Henry VII Chapel at Westminster Showing Two Renovated Pinacles
undated
5
unknown artist
Details of the Screen of Entrance Porch, St Stephen's Chapel
undated
6
unknown artist
Entrance Doorway in the Tower, St Stephen's Chapel
undated
7
unknown artist
Whitehall Palace, London: Elevation of Proposed Design
between 1710 and 1740
8
unknown artist
Whitehall Palace, London: Section of Proposed Design
between 1710 and 1740
9
Simon Gribelin, 1662–1733
From the Painting of the Ceiling in the Banqueting House at White-Hall in the Year 1720
ca. 1720
10
Samuel Scott, 1701/2–1772
The Thames with Montagu House and Westminster Bridge
undated
11
Samuel Scott, 1701/2–1772
Westminster Bridge under Construction
undated
12
Simon Gribelin, 1662–1733
The Ceiling of the Banqueting House at Whitehall: The Peaceful Reign of James I
1720
13
unknown artist
Plan of Westminster Showing the Coronation Route of George II
ca. 1727
14
Print made by unknown artist
Entrance of the House of Lords with the Office of Ordnance
undated
15
Print made by unknown artist
St. Martin's Church
between 1731 and 1754
16
Print made by Charles Grignion, 1717–1810
House of Commons and the Entrance to the House of Lords with the Office of Ordnance
undated
17
Print made by William Henry Toms, ca. 1700–ca. 1750
The South-East Prospect of King Henry The VII's Chapel at Westminster
1739
18
Paul Sandby, 1731–1809
A Family in Hyde Park
undated
19
Print made by Edward Rooker, 1724–1774
Henry the Seventh's Chapel
undated
20
unknown artist
A Plan of Part of the Ancient City of Westminster, from College Street to Whitehall, and from the Thames to St. James's Park, in which are laid down all the New Streets that have been built & other alterations made since the building of Westminster Bridge
printed 1740, drawn ca. 1760
21
John Maurer, active 1713–1761
A Perspective of ye Royal Palace of Somerset next ye River
1742
22
Attributed to Charles Gore, 1729–1807
A Large Church (Westminster Abbey) at Sunset
undated
23
Canaletto, 1697–1768
The City of Westminster from Near the York Water Gate
between 1746 and 1747
24
Print made by Paul Angier, active 1749
A Perspective View of the Building for the Fireworks in the Green Park, Taken from the Reservoir
1749
25
Louis Philippe Boitard, active 1734–1760
The Earthquake Scare in Piccadilly
1750
26
Attributed to John Carter, 1748–1817
Door-way in Wall of South Precints of Westminster Abbey
undated
27
unknown artist
Gateway Leading into Dean's Yard
undated
28
John Boydell, 1720–1804
St. Clement Danes
1751
29
Louis Philippe Boitard, active 1734–1760
Holbein's Gateway and Jones's Banqueting House, Whitehall..
undated
30
Thomas Sandby, 1721–1798
Whitehall Showing Holbein's Gate and Banqueting Hall
ca. 1760
31
George Moutard Woodward, ca. 1760–1809
'A Whistler!'
undated
32
attributed to Michael "Angelo" Rooker, 1746–1801
Scenery, Haymarket Theatre
undated
33
unknown artist
View of the Office of Ordnance with the Entrance of the House of Lords
undated
34
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
35
James Miller, active 1773–1814
The Church of St. John's, Smith Square
1770s
36
Richard Earlom, 1743–1822
The Exhibition of the Royal Academy of Painting 1771
1772
37
Thomas Rowlandson, 1756–1827
Soldiers in St. James Park
undated
38
Thomas Rowlandson, 1756–1827
Hyde Park Corner
undated
39
Alexander Nasmyth, 1758–1840
Westminster Abbey from Dean's Yard
undated
40
Paul Sandby, 1731–1809
An Encampment in St. James Park
ca. 1780
41
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
42
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
43
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
44
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
45
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
46
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1780
47
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Cloisters, Adjoining St Stephen's Chapel West
ca. 1781
48
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
49
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
50
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
51
Attributed to John Carter, 1748–1817
Basso-relievos in the Groins of the Undercroft of St Stephen's Chapel
ca. 1781
52
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
53
Attributed to John Carter, 1748–1817
Basso-relievos in the Center of the Groins of the Cloisters, St Stephen's Chapel
ca. 1781
54
unknown artist
Elevation of the Ordnance Office
after 1780
55
Julius Caesar Ibbetson, 1759–1817
Skating in Hyde Park
ca. 1785
56
John Carter, 1748–1817
View of Modern Gateway in South East Angle of Dean's Yard
between 1780 and 1807
