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Exhibition History William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)

Remove constraint Exhibition History: William Blake - His Art & Times (Yale Center for British Art, 1982-09-15 - 1982-11-14)

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William Blake Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
William Blake, 1757–1827, British
Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
1797
William Blake Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
William Blake, 1757–1827, British
Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
1797
William Blake Plate 41 (page 92): 'When faith is virtue, reason makes it so'
William Blake, 1757–1827, British
Plate 41 (page 92): 'When faith is virtue, reason makes it so'
1797
William Blake Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
William Blake, 1757–1827, British
Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
1797
William Blake Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
William Blake, 1757–1827, British
Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
1797
William Blake Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
William Blake, 1757–1827, British
Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
1797
William Blake Plate 37 (page 86): 'His hand the good man fastens on the skies'
William Blake, 1757–1827, British
Plate 37 (page 86): 'His hand the good man fastens on the skies'
1797
William Blake Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
William Blake, 1757–1827, British
Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
1797
William Blake Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
William Blake, 1757–1827, British
Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
1797
William Blake Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
William Blake, 1757–1827, British
Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
1797
William Blake Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
William Blake, 1757–1827, British
Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
1797
William Blake Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
William Blake, 1757–1827, British
Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
1797
William Blake Plate 15 (page 25): 'Behold him, when past by; what then is seen'
William Blake, 1757–1827, British
Plate 15 (page 25): 'Behold him, when past by; what then is seen'
1797
William Blake Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
William Blake, 1757–1827, British
Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
1797
William Blake Plate 21 (page 37): 'Love, and love only, is the loan for love'
William Blake, 1757–1827, British
Plate 21 (page 37): 'Love, and love only, is the loan for love'
1797
William Blake Plate 22 (page 40): ' Angels should paint it, angels ever there'
William Blake, 1757–1827, British
Plate 22 (page 40): ' Angels should paint it, angels ever there'
1797
William Blake Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
William Blake, 1757–1827, British
Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
1797
William Blake The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
between 1797 and 1798
William Blake The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
William Blake, 1757–1827, British
The Poems of Thomas Gray, Design 11, "Ode on the Death of a Favourite Cat."
between 1797 and 1798
George Richmond The Shepherd
Print made by George Richmond, 1809–1896, British
The Shepherd
1827
William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
William Blake There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
ca. 1788
William Blake There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)
ca. 1788
William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
ca. 1788
William Blake Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
William Blake, 1757–1827, British
Pl. 6: The Pit of Disease ['...Then two I mark'd that sat Propp'd 'gainst each other,' Hell; Canto xxix. line 71.]
1827
William Blake Europe. A Prophecy, Plate 1, Frontispiece
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 1, Frontispiece
1794
William Blake Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
Print made by William Blake, 1757–1827, British
Europe. A Prophecy, Plate 11, "In thoughts perturb'd . . . ." (Bentley 13)
1794
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827, British
