Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
1797
134
William Blake, 1757–1827
Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
1797
135
William Blake, 1757–1827
Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
1797
136
William Blake, 1757–1827
Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
1797
137
William Blake, 1757–1827
Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
1797
138
William Blake, 1757–1827
Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
1797
139
William Blake, 1757–1827
Plate 3 (page 4): 'What, though my soul fantastick measures trod'
1797
140
William Blake, 1757–1827
Plate 12 (page 19): 'Emblem of that which shall awake the dead'
1797
141
Engravings by William Blake, 1757–1827
Plate 13 (page 23): 'We censure nature for a span too short'
1797
142
William Blake, 1757–1827
May-Day in London
1784
143
William Blake, 1757–1827
"The Book of Thel William Blake Original Wrappers 1789"
1789
144
William Blake, 1757–1827
Beggar's Opera, Act III
1790
145
William Blake, 1757–1827
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
1797
146
George Romney, 1734–1802
Figure Composition Study 20
undated
147
View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622
1802
148
unknown artist
Fancy subject; Miss G
undated
149
unknown artist
Mrs. J. Gomeldon
undated
150
Pieter Schenck I, 1660–1719
The Duchess of Grafton
undated
151
John Faber the Younger, ca. 1695–1756
Her Grace the Duchess of Grafton
152
John Faber the Younger, ca. 1695–1756
Mrs Mary Ann Granville
153
James McArdell, ca. 1729–1765
Lady Grammont
154
William Dickinson, 1746–1823
Jane Duchess of Gordon
1775
155
Richard Purcell, active 1746–1766
Miss Greenway
156
John Smith, 1652–1743
Portraits of Ladies
157
Print made by unknown artist
Miss Harriote
1750s
158
John Smith, 1652–1743
The Honorable Madame Constantia Hare
159
unknown artist
Mrs Hamilton
undated
160
Print made by William Faithorne the Younger, ca. 1669–1703
The Honorable Mrs. Mariamne Herbert
between 1690 and 1703
161
Robert Williams, active 1680–1704
Madam Hewse (Margaret Hughes)
162
John Dean, 1754–1798
Miss Hill
1777
163
John Faber the Younger, ca. 1695–1756
Mrs. Howard
undated
164
James McArdell, ca. 1729–1765
Miss Horneck
165
Richard Purcell, active 1746–1766
The Right Honorable Lady Charlotte Johnston
166
Print made by James Watson, 1740–1790
Miss Jones
167
Francis Stephen Cary, 1808–1880
Belvedere, Hampshire, The Seat of Sir William Fordyce; page 31 (Volume One)
168
A. Birrell, ca.1770–ca. 1820
Baynard's Castle (published by Harding); page 28 (Volume One)
1790
169
unknown artist
A Cloyster, Formerly Part of the Monastry of St. Bartholomew the Great (from European Magazine); page 26 (Volume One)
170
Alfred William Warren, active 1791–1809
Bermondsey Priory, for Dr. Hughsons description of London; page 32 (Volume One)
171
unknown artist
Barry's House; page 25 (Volume One)
172
John Rogers, 1808–ca.1888
Entrance to the Archiepiscopal Palace, at Bishopthorpe (published by I. T. Hinton); page 34 (Volume One)
173
Matthew Urlwin Sears, active 1826–1859
Boscobel House; page 35 (Volume One)
174
unknown artist
Biebrich; page 33 (Volume One)
175
Robert Scott, 1771–1841
Bonington House, the Seat of Lady Ross-Baillie; page 36 (Volume One)
176
Samuel Rawle, 1771–1860
The New Stables at Brighton, built for his Royal Highness the Prince of Wales; page 39 (Volume One)
The North Prospect of the Lord Burghley's Hospital in Stanford Baron; page 49 (Volume One)
179
unknown artist
Burn House; page 51 (Volume One)
180
Matthew Urlwin Sears, active 1826–1859
Newstead Abbey, the Family Seat of the Byrons [the same engraving appears in "The Tourist, aliterary and anti-slavery journal", London, October 29, 1832, page 53]; page 54 (Volume One)
181
unknown artist
The Ichonography of ye Lord Burghleys Hospital; as it stood Anno 1597, from an old manuscript; page 50 (Volume One)
182
unknown artist
Lord Byron's Palace, at Venice (from the Mirror); page 55 (Volume One)
183
Thomas Barber, ca. 1768–1843
Cawdor Castle, Narnshire (published by G. Virtue); page 59 (Volume One)