Collection: Prints and Drawings / On-site Access: Accessible by appointment in the Study Room / Date: 1821 / Image Available: Unavailable

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: 17 wood engravings reprinted from the original blocks
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

17. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

18. And now behold the sun's departing ray

Creator:: William Blake, 1757–1827
Date:: 1821, reprinted 1977
Materials & Techniques:: Wood-engraving
Dimensions:: Sheet: 4 3/4 x 6in. (12.1 x 15.2cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

19. The Pastorals of Virgil, Volume 2

Creator:: Print made by William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

20. The Pastorals of Virgil, Volume 1

Creator:: William Blake, 1757–1827
Date:: 1821
Materials & Techniques:: Wood-engraving and letterpress on medium, slightly textured, cream wove paper
Dimensions:: Spine: 7 1/8 inches (18.1 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

21. View of a City Street with Houses and a Church

Creator:: unknown artist
Date:: ca. 1826
Materials & Techniques:: Graphite and black chalk
Dimensions:: Sheet: 10 x 14 1/2in. (25.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

22. Study of a ruined abbey

Creator:: unknown artist
Date:: ca. 1826
Materials & Techniques:: Graphite and black chalk
Dimensions:: Sheet: 10 x 14 1/2in. (25.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

23. Maternal Affection (Volume of 102 lithographs)

Creator:: Print made by William Sharp, active 1819–ca. 1837
Date:: between 1821 and 1838
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 16 1/2 x 12 3/4in. (41.9 x 32.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Mr. George L. Green

24. Kirstall Abbey, near Leeds Yorkshire

Creator:: unknown artist
Date:: ca. 1826
Materials & Techniques:: Graphite and black chalk
Dimensions:: Sheet: 10 x 14 1/2in. (25.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

25. Study for a willow tree branch

Creator:: unknown artist
Date:: ca. 1826
Materials & Techniques:: Graphite and black chalk
Dimensions:: Sheet: 10 x 14 1/2in. (25.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

26. Study of a tree top

Creator:: unknown artist
Date:: ca. 1826
Materials & Techniques:: Graphite and black chalk
Dimensions:: Sheet: 10 x 41 1/2in. (25.4 x 105.4cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

27. House beside a river dam (?)

Creator:: unknown artist
Date:: ca. 1826
Materials & Techniques:: Graphite and black chalk
Dimensions:: Sheet: 10 x 14 1/2in. (25.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

28. Preston Church

Creator:: unknown artist
Date:: ca. 1826
Materials & Techniques:: Graphite and black chalk
Dimensions:: Sheet: 10 x 14 1/2in. (25.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

29. Scene of woman walking down lane towards house, in Ashcoombe, Devonshire

Creator:: unknown artist
Date:: ca. 1826
Materials & Techniques:: Graphite and black chalk
Dimensions:: Sheet: 10 x 14 1/2in. (25.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

30. Three figures set between a tree and a small house, with boats on the sea in the distance

Creator:: unknown artist
Date:: ca. 1826
Materials & Techniques:: Graphite and black chalk
Dimensions:: Sheet: 10 x 14 1/2in. (25.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

31. Two women standing in gateway at Salisbury

Creator:: unknown artist
Date:: ca. 1826
Materials & Techniques:: Graphite and black chalk
Dimensions:: Sheet: 10 x 14 1/2in. (25.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

32. View from Putney Bridge, of several figures in sailboats on a river

Creator:: unknown artist
Date:: ca. 1826
Materials & Techniques:: Graphite and black chalk
Dimensions:: Sheet: 10 x 14 1/2in. (25.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

33. Study of the Ruins of Brambletye House, Sussex

Creator:: unknown artist
Date:: ca. 1826
Materials & Techniques:: Graphite and black chalk
Dimensions:: Sheet: 10 x 14 1/2in. (25.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

34. Landscape with trees set at base of low hills

Creator:: unknown artist
Date:: ca. 1826
Materials & Techniques:: Graphite and black chalk
Dimensions:: Sheet: 10 x 14 1/2in. (25.4 x 36.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

35. Dogs of the Dalmatian Breed - from an original picture in the possession of Sir John Fleming Leicester Baronet &, &

Creator:: James Ward, 1769–1859
Date:: 1821
Materials & Techniques:: Lithograph
Dimensions:: Sheet: 14 9/16 x 20in. (37 x 50.8cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

36. Alter in the Chapel of St. Blase at Westminster Abbey

Creator:: unknown artist
Date:: 1821
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art

37. Racing [set of four]: Coursing. Plate 2. View of Epsom Race Course

Creator:: James Pollard, 1792–1867
Date:: 1821
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 3/4 x 21 1/2in. (45.1 x 54.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

38. Set of six: The High Mettled Racer

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1821
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 3/4 x 16 7/8in. (34.9 x 42.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

39. Set of six: The High Mettled Racer

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1821
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 3/4 x 16 7/8in. (34.9 x 42.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

40. Set of six: The High Mettled Racer

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1821
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 3/4 x 16 7/8in. (34.9 x 42.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

41. Racing [set of four]: Coursing. Plate 4. View near Epsom

Creator:: James Pollard, 1792–1867
Date:: 1821
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 3/4 x 21 1/2in. (45.1 x 54.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

42. Samuel Johnson

Creator:: unknown artist
Date:: 1821
Materials & Techniques:: Engraving
Dimensions:: Sheet: 11 1/4 x 8in. (28.6 x 20.3cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art; Gift of Herman W. Liebert