57
Thomas Rowlandson, 1756–1827
Skating on the Serpentine
before 1790
58
Print made by Francesco Bartolozzi, 1728–1815
Ticket to Westminster Abbey
before 1791
59
Michael "Angelo" Rooker, 1746–1801
The Admiralty Building from Whitehall
1782
60
John Carter, 1748–1817
South East View of the Towers of the Abbey, &c. from College St. Westminster
1782
61
Attributed to John Carter, 1748–1817
South View of the Abbey Church, Westminster, Taken from Dean's Yard
1785
62
Print made by Pietro Antonio Martini, 1738–1797
Exhibition of Royal Academy
1787
63
Paul Sandby, 1731–1809
The Gunpowder Magazine, Hyde Park
ca. 1793
64
Print made by Francesco Bartolozzi, 1728–1815
Lovelace in Prison
1788
65
William Capon, 1757–1827
Henry VII Chapel
ca. 1793
66
Attributed to John Carter, 1748–1817
Figure study, Henry VII Chapel
ca. 1793
67
Attributed to John Carter, 1748–1817
Seats in Henry VII Chapel, Westminster Abbey
ca. 1793
68
Michael "Angelo" Rooker, 1746–1801
Design for the Haymarket Theatre: "The Battle of Hexham", by Colman the Younger
1789
69
Print made by James Gillray, 1756–1815
Shakespeare Sacrificed; or, The Offering to Avarice
1789
70
Attributed to office of Sir John Soane, 1753–1837
Plan of the Principal Story, Shewing the New Committee Rooms &c, House of Lords
ca. 1794
71
Attributed to John Carter, 1748–1817
Capitals, St Stephen's Chapel
between 1790 and 1802
72
John Carter, 1748–1817
Detail for View in a Chapel in Area of Cloisters of St Stephen's Chapel, Westminster
between 1790 and 1802
73
Attributed to John Carter, 1748–1817
Part of the Ceiling, and Parts of the Frieze, St Stephen's Chapel
between 1790 and 1802
74
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
75
Attributed to John Carter, 1748–1817
Plan of Moldings, St Stephen's Chapel
between 1790 and 1802
76
Attributed to John Carter, 1748–1817
Details of Imposts and Bases of Columns, St Stephen's Chapel
between 1790 and 1802
77
Attributed to John Carter, 1748–1817
Details of one of the Figures
ca. 1795
78
John Carter, 1748–1817
South View in the Entrance of Porch at West End of St. Stephen's Chapel West
between 1790 and 1802
79
Print made by John Carter, 1748–1817
PLATE XXVIII. St Stephen's Chapel, East Front, Westminster
between 1790 and 1802
80
John Carter, 1748–1817
East View of Modern Buildings in Continuation from St Stephen's Chapel
between 1790 and 1802
81
Attributed to John Carter, 1748–1817
Painting in Compartments under Windows, Shields in the Frieze under the Sills of Windows, and Compartments on South Side next East End, St Stephen's Chapel
between 1790 and 1802
82
Attributed to John Carter, 1748–1817
Screen, or the outside of the Entrance or Porch of St Stephen's Chapel West
between 1790 and 1802
83
Attributed to John Carter, 1748–1817
Front and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
84
Attributed to John Carter, 1748–1817
Exterior, Interior and Profile of the Work under the Window Sills, St Stephen's Chapel
between 1790 and 1802
85
Attributed to John Carter, 1748–1817
Springing of an Arch, St Stephen's Chapel
between 1790 and 1802
86
Attributed to John Carter, 1748–1817
Half the Plan of Ceiling, St Stephen's Chapel
between 1790 and 1802
87
Attributed to John Carter, 1748–1817
Impost moldings, St Stephen's Chapel
between 1790 and 1802
88
Attributed to John Carter, 1748–1817
Impost and Base of Columns, St Stephen's Chapel
between 1790 and 1802
89
Print made by John Carter, 1748–1817
Plate XCIV: South View of Westminster Abbey, Taken from Deans Yard
1791
90
Attributed to John Carter, 1748–1817
North View of the Jerusalem Chamber, Taken from the West Porch of Westminster Abbey
1792
91
Attributed to John Carter, 1748–1817
East Front of Painted Chamber
between 1793 and 1799
92
Attributed to John Carter, 1748–1817
East End, Painted Chamber
between 1793 and 1799
93
Attributed to John Carter, 1748–1817
Side Window, North, Painted Chamber
between 1793 and 1799
94
unknown artist
Details of Capitals and Arches, Painted Chamber
between 1793 and 1799
95
Attributed to John Carter, 1748–1817
North Side, Painted Chamber
between 1793 and 1799
96
Attributed to John Carter, 1748–1817
Continuation of East Line of Ancient Buildings on the Left of East End of Painted Chamber
between 1793 and 1799
97
Attributed to John Carter, 1748–1817
Door on South Side of Painted Chamber
between 1793 and 1799
98
Attributed to John Carter, 1748–1817
Paintings on the Wall by H in Plan
between 1793 and 1799
99
Attributed to John Carter, 1748–1817
Wall Paintings
between 1793 and 1799
100
Attributed to John Carter, 1748–1817
Enlarged Detail of Figures from Painting Shown in Previous Sketch