Collection: Prints and Drawings / Credit Line: Yale Center for British Art, Paul Mellon Collection / Period: 19th century / Classification: Prints

Joseph Mallord William Turner, 1775–1851

Huntsmen in a Wood

after Joseph Mallord William Turner, 1775–1851

The Fighting "Temeraire"

after Joseph Mallord William Turner, 1775–1851

Tableaux de W. Turner Récemment Retrouves

after Joseph Mallord William Turner, 1775–1851

Burning of the Houses of Parliament

after Joseph Mallord William Turner, 1775–1851

Carisbrooke Castle

after Joseph Mallord William Turner, 1775–1851

Crossing the Brook

after Joseph Mallord William Turner, 1775–1851

The Trout Stream

after Joseph Mallord William Turner, 1775–1851

Boats Carrying Out Anchors to the Dutch Men of War

after Joseph Mallord William Turner, 1775–1851

Junction of the Thames and the Medway

after Joseph Mallord William Turner, 1775–1851

Messieurs les Voyageurs on their Return from Italy in a Snow Drift upon Mount Tarrar, 22nd of January, 1829

after Joseph Mallord William Turner, 1775–1851

Mortlake Terrace: Early Summer Morning

after Joseph Mallord William Turner, 1775–1851

Purfleet and the Essex Shore, As Seen from Long Reach

after Joseph Mallord William Turner, 1775–1851

A Coast Scene with Fishermen Hauling a Boat Ashore, 1803-1804

after Joseph Mallord William Turner, 1775–1851

The Passage of Mount St Gothard from the Centre of Teufels Broch, 1804

after Joseph Mallord William Turner, 1775–1851

Norham Castle, on the River Tweed, 1816

after Joseph Mallord William Turner, 1775–1851

Windmill and Lock

after Joseph Mallord William Turner, 1775–1851

North-West Front, Cassiobury, with Hounds and Huntsmen

after Joseph Mallord William Turner, 1775–1851

Campo Santo, Venice, 1842

after Joseph Mallord William Turner, 1775–1851

Scarborough

after Joseph Mallord William Turner, 1775–1851

Shoreham

after Joseph Mallord William Turner, 1775–1851

Depositing of John Bellini's Three Pictures in La Chiesa Redentore, Venice, 1841

after Joseph Mallord William Turner, 1775–1851

Canterbury Gate, Oxford

after Joseph Mallord William Turner, 1775–1851

Venice, The Dogana, San Georgio, &c, From the Steps of the Europa

after Joseph Mallord William Turner, 1775–1851

Bateaux sur la Medway

after Joseph Mallord William Turner, 1775–1851

Les Fetes de la Moisson

after Joseph Mallord William Turner, 1775–1851

Le Depart de la Flotte des Troyens

after Joseph Mallord William Turner, 1775–1851

Turner's "Van Tromp" Pictures

after Joseph Mallord William Turner, 1775–1851

Aeneas Relating His Adventures to Dido

after Joseph Mallord William Turner, 1775–1851

Christ Church Hall, Oxford

after Joseph Mallord William Turner, 1775–1851

High Street, Oxford

after Joseph Mallord William Turner, 1775–1851

Swan

after Joseph Mallord William Turner, 1775–1851

Dover Harbour

after Joseph Mallord William Turner, 1775–1851

The Eddystone Lighthouse

after Joseph Mallord William Turner, 1775–1851

Marford Mill

after Joseph Mallord William Turner, 1775–1851

Crowhurst, Sussex - Early Snow

after Joseph Mallord William Turner, 1775–1851

Crowhurst, Sussex - Early Snow

after Joseph Mallord William Turner, 1775–1851

Shipwreck

after Joseph Mallord William Turner, 1775–1851

Old Houses at Chester

after Joseph Mallord William Turner, 1775–1851

Tantallon Castle

after Joseph Mallord William Turner, 1775–1851

The Ponte Rotto, Looking Upstream, with the Tower of the Capitol on the Right

after Joseph Mallord William Turner, 1775–1851

[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc

after Joseph Mallord William Turner, 1775–1851

Cockermouth Castle

after Joseph Mallord William Turner, 1775–1851

Arch of Septimius Severus

after Joseph Mallord William Turner, 1775–1851

[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc

after Joseph Mallord William Turner, 1775–1851

[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc

