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Exhibition History William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)

Remove constraint Exhibition History: William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)

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William Blake The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 10, "7. From the caverns of his jointed spine . . . ." (Bentley 11)
1794
William Blake The First Book of Urizen, Plate 6, "In living creations appear'd . . . ." (Bentley 5)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 6, "In living creations appear'd . . . ." (Bentley 5)
1794
William Blake The First Book of Urizen, Plate 22 (Bentley 24)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 22 (Bentley 24)
1794
William Blake The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)
1794
William Blake The First Book of Urizen, Plate 24 (Bentley 26)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 24 (Bentley 26)
1794
William Blake Jerusalem, Plate 11, "To labours mighty...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 11, "To labours mighty...."
1804 to 1820
William Blake Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
1804 to 1820
William Blake Jerusalem, Plate 51
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 51
1804 to 1820
William Blake Jerusalem, Plate 53, "Jerusalem / Chap. 3"
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 53, "Jerusalem / Chap. 3"
1804 to 1820
William Blake Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
1804 to 1820
William Blake Jerusalem, Plate 32, "Leaning against the pillars...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 32, "Leaning against the pillars...."
1804 to 1820
William Blake Jerusalem, Plate 35, "Then the Divine hand...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 35, "Then the Divine hand...."
1804 to 1820
William Blake Jerusalem, Plate 6, "His Spectre driv'n...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 6, "His Spectre driv'n...."
1804 to 1820
William Blake Jerusalem, Plate 70, "And this the form of mighty Hand...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 70, "And this the form of mighty Hand...."
1804 to 1820
William Blake Jerusalem, Plate 76
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 76
1804 to 1820
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 31, "A Long Story."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 31, "A Long Story."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
William Blake Jerusalem, Plate 25, "And there was heard...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 25, "And there was heard...."
1804 to 1820
William Blake The Poems of Thomas Gray, Design 29, "A Long Story."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 29, "A Long Story."
between 1797 and 1798
Joseph Haynes Death on a Pale Horse
Joseph Haynes, 1760–1829, British
Death on a Pale Horse
1784
William Blake Jerusalem, Plate 100
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 100
1804 to 1820
William Blake Jerusalem, Plate 27, "To the Jews...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 27, "To the Jews...."
1804 to 1820
William Blake Jerusalem, Plate 1, Frontispiece
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 1, Frontispiece
1804 to 1820
William Blake There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
ca. 1788
William Blake America. A Prophecy, Plate 6, "Appear to the Americans...."
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 6, "Appear to the Americans...."
1793
William Blake Jerusalem, Plate 26, "Such Visions Have...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 26, "Such Visions Have...."
1804 to 1820
William Blake Jerusalem, Plate 84, "Highgates heights & Hampstead...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 84, "Highgates heights & Hampstead...."
1804 to 1820
William Blake Jerusalem, Plate 99, "All Human Forms identified...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 99, "All Human Forms identified...."
1804 to 1820
William Blake The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 3, "Ode on the Spring."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 3, "Ode on the Spring."
between 1797 and 1798
William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
William Blake, 1757–1827, British
pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
1827
William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
William Blake, 1757–1827, British
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827, British
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
James Basire Pylades and Orestes
James Basire, 1769–1822, British
Pylades and Orestes
1771
William Sharp The Witch of En-Dor
William Sharp, 1749–1824, British
The Witch of En-Dor
1788
William Blake Europe. A Prophecy, Plate 1, Frontispiece
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 1, Frontispiece
1794
William Blake Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
1794
James Barry Job Reproved by his Friends
James Barry, 1741–1806, Irish
Job Reproved by his Friends
James Barry The Phoenix or the Resurrection of Freedom
James Barry, 1741–1806, Irish
The Phoenix or the Resurrection of Freedom
1776
William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
William Blake There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
ca. 1788
William Blake There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
ca. 1788
George Richmond The Shepherd
Print made by George Richmond, 1809–1896, British
The Shepherd
1827
William Blake America. A Prophecy, Plate 10, "The Terror Answered...."
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 10, "The Terror Answered...."