43. Set of six: The High Mettled Racer

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1821
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 3/4 x 16 7/8in. (34.9 x 42.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

44. Set of six: The High Mettled Racer

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1821
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 3/4 x 16 7/8in. (34.9 x 42.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

45. Racing [set of four]: Coursing. Plate 3. View of Lord Arden's, Epsom

Creator:: James Pollard, 1792–1867
Date:: 1821
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 3/4 x 21 1/2in. (45.1 x 54.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

46. The Pavilion at Brighton, The Marine Palace of His Majesty George the IVth

Creator:: Thomas Sutherland, ca. 1785–1838
Date:: 1821
Materials & Techniques:: Colored aquatint
Dimensions:: Sheet: 11 1/4 x 13 3/4in. (28.6 x 34.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

47. Racing [set of four]: Coursing. Plate 1. View of the Warren, Epsom

Creator:: James Pollard, 1792–1867
Date:: 1821
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 17 3/4 x 21 1/2in. (45.1 x 54.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

48. Set of six: The High Mettled Racer

Creator:: Henry Thomas Alken, 1785–1851
Date:: 1821
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 13 3/4 x 16 7/8in. (34.9 x 42.9cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

49. The Interior of the Fives Court with Randall and Turner Sparring

Creator:: Charles Turner, 1774–1857
Date:: 1821
Materials & Techniques:: Aquatint, hand-colored
Dimensions:: Sheet: 21 1/8 x 27 3/8in. (53.7 x 69.5cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

50. Set of eight, printed wrappers, two sheets of text: 'Drawings from Original pictures of Philip Reinangle Esq. by an Amateur.

Creator:: unknown artist
Date:: ca. 1826
Materials & Techniques:: Hand colored lithograph
Dimensions:: Sheet: 14 x 21 1/2in. (35.6 x 54.6cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

51. Sheerness & the Isle of Sheppey, with the Junction of the Thames & Medway from the Nore

Creator:: Print made by Samuel Fisher, 1806–1851
Date:: between 1821 and 1851
Materials & Techniques:: Etching and line engraving, with graphite and white chalk; touched engraver's proof on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 11 5/8 × 16 1/8 inches (29.5 × 41 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

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Collection Prints and Drawings

On-site Access Accessible by appointment in the Study Room

Date 1821

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1. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 1: Frontispiece: Thenot: 'Is it not Colinet I lonesome see,/ leaning with folded arms against the tree?'

2. Each creature, Thenot, to his task is born

3. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'

4. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'

5. Or blasting winds o'er blossom'd hedge-rows pass

6. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 9: Colinet: 'A fond desire strange lands and swains to know./ Ah me! that ever I should covet wo.'

7. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'

8. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 14: Thenot: 'This night thy care with me forget, and fold/ thy flock with mine, to ward th' injurious cold.'

9. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 15: Thenot: 'New milk, and clouted cream, mild cheese and curd,/ with some remaining fruit of last year's hoard,/ shall be our ev'ning fare.'

10. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'

11. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'

12. My sheep quite spent through travel and ill fare

13. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 12: Colinet: 'In vain, O Colinet, thy pipe, so shrill,/ charms every vale, and gladdens every hill:'

14. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 13: Thenot: 'for him our yearly wakes and feasts we hold,/ and choose the fairest firstlings from the fold;'

15. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 17: Thenot: '

16. The Pastorals of Virgil, London, 1821

17. The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'

18. And now behold the sun's departing ray

19. The Pastorals of Virgil, Volume 2

20. The Pastorals of Virgil, Volume 1

21. View of a City Street with Houses and a Church

22. Study of a ruined abbey

23. Maternal Affection (Volume of 102 lithographs)

24. Kirstall Abbey, near Leeds Yorkshire

25. Study for a willow tree branch

26. Study of a tree top

27. House beside a river dam (?)

28. Preston Church

29. Scene of woman walking down lane towards house, in Ashcoombe, Devonshire

30. Three figures set between a tree and a small house, with boats on the sea in the distance

31. Two women standing in gateway at Salisbury

32. View from Putney Bridge, of several figures in sailboats on a river

33. Study of the Ruins of Brambletye House, Sussex

34. Landscape with trees set at base of low hills

35. Dogs of the Dalmatian Breed - from an original picture in the possession of Sir John Fleming Leicester Baronet &, &

36. Alter in the Chapel of St. Blase at Westminster Abbey

37. Racing [set of four]: Coursing. Plate 2. View of Epsom Race Course

38. Set of six: The High Mettled Racer

39. Set of six: The High Mettled Racer

40. Set of six: The High Mettled Racer

41. Racing [set of four]: Coursing. Plate 4. View near Epsom

42. Samuel Johnson

43. Set of six: The High Mettled Racer

44. Set of six: The High Mettled Racer

45. Racing [set of four]: Coursing. Plate 3. View of Lord Arden's, Epsom

46. The Pavilion at Brighton, The Marine Palace of His Majesty George the IVth

47. Racing [set of four]: Coursing. Plate 1. View of the Warren, Epsom

48. Set of six: The High Mettled Racer

49. The Interior of the Fives Court with Randall and Turner Sparring

50. Set of eight, printed wrappers, two sheets of text: 'Drawings from Original pictures of Philip Reinangle Esq. by an Amateur.

51. Sheerness & the Isle of Sheppey, with the Junction of the Thames & Medway from the Nore