after Joseph Mallord William Turner, 1775–1851

The Colosseum and the Basilica of Constantine From the Palatine Hill, Rome

after Joseph Mallord William Turner, 1775–1851

[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc

after Joseph Mallord William Turner, 1775–1851

Vesuvius in Repose

after Joseph Mallord William Turner, 1775–1851

[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc

after Joseph Mallord William Turner, 1775–1851

[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc

after Joseph Mallord William Turner, 1775–1851

[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc

after Joseph Mallord William Turner, 1775–1851

[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc

after Joseph Mallord William Turner, 1775–1851

[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc

after Joseph Mallord William Turner, 1775–1851

[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc

after Joseph Mallord William Turner, 1775–1851

Approach to Venice

after Joseph Mallord William Turner, 1775–1851

Heidelberg With A Rainbow

after Joseph Mallord William Turner, 1775–1851

Modern Italy - The Pifferari

Francis Stephen Cary, 1808–1880

Belvedere, Hampshire, The Seat of Sir William Fordyce; page 31 (Volume One)

unknown artist

Barry's House; page 25 (Volume One)

John Rogers, 1808–ca.1888

Entrance to the Archiepiscopal Palace, at Bishopthorpe (published by I. T. Hinton); page 34 (Volume One)

Matthew Urlwin Sears, active 1826–1859

Boscobel House; page 35 (Volume One)

Matthew Urlwin Sears Newstead Abbey, the Family Seat of the Byrons [the same engraving appears in "The Tourist, aliterary and anti-slavery journal", London, October 29, 1832, page 53]; page 54 (Volume One)

Matthew Urlwin Sears, active 1826–1859

Newstead Abbey, the Family Seat of the Byrons [the same engraving appears in "The Tourist, aliterary and anti-slavery journal", London, October 29, 1832, page 53]; page 54 (Volume One)

John J. Hinchliff, 1805–1875

Carstairs (Central View) Lanarkshire; page 57 (Volume One)

Henry S. Storer, 1795–1837

Residence of the late Mrs. Clive, Twickenham; page 69 (Volume One)

H. Winkles, Active 1834–1840

Coltman's Castle, Co. Cork; page 70 (Volume One)

J. Steed, active 1830–1832

Conservatory at Weisbaden; [not numbered] (Volume One)

John Greig, active 1803–1853

View in the Quadrangle Cowdray House (for the Excursions through Essex); page 74 (Volume One)

unknown artist

Cowper's House at Olney (with text)(from the Mirror)[a similar engraving appears in "The Tourist; a literary and anti-slavery journal", January 28, 1833, page 189]; page 76 (Volume One)

Matthew Urlwin Sears, active 1826–1859

Crosbie Hall, Bishopsgate Street - The Residence of Richard the Third; page 79 (Volume One)

S. Lacey, active 1830s

Craigstone, Aberdeenshire; page 77 (Volume One)

Matthew Urlwin Sears, active 1826–1859

Cowley's House at Chertsey; page 75 (Volume One)

Matthew Urlwin Sears, active 1826–1859

Cumner-Place, Berkshire (with text)(from the Mirror?); page 85 (Volume One)

unknown artist

Dalkeith Palace, Midlothian; page 86 (Volume One)

unknown artist

An Academy for Young Gentlemen near Dresden; page 91 (Volume One)

Matthew Urlwin Sears, active 1826–1859

Chesterton, The Birth-Place of Dryden; page 95 (Volume One)

S. Lacey, active 1830s

The Palace of the Bishop of Durham, at Bishop Auckland; page 96 (Volume One)

unknown artist

The Old East India House in Leadenhall Street 1648 to 1726; page 99 (Volume 0ne)

Matthew Urlwin Sears, active 1826–1859

Residence of Edward the Black Prince (from The Mirror)(Volume IV, D, page 33)(with text); page 103 (Volume One)

unknown artist

The Statue of Erasmus; page 107 (Volume One)

unknown artist

The Residence of Jeschi in the Boulevard du Temple, from a drawing made on the spot. The window covered wit a blind is the one from whence the deadly engine was [Dissil?]; page 2 (Volume Two)