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Print made by Samuel Palmer, 1805–1881

The Weary Ploughman

(1858)

• Materials & TechniquesEtching and drypoint, with plate tone on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 11 9/16 x 16 3/8 inches (29.4 x 41.6 cm), Plate: 7 5/8 x 10 1/4 inches (19.3 x 26.1 cm), Image: 5 3/16 x 7 7/8 inches (13.2 x 20 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

Print made by Joseph Mallord William Turner, 1775–1851

Paestum

(between 1820 and 1826)

• Materials & TechniquesMezzotint; artist's proof (d) on medium, slightly textured, cream laid paper
• DimensionsSheet: 8 1/2 × 12 5/8 inches (21.6 × 32 cm), Plate: 7 1/2 × 10 1/8 inches (19.1 × 25.7 cm), Image: 6 × 8 1/2 inches (15.2 × 21.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Print made by Joseph Mallord William Turner, 1775–1851

Ship in a Storm

(ca. 1826)

• Materials & TechniquesMezzotint on medium, slightly textured, cream wove paper
• DimensionsSheet: 10 3/4 × 16 1/4 inches (27.3 × 41.3 cm), Plate: 7 1/2 × 10 inches (19.1 × 25.4 cm), Image: 6 × 8 1/2 inches (15.2 × 21.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Joseph Mallord William Turner, 1775–1851

Gloucester Cathedral

(1820 to 1825)

• Materials & TechniquesMezzotint, with graphite and white chalk; touched engraver's proof (a)
• DimensionsPlate: 6 x 8 7/8in. (15.2 x 22.5cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Joseph Mallord William Turner, 1775–1851

St. Michael's Mount

(1820 to 1826)

• Materials & TechniquesMezzotint with white chalk; touched engraver's proof (b)
• DimensionsSheet: 8 7/16 x 10 15/16in. (21.4 x 27.8cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Vanessa Bell, 1879–1961

The Schoolroom

(1938)

• Materials & TechniquesColor lithograph on medium, slightly textured, cream wove paper
• DimensionsSheet: 20 × 26 inches (50.8 × 66 cm), Image: 18 × 24 inches (45.7 × 61 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Mitchell Bobkin

Print made by Vanessa Bell, 1879–1961

An Unwritten Novel

(1921)

• Materials & TechniquesWoodcut on medium, slightly textured, cream wove paper
• DimensionsSheet: 7 1/4 × 4 3/4 inches (18.4 × 12.1 cm), Image: 5 1/2 × 4 inches (14 × 10.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Mitchell Bobkin

Print made by Vanessa Bell, 1879–1961

A Haunted House

(1921)

• Materials & TechniquesWoodcut on medium, slightly textured, cream wove paper
• DimensionsSheet: 7 1/4 × 4 3/4 inches (18.4 × 12.1 cm), Image: 5 1/2 × 4 inches (14 × 10.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Mitchell Bobkin

Print made by Vanessa Bell, 1879–1961

The String Quartet

(1921)

• Materials & TechniquesWoodcut on medium, slightly textured, cream wove paper
• DimensionsSheet: 7 1/4 × 4 3/4 inches (18.4 × 12.1 cm), Image: 5 1/2 × 4 inches (14 × 10.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Mitchell Bobkin

Print made by Vanessa Bell, 1879–1961

A Society

(1921)

• Materials & TechniquesWoodcut on medium, slightly textured, cream wove paper
• DimensionsSheet: 7 1/4 × 4 3/4 inches (18.4 × 12.1 cm), Image: 5 1/2 × 4 inches (14 × 10.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Mitchell Bobkin

Print made by Vanessa Bell, 1879–1961

Basket of Flowers

(ca. 1954)

• Materials & TechniquesLinocut printed in blue ink on medium, smooth, white wove paper
• DimensionsSheet: 12 × 9 1/2 inches (30.5 × 24.1 cm), Image: 7 3/4 × 4 1/2 inches (19.7 × 11.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Mitchell Bobkin

Print made by Vanessa Bell, 1879–1961

Dahlias

(1918)

• Materials & TechniquesWoodcut on medium, slightly textured, cream wove paper
• DimensionsSheet: 9 × 6 3/4 inches (22.9 × 17.1 cm), Image: 6 × 4 1/4 inches (15.2 × 10.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Mitchell Bobkin

Vanessa Bell, 1879–1961

Woman in an Armchair

(ca. 1921)

• Materials & TechniquesWoodcut; proof on thin, slightly textured, cream wove paper
• DimensionsSheet: 7 1/2 × 10 1/4 inches (19.1 × 26 cm), Image: 4 × 6 1/4 inches (10.2 × 15.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Mitchell Bobkin

Ben Nicholson, 1894–1982

Two Bottles and Glass

(1967 (1973))

