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Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsExhibition History William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)
Remove constraint Exhibition History: William Blake - His Art & Times (Art Gallery of Ontario, 1982-12-03 - 1983-02-06)Classification Prints
Remove constraint Classification: PrintsSearch Results
1
- Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
- 1794
![William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]](https://media.collections.yale.edu/thumbnail/ycba/db51dfe6-d6ad-4f8e-89a8-e348c9002be7)
2
- pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
- 1827
3
- America. A Prophecy, Plate 6, "Appear to the Americans...."
- 1793
4
- The Book of Thel, Plate 2, Title Page
- 1789
5
- America. A Prophecy, Plate 12, "Thus Wept the Angel Voice...."
- 1793
6
- The First Book of Urizen, Plate 11 (Bentley 17)
- 1794
7
- America. A Prophecy, Plate 2, Title Page
- 1793
8
- There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
- ca. 1788
9
- There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
- ca. 1788
10
- There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
- ca. 1788
11
- There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
- ca. 1788
12
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
13
- Jerusalem, Plate 11, "To labours mighty...."
- 1804 to 1820
14
- Jerusalem, Plate 32, "Leaning against the pillars...."
- 1804 to 1820
15
- Jerusalem, Plate 35, "Then the Divine hand...."
- 1804 to 1820
16
- Jerusalem, Plate 97, "Awake! Awake Jerusalem...."
- 1804 to 1820
17
- Jerusalem, Plate 99, "All Human Forms identified...."
- 1804 to 1820
18
- Europe. A Prophecy, Plate 1, Frontispiece
- 1794
19
- The First Book of Urizen, Plate 23 (Bentley 9)
- 1794
![William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]](https://media.collections.yale.edu/thumbnail/ycba/374dc78e-dd18-49c1-b553-b3cf58cc9df1)
20
- Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
- 1827
![William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]](https://media.collections.yale.edu/thumbnail/ycba/00209487-ff25-46ae-91cc-38bc88575a05)
21
- Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
- 1827
22
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
23
- There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
- ca. 1788
24
- There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
- ca. 1788
25
- There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
- ca. 1788
26
- Jerusalem, Plate 27, "To the Jews...."
- 1804 to 1820
27
- Jerusalem, Plate 28, "Jerusalem / Chap. 2...."
- 1804 to 1820
28
- Jerusalem, Plate 6, "His Spectre driv'n...."
- 1804 to 1820
29
- Jerusalem, Plate 70, "And this the form of mighty Hand...."
- 1804 to 1820
30
- Jerusalem, Plate 76
- 1804 to 1820
31
- There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
- ca. 1788
32
- There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
- ca. 1788
33
- America. A Prophecy, Plate 1, Frontispiece
- 1793
34
- America. A Prophecy, Plate 10, "The Terror Answered...."
- 1793
35
- Chaucer's Canterbury Pilgrims
- 1810 to 1820
36
- Rev. John Caspar Lavater (1787-1801)
- 1800
37
- A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
- 1809
![William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]](https://media.collections.yale.edu/thumbnail/ycba/a649b6a5-30dd-4484-bf7c-0a2c0cbcf2b6)
38
- Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
- 1827
39
- Plate 6 (page 10): 'Disease invades the chastest temperence'
- 1797
40
- Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
- 1797
41
- Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
- 1797
42
- Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
- 1797
43
- Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
- 1797
44
- Plate 41 (page 92): 'When faith is virtue, reason makes it so'
- 1797
45
- Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
- 1797
46
- The First Book of Urizen, Plate 8 (Bentley 9)
- 1794
47
- Plate 7 (page 12): 'Its favours here are trials, not rewards'
- 1797
48
- Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
- 1797
49
- Plate 13 (page 23): 'We censure nature for a span too short'
- 1797
50
- Plate 15 (page 25): 'Behold him, when past by; what then is seen'
- 1797
51
- Plate 8 (page 13): 'The present moment terminates our sight'
- 1797
52
- Plate 9 (page 15):' The longest night though longer far, would fail'
- 1797
53
- Plate 12 (page 19): 'Emblem of that which shall awake the dead'
- 1797
54
- I Found Him Beneath a Tree; Plate 3
- 1793
55
- Water; Plate 4
- 1793
56
- Earth; Plate 5
- 1793
57
- Air; Plate 6
- 1793
58
- Alas!; Plate 9
- 1793
59
- Does Thy God O Priest Take such Vengeance as This?; Plate 14
- 1793
60
- What is Man!, Frontispiece; Plate 1
- 1793
61
- Help! Help!; Plate 12
- 1793
62
- I Want! I Want!; Plate 11
- 1793
63
- Aged Ignorance; Plate 13
- 1793
64
- Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
- 1789
65
- Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
- 1794
66
- Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)
- 1794
67
- Songs of Innocence and of Experience, Plate 43, "A Little Boy Lost" (Bentley 50)
- 1794
68
- Visions of the Daughters of Albion, Plate 2, Title Page
- 1793
69
- Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
- 1793
![William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'](https://media.collections.yale.edu/thumbnail/ycba/5a919703-759e-494b-a892-d66a8288096b)
70
- Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
- 1797
71
- Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
- 1797
72
- Plate 3 (page 4): 'What, though my soul fantastick measures trod'
- 1797
73
- Songs of Innocence and of Experience, Plate 39, "London" (Bentley 46)
- 1794
74
- Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
- 1794
75
- Songs of Innocence and of Experience, Plate 46, "The Human Abstract" (Bentley 47)
- 1794
76
- Visions of the Daughters of Albion, Plate 1, Frontispiece
- 1793
77
- Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
- 1793
78
- Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
- 1793
79
- Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
- 1793
80
- Plate 33 (page 72): 'And vapid; sense and reason shew the door'
- 1797
81
- The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
- 1794
82
- Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
- 1797
83
- Plate 22 (page 40): ' Angels should paint it, angels ever there'
- 1797
84
- Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
- 1797
85
- Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
- 1797
86
- Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
- 1797
87
- Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
- 1797
88
- Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
- 1797
89
- Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
- 1797
90
- Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
- 1797
91
- Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
- 1797
92
- Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
- 1797
93
- Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
- 1797
94
- Plate 37 (page 86): 'His hand the good man fastens on the skies'
- 1797
95
- Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
- 1797
96
- The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
- 1794
97
- The First Book of Urizen, Plate 3, "Chap: 1 . . . ." (Bentley 3)
- 1794
98
- The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
- 1794
99
- The First Book of Urizen, Plate 5 (Bentley 12)
- 1794
100
- Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
- 1797