other in the Province of Bengal... [Read more]

1788

Print made by Robert Havell, 1769–1832

The Method of Catching Wild Elephants by the Kraal in the Island... [Read more]

1817

James Gillray, 1756–1815

The Nuptial-Bower; "To the Nuptial-Bower he led her Blushing Like the Morn with... [Read more]

1797

James Gillray, 1756–1815

The Balance of Power, - or - The Posterity of the Immortal Chatham, Turn'd... [Read more]

1791