• Materials & TechniquesEtching
• DimensionsSheet: 13 x 13in. (33 x 33cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of John Russell

Ben Nicholson, 1894–1982

Still Life: Jug & Glass

(1948)

• Materials & TechniquesDrypoint
• DimensionsSheet: 7 13/16 x 5 15/16in. (19.9 x 15.1cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of George E. Dix, Yale BA 1934, MA 1942

John R. Skeaping, 1901–1980

Cow Nylgha [aka] Reedback Feeding

(1928)

• Materials & TechniquesDrypoint on wove paper
• DimensionsSheet: 11 x 14 15/16in. (27.9 x 37.9cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Judith and Norman A. Zlotsky, Yale BS 1953

John R. Skeaping, 1901–1980

Upsides

• Materials & TechniquesLithograph on wove paper
• DimensionsSheet: 21 x 30 1/2in. (53.3 x 77.5cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

John R. Skeaping, 1901–1980

Double Handful

• Materials & TechniquesLithograph on wove paper
• DimensionsSheet: 21 x 30 1/2in. (53.3 x 77.5cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Sir Anish Kapoor, born 1954

Shadow IV: Dark Green

(2011)

• Materials & TechniquesColor photogravure etching on 350g Hahnemuhle bright white paper
• DimensionsSheet: 28 1/2 × 38 inches (72.4 × 96.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Friends of British Art Fund, Smith Richardson Foundation, Iola S. Haverstick Fund

Print made by William Say, 1768–1834

Cupid and Psyche

(1816)

• Materials & TechniquesMezzotint (second state) on thick, moderately textured, cream laid paper
• DimensionsSheet: 19 5/8 × 21 1/4 inches (49.8 × 54 cm), Image: 16 3/8 × 19 1/4 inches (41.6 × 48.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Print made by James McBey, 1883–1959

Zero - a 65 Pounder Opening Fire

(1920)

• Materials & TechniquesDrypoint on medium, slightly textured, cream laid paper
• DimensionsSheet: 9 5/8 × 14 5/8 inches (24.4 × 37.1 cm), Image: 8 1/4 × 12 inches (21 × 30.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, The G. Allen Smith Collection, transfer from the Yale University Art Gallery

Print made by Philip Dawe, ca.1750–ca.1790

The Pretty Ballad Singer

(1769)

• Materials & TechniquesMezzotint on moderately thick, slightly textured, cream laid paper, laid in mount
• DimensionsSheet: 16 3/4 x 11 1/2 inches (42.6 x 29.2 cm), Plate: 13 7/8 x 9 7/8 inches (35.2 x 25.1 cm), Image: 12 5/8 x 9 7/8 inches (32 x 25.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Fund

Print made by Philip Dawe, ca.1750–ca.1790

The Oyster Woman

(1769)

• Materials & TechniquesMezzotint on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 14 1/2 × 9 15/16 inches (36.9 × 25.2 cm), Image: 12 3/4 × 9 13/16 inches (32.4 × 24.9 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by John Martin, 1789–1854

The Deluge

(1828)

• Materials & TechniquesMezzotint and etching; engraver's proof on moderately thick, moderately textured, cream wove paper
• DimensionsSheet: 25 9/16 × 33 3/16 inches (64.9 × 84.3 cm), Plate: 23 7/16 × 31 11/16 inches (59.5 × 80.5 cm), Image: 18 11/16 × 27 13/16 inches (47.5 × 70.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Robert Polhill Bevan, 1865–1925

Found!

(1898-1899)

• Materials & TechniquesLithograph on moderately thick, smooth, cream wove paper
• DimensionsSheet: 15 x 19 7/16 inches (38.1 x 49.3 cm), Image: 9 13/16 x 13 3/16 inches (25 x 33.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Robert Polhill Bevan, 1865–1925

The Flying Pack

(1898-1899)

• Materials & TechniquesLithograph on moderately thick, smooth, cream wove paper
• DimensionsSheet: 15 1/16 x 19 1/2 inches (38.3 x 49.5 cm), Plate: 11 1/8 x 14 inches (28.3 x 35.5 cm), Image: 9 13/16 x 13 3/16 inches (25 x 33.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Polhill Bevan, 1865–1925

The Horse Mart (Barbican No. 1)

(1920)

• Materials & TechniquesLithograph on medium, slightly textured, cream laid paper
• DimensionsSheet: 15 × 20 1/16 inches (38.1 × 51 cm), Plate: 10 11/16 × 14 7/8 inches (27.1 × 37.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Polhill Bevan, 1865–1925

A London Church

(1924)

• Materials & TechniquesLithograph
• Dimensions
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Robert Polhill Bevan, 1865–1925