1793
William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
ca. 1788
William Blake America. A Prophecy, Plate 2, Title Page
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 2, Title Page
1793
William Blake There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
ca. 1788
William Blake There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
ca. 1788
William Blake There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
ca. 1788
William Blake America. A Prophecy, Plate 1, Frontispiece
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 1, Frontispiece
1793
George Richmond William Blake in Youth and Age
George Richmond, 1809–1896, British
William Blake in Youth and Age
ca. 1830
William Blake Jerusalem, Plate 2, Title Page
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 2, Title Page
1804 to 1820
James Gillray Presages of the Millenium
James Gillray, 1757–1815, British
Presages of the Millenium
1795
William Blake Plate 33 (page 72): 'And vapid; sense and reason shew the door'
William Blake, 1757–1827, British
Plate 33 (page 72): 'And vapid; sense and reason shew the door'
1797
William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
1794
William Blake The First Book of Urizen, Plate 23 (Bentley 9)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 23 (Bentley 9)
1794
Francesco Bartolozzi RA Queen Katherine's Dream
Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)
Queen Katherine's Dream
1788
Samuel Palmer The Crescent Moon
Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Crescent Moon
undated
William Blake Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
William Blake, 1757–1827, British
Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
1797
William Blake Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
William Blake, 1757–1827, British
Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
1797
William Blake Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
William Blake, 1757–1827, British
Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
1797
William Blake Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
William Blake, 1757–1827, British
Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
1797
William Blake Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
William Blake, 1757–1827, British
Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
1797
William Blake Plate 37 (page 86): 'His hand the good man fastens on the skies'
William Blake, 1757–1827, British
Plate 37 (page 86): 'His hand the good man fastens on the skies'
1797
William Blake Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
William Blake, 1757–1827, British
Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
1797
William Blake The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
1794
William Blake The First Book of Urizen, Plate 3, "Chap: 1 . . . ." (Bentley 3)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 3, "Chap: 1 . . . ." (Bentley 3)
1794
William Blake The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
1794
William Blake Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 40, "The Angel" (Bentley 41)
1794
William Blake Plate 8 (page 13): 'The present moment terminates our sight'
William Blake, 1757–1827, British
Plate 8 (page 13): 'The present moment terminates our sight'
1797
William Blake Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
William Blake, 1757–1827, British
Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
1797
William Blake Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
William Blake, 1757–1827, British
Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
1797
William Blake Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
William Blake, 1757–1827, British
Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
1797
William Blake Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
William Blake, 1757–1827, British
Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
1797
William Blake Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
William Blake, 1757–1827, British
Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
1797
William Blake Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
William Blake, 1757–1827, British
Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
1797
William Blake Plate 3 (page 4): 'What, though my soul fantastick measures trod'
William Blake, 1757–1827, British
Plate 3 (page 4): 'What, though my soul fantastick measures trod'
1797
William Blake Plate 7 (page 12): 'Its favours here are trials, not rewards'
William Blake, 1757–1827, British
Plate 7 (page 12): 'Its favours here are trials, not rewards'
1797
William Blake Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
William Blake, 1757–1827, British
Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
1797
William Blake Plate 41 (page 92): 'When faith is virtue, reason makes it so'
William Blake, 1757–1827, British
Plate 41 (page 92): 'When faith is virtue, reason makes it so'
1797
William Blake Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
William Blake, 1757–1827, British
Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
1797
William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
William Blake, 1757–1827, British
Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
1797
William Blake Plate 9 (page 15):' The longest night though longer far, would fail'
Engravings by William Blake, 1757–1827, British
Plate 9 (page 15):' The longest night though longer far, would fail'
1797
William Blake Plate 12 (page 19): 'Emblem of that which shall awake the dead'
William Blake, 1757–1827, British
Plate 12 (page 19): 'Emblem of that which shall awake the dead'
1797
William Blake The Complaint and the Consolation; or Night Thoughts (and title page)
William Blake, 1757–1827, British
The Complaint and the Consolation; or Night Thoughts (and title page)
1797
William Blake Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
William Blake, 1757–1827, British
Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
1797
William Blake Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
William Blake, 1757–1827, British
Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
1797
William Blake Plate 6 (page 10): 'Disease invades the chastest temperence'
William Blake, 1757–1827, British
Plate 6 (page 10): 'Disease invades the chastest temperence'
1797
William Blake Plate 13 (page 23): 'We censure nature for a span too short'
Engravings by William Blake, 1757–1827, British
Plate 13 (page 23): 'We censure nature for a span too short'
1797
William Blake Plate 21 (page 37): 'Love, and love only, is the loan for love'
William Blake, 1757–1827, British
Plate 21 (page 37): 'Love, and love only, is the loan for love'
1797
William Blake Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
William Blake, 1757–1827, British
Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
1797
William Blake Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
William Blake, 1757–1827, British
Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
1797
William Blake Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
William Blake, 1757–1827, British
Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
1797
William Blake Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
William Blake, 1757–1827, British
Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
1797
William Blake Plate 15 (page 25): 'Behold him, when past by; what then is seen'
William Blake, 1757–1827, British
Plate 15 (page 25): 'Behold him, when past by; what then is seen'
1797
William Blake Plate 22 (page 40): ' Angels should paint it, angels ever there'
William Blake, 1757–1827, British
Plate 22 (page 40): ' Angels should paint it, angels ever there'
1797
William Blake Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
William Blake, 1757–1827, British
Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
1797