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
William Blake There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
ca. 1788
William Blake There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
ca. 1788
William Blake There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
ca. 1788
William Blake America. A Prophecy, Plate 2, Title Page
Print made by William Blake, 1757–1827, British
America. A Prophecy, Plate 2, Title Page
1793
Francesco Bartolozzi RA Queen Katherine's Dream
Francesco Bartolozzi RA, 1728–1815, Italian, active in Britain (1764–99)
Queen Katherine's Dream
1788
James Gillray Presages of the Millenium
James Gillray, 1757–1815, British
Presages of the Millenium
1795
James Barry The Phoenix or the Resurrection of Freedom
James Barry, 1741–1806, Irish
The Phoenix or the Resurrection of Freedom
1776
William Blake Chaucer's Canterbury Pilgrims
William Blake, 1757–1827, British
Chaucer's Canterbury Pilgrims
1810 to 1820
William Blake The Widow Embracing Her Husband's Grave
William Blake, 1757–1827, British
The Widow Embracing Her Husband's Grave
1805 to 1808
William Blake Abraham and Isaac
William Blake, 1757–1827, British
Abraham and Isaac
1799 to 1800
William Blake Christ Giving Sight to Bartimaeus
William Blake, 1757–1827, British
Christ Giving Sight to Bartimaeus
1799 to 1800
William Blake Tiriel Supporting the Dying Myratana and Cursing His Sons
William Blake, 1757–1827, British
Tiriel Supporting the Dying Myratana and Cursing His Sons
1786 to 1789
William Blake Mary Magdalen at the Sepulchre
William Blake, 1757–1827, British
Mary Magdalen at the Sepulchre
ca. 1805
William Blake Albion Compelling the Four Zoas to Their Proper Tasks
William Blake, 1757–1827, British
Albion Compelling the Four Zoas to Their Proper Tasks
1804 to 1810
William Blake Christ Appearing to the Apostles after the Resurrection
Print made by William Blake, 1757–1827, British
Christ Appearing to the Apostles after the Resurrection
1795 to 1805
William Blake Rev. John Caspar Lavater (1787-1801)
Print made by William Blake, 1757–1827, British
Rev. John Caspar Lavater (1787-1801)
1800
Richard Cosway The Deposition
Richard Cosway, 1742–1821, British
The Deposition
undated
William Blake A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
William Blake, 1757–1827, British
A Descriptive Catalog of Pictures, Poetical and Historical Inventions, Painted by William Blake in Water-Colours, Being the Ancient Method of Fresco Painting Restored, London
1809
George Romney Prison Scene
George Romney, 1734–1802, British
Prison Scene
undated
William Blake The Parable of the Wise and Foolish Virgins
William Blake, 1757–1827, British
The Parable of the Wise and Foolish Virgins
ca. 1825
William Blake The Man Sweeping the Interpreter's Parlour
William Blake, 1757–1827, British
The Man Sweeping the Interpreter's Parlour
ca. 1822
Joseph Haynes Death on a Pale Horse
Joseph Haynes, 1760–1829, British
Death on a Pale Horse
1784
William Blake Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 8, "But when the morn arose . . . . "
1793
William Blake Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 10, "In happy copulation . . . . "
1793
William Blake The Complaint and the Consolation; or Night Thoughts (and title page)
William Blake, 1757–1827, British
The Complaint and the Consolation; or Night Thoughts (and title page)
1797
William Blake Plate 7 (page 12): 'Its favours here are trials, not rewards'
William Blake, 1757–1827, British
Plate 7 (page 12): 'Its favours here are trials, not rewards'
1797
William Blake The First Book of Urizen, Plate 24 (Bentley 26)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 24 (Bentley 26)
1794
William Blake For Children. The Gates of Paradise, Plate 3, "I found him beneath a Tree"
Print made by William Blake, 1757–1827, British
For Children. The Gates of Paradise, Plate 3, "I found him beneath a Tree"
1793
William Blake For Children. The Gates of Paradise, Plate 4, "Water"
Print made by William Blake, 1757–1827, British
For Children. The Gates of Paradise, Plate 4, "Water"
1793
William Blake For Children. The Gates of Paradise, Plate 11, "I want! I want!"
Print made by William Blake, 1757–1827, British
For Children. The Gates of Paradise, Plate 11, "I want! I want!"
1793
William Blake For Children. The Gates of Paradise, Plate 12, "Help! Help!"
Print made by William Blake, 1757–1827, British
For Children. The Gates of Paradise, Plate 12, "Help! Help!"