Crocks

(undated)

• Materials & TechniquesLithograph on medium, smooth, cream wove paper
• DimensionsSheet: 15 1/16 × 20 inches (38.3 × 50.8 cm), Plate: 11 9/16 × 13 15/16 inches (29.4 × 35.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Robert Polhill Bevan, 1865–1925

Huntsman and Hounds

(1898-1899)

• Materials & TechniquesLithograph on thick, smooth, gray wove card
• DimensionsSheet: 7 7/8 x 6 5/8 inches (20.1 x 16.8 cm), Plate: 7 11/16 x 5 7/8 inches (19.6 x 15 cm), Image: 7 1/8 x 5 3/16 inches (18 x 13.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Robert Polhill Bevan, 1865–1925

The Meet

(1898-1899)

• Materials & TechniquesLithograph on moderately thick, smooth, cream wove paper
• DimensionsSheet: 15 x 19 5/16 inches (38.1 x 49 cm), Image: 9 13/16 x 13 1/8 inches (25 x 33.4 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Robert Polhill Bevan, 1865–1925

Who-o-p!

(1898-1899)

• Materials & TechniquesLithograph on moderately thick, smooth, cream wove paper
• DimensionsSheet: 14 15/16 x 19 1/2 inches (38 x 49.5 cm), Plate: 11 3/16 x 14 inches (28.4 x 35.5 cm), Image: 9 13/16 x 13 1/8 inches (25 x 33.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Robert Polhill Bevan, 1865–1925

A London Church

(1924)

• Materials & TechniquesLithograph on medium, smooth, cream wove paper
• DimensionsSheet: 14 15/16 x 19 5/8 inches (38 x 49.8 cm), Image: 11 11/16 x 14 1/16 inches (29.7 x 35.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Gift of Patricia Cornwell

Robert Polhill Bevan, 1865–1925

Sale at Ward's Repository (Wards No. 2)

(1921)

• Materials & TechniquesLithograph on wove paper
• Dimensions
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Samuel Palmer, 1805–1881

The Vine

(1852)

• Materials & TechniquesEtching and drypoint, retouched with graphite on thick, smooth, beige wove paper
• DimensionsSheet: 11 13/16 x 8 1/2 inches (30 x 21.6 cm), Plate: 11 13/16 x 8 1/2 inches (30 x 21.6 cm), Image: 8 7/16 x 5 1/16 inches (21.4 x 12.8 cm), Image: 3 1/2 x 5 1/16 inches (8.9 x 12.8 cm), Image: 2 1/8 x 4 5/8 inches (5.4 x 11.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Samuel Palmer, 1805–1881

The Rising Moon

(1857)

• Materials & TechniquesEtching and drypoint, retouched with black ink or oil paint, gray watercolor or gouache, and pale brown watercolor, gouache or chalk on thick, slightly textured, cream wove paper
• DimensionsSheet: 10 7/8 x 14 7/16 inches (27.6 x 36.7 cm), Plate: 6 15/16 x 9 7/8 inches (17.7 x 25.1 cm), Image: 4 5/8 x 7 9/16 inches (11.7 x 19.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Samuel Palmer, 1805–1881

The Rising Moon

(1857)

• Materials & TechniquesEtching, drypoint, and plate tone, with chine collé on moderately thick, slightly textured, cream wove paper
• DimensionsSheet: 10 3/8 x 13 3/4 inches (26.3 x 35 cm), Plate: 5 13/16 x 8 3/4 inches (14.7 x 22.2 cm), Image: 4 5/8 x 7 1/2 inches (11.7 x 19.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Samuel Palmer, 1805–1881

The Rising Moon

(1857)

• Materials & TechniquesEtching, drypoint, and plate tone, with chine collé on thick, slightly textured, beige wove paper
• DimensionsSheet: 9 x 12 3/16 inches (22.8 x 31 cm), Plate: 6 15/16 x 9 7/8 inches (17.7 x 25.1 cm), Image: 4 9/16 x 7 9/16 inches (11.6 x 19.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Samuel Palmer, 1805–1881

Christmas

(1850)

• Materials & TechniquesEtching with plate tone on thick, smooth, cream wove paper
• DimensionsSheet: 10 3/16 x 8 1/2 inches (25.8 x 21.6 cm), Plate: 4 7/8 x 4 9/16 inches (12.4 x 11.6 cm), Image: 3 15/16 x 3 3/16 inches (10 x 8.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Samuel Palmer, 1805–1881

The Rising Moon

(1857)

• Materials & TechniquesEtching, drypoint, and plate tone, with chine collé on thick, slightly textured, cream wove paper
• DimensionsSheet: 10 7/8 x 16 3/8 inches (27.6 x 41.6 cm), Plate: 6 15/16 x 9 7/8 inches (17.7 x 25.1 cm), Image: 4 9/16 x 7 5/8 inches (11.6 x 19.3 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Samuel Palmer, 1805–1881

The Homeward Star

(begun ca. 1880)

• Materials & TechniquesEtching and drypoint, with plate tone on thin, slightly textured, cream laid paper
• DimensionsSheet: 6 5/8 x 9 5/16 inches (16.8 x 23.6 cm), Plate: 5 3/16 x 7 1/2 inches (13.2 x 19 cm), Image: 4 x 6 inches (10.1 x 15.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Samuel Palmer, 1805–1881

Harvest under a Crescent Moon

(ca. 1826)

• Materials & TechniquesWood engraving on thin, smooth, cream laid paper
• DimensionsSheet: 5 13/16 x 5 1/4 inches (14.8 x 13.3 cm), Sheet: 4 1/8 x 5 1/4 inches (10.5 x 13.3 cm), Image: 1 1/16 x 3 1/16 inches (2.7 x 7.8 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Samuel Palmer, 1805–1881

The Homeward Star

(etching begun ca. 1880; impression printed in 1924)

• Materials & TechniquesEtching and drypoint, with plate tone on thin, moderately textured, cream laid paper
• DimensionsSheet: 6 7/16 x 9 1/2 inches (16.4 x 24.1 cm), Plate: 5 3/16 x 7 1/2 inches (13.1 x 19 cm), Image: 3 15/16 x 6 inches (10 x 15.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Samuel Palmer, 1805–1881

The Herdsman's Cottage

(1850)

• Materials & TechniquesEtching and drypoint with chine collé, retouched with graphite on thick, slightly textured, cream wove paper
• DimensionsSheet: 11 3/4 x 8 9/16 inches (29.9 x 21.7 cm), Plate: 4 15/16 x 4 5/8 inches (12.6 x 11.7 cm), Image: 3 7/8 x 3 1/16 inches (9.8 x 7.7 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Samuel Palmer, 1805–1881

The Bellman

(1879)

• Materials & TechniquesEtching and drypoint, with plate tone on thick, slightly textured, cream wove paper
• DimensionsSheet: 10 1/2 x 14 inches (26.7 x 35.6 cm), Plate: 7 5/8 x 10 inches (19.4 x 25.4 cm), Image: 6 9/16 x 9 5/16 inches (16.7 x 23.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Samuel Palmer, 1805–1881

The Bellman

(1879)

• Materials & TechniquesEtching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
• DimensionsSheet: 11 3/16 x 16 7/8 inches (28.4 x 42.9 cm), Plate: 7 1/2 x 9 15/16 inches (19.1 x 25.3 cm), Image: 6 9/16 x 9 1/4 inches (16.7 x 23.5 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Samuel Palmer, 1805–1881

The Cypress Grove

(plate etched between ca. 1880 and 1883; impression printed in 1924)

• Materials & TechniquesEtching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
• DimensionsSheet: 10 15/16 x 12 1/16 inches (27.8 x 30.7 cm), Plate: 5 3/16 x 7 5/16 inches (13.2 x 18.6 cm), Image: 3 15/16 x 5 7/8 inches (10 x 15 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Samuel Palmer, 1805–1881

The Homeward Star

(etching begun ca. 1880; impression printed in 1924)

• Materials & TechniquesEtching and drypoint, with plate tone on moderately thick, moderately textured, cream laid paper
• DimensionsSheet: 10 13/16 x 12 15/16 inches (27.4 x 32.8 cm), Plate: 5 1/4 x 7 3/8 inches (13.3 x 18.8 cm), Image: 4 x 5 15/16 inches (10.1 x 15.1 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Samuel Palmer, 1805–1881

The Herdsman's Cottage

(1850)

• Materials & TechniquesEtching and drypoint, with plate tone on moderately thick, slightly textured, cream laid paper
• DimensionsSheet: 14 7/16 x 10 3/8 inches (36.6 x 26.3 cm), Plate: 4 7/8 x 4 inches (12.4 x 10.2 cm), Image: 3 7/8 x 3 inches (9.8 x 7.6 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection

Print made by Samuel Palmer, 1805–1881

The Homeward Star

(etching begun ca. 1880; impression printed in 1924)

• Materials & TechniquesEtching and drypoint, with plate tone on medium, slightly textured, cream laid paper
• DimensionsSheet: 6 3/16 x 9 1/16 inches (15.7 x 23 cm), Plate: 5 1/4 x 7 7/16 inches (13.3 x 18.9 cm), Image: 4 x 6 inches (10.1 x 15.2 cm)
• CollectionPrints and Drawings
• Credit lineYale Center for British Art, Paul Mellon Collection