1793
William Blake Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 14, "Laughing Song" (Bentley 15)
1789
William Blake Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 36, "The Clod & the Pebble" (Bentley 32)
1794
William Blake Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 32, Experience Frontispiece (Bentley 28)
1794
William Blake Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 48, "The Fly" (Bentley 40)
1794
William Blake The First Book of Urizen, Plate 6, "In living creations appear'd . . . ." (Bentley 5)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 6, "In living creations appear'd . . . ." (Bentley 5)
1794
William Blake The First Book of Urizen, Plate 12 (Bentley 22)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 12 (Bentley 22)
1794
William Blake The First Book of Urizen, Plate 14 (Bentley 14)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 14 (Bentley 14)
1794
William Blake The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 19, "Stretch'd for a work of eternity . . . ." (Bentley 20)
1794
William Blake The First Book of Urizen, Plate 21 (Bentley 27)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 21 (Bentley 27)
1794
William Blake The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 23: "The Ox in the slaughter house moans . . . ." (Bentley 25)
1794
William Blake Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 3, "Introduction" (Bentley 4)
1789
William Blake Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 4, "The Shepherd" (Bentley 5)
1789
William Blake Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 8, "The Ecchoing Green" (Bentley 6)
1789
William Blake Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 16, "The Little Boy Lost" (Bentley 13)
1789
William Blake Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 20, "The Little Girl Lost" (Bentley 34)
1789
William Blake Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 28, "Infant Joy" (Bentley 25)
1789
William Blake Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 30, "Night" (Bentley 20)
1789
William Blake Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 34, "Introduction" (Bentley 30)
1794
William Blake Songs of Innocence and of Experience, Plate 39, "London" (Bentley 46)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 39, "London" (Bentley 46)
1794
William Blake Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 41, "A Poison Tree" (Bentley 49)
1794
William Blake Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 42, "The Tyger" (Bentley 42)
1794
William Blake Songs of Innocence and of Experience, Plate 43, "A Little Boy Lost" (Bentley 50)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 43, "A Little Boy Lost" (Bentley 50)
1794
William Blake Songs of Innocence and of Experience, Plate 45, "The Chimney Sweeper" (Bentley 37)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 45, "The Chimney Sweeper" (Bentley 37)
1794
William Blake Visions of the Daughters of Albion, Plate 2, Title Page
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 2, Title Page
1793
William Blake Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
William Blake, 1757–1827, British
Visions of the Daughters of Albion, Plate 6, "And none but Bromian . . . . "
1793
William Blake For Children. The Gates of Paradise, Plate 5, "Earth"
Print made by William Blake, 1757–1827, British
For Children. The Gates of Paradise, Plate 5, "Earth"
1793
William Blake For Children. The Gates of Paradise, Plate 6, "Air"
Print made by William Blake, 1757–1827, British
For Children. The Gates of Paradise, Plate 6, "Air"
1793
William Blake For Children. The Gates of Paradise, Plate 13, "Aged Ignorance"
Print made by William Blake, 1757–1827, British
For Children. The Gates of Paradise, Plate 13, "Aged Ignorance"
1793
William Blake For Children. The Gates of Paradise, Plate 14, "'Does thy God O Priest take such vengeance as this?"
Print made by William Blake, 1757–1827, British
For Children. The Gates of Paradise, Plate 14, "'Does thy God O Priest take such vengeance as this?"
1793
William Blake For Children. The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"
Print made by William Blake, 1757–1827, British
For Children. The Gates of Paradise, Plate 16, "The Traveller hasteth in the Evening"
1793
William Blake Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 6, "The Little Black Boy" (Bentley 10)
1789
William Blake Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 10, "The Chimney Sweeper" (Bentley 12)
1789
William Blake The First Book of Urizen, Plate 5 (Bentley 12)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 5 (Bentley 12)
1794
William Blake The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 9, "Chap: IV | 1 Ages on ages roll'd over him . . . ." (Bentley 10)
1794
William Blake The First Book of Urizen, Plate 8 (Bentley 9)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 8 (Bentley 9)
1794
William Blake The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)
Print made by William Blake, 1757–1827, British
The First Book of Urizen, Plate 13, "Thus the Eternal Prophet was divided . . . " (Bentley 15)
1794
William Blake For Children. The Gates of Paradise, Plate 7, "Fire"
Print made by William Blake, 1757–1827, British
For Children. The Gates of Paradise, Plate 7, "Fire"
1793
William Blake For Children. The Gates of Paradise, Plate 10, "My Son! my Son!"
Print made by William Blake, 1757–1827, British
For Children. The Gates of Paradise, Plate 10, "My Son! my Son!"
1793
William Blake Jerusalem, Plate 6, "His Spectre driv'n...."
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 6, "His Spectre driv'n...."
1804 to 1820
William Blake Jerusalem, Plate 76
Print made by William Blake, 1757–1827, British
Jerusalem, Plate 76
1804 to 1820