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John Neagle "-the Stag repells each bold assault."
John Neagle, 1796–1865, American
"-the Stag repells each bold assault."
August 1, 1796
Sawrey Gilpin "...esq. of Nottinghamshire (B)rown Mare Almost Black"
Sawrey Gilpin, 1733–1807, British
"...esq. of Nottinghamshire (B)rown Mare Almost Black"
ca. 1749
Pierre Charles Canot "A View of Charles Town the Capital of South Carolina in North America," from Scenographia Americana
Pierre Charles Canot, ca. 1710–1777, French, active in Britain
"A View of Charles Town the Capital of South Carolina in North America," from Scenographia Americana
1758-1760
Isaac Weld "After Pinnelli" (Group of Peasants Outside a House)
Isaac Weld, 1774–1856, Irish
"After Pinnelli" (Group of Peasants Outside a House)
1817
James Gillray "all Bond Street trembled as he strode"
James Gillray, 1757–1815, British
"all Bond Street trembled as he strode"
1802
Georg Goldberg "Antony and Cleopatra," Act III, Scene XI
Georg Goldberg, 1830–1894, German
"Antony and Cleopatra," Act III, Scene XI
undated
James Bruce "Arch of Marcus Aurelius at Tripoli "
James Bruce, 1730–1794, British
"Arch of Marcus Aurelius at Tripoli "
ca. 1766
unknown artist "Bubbles"
unknown artist, ( J. Hodson )
"Bubbles"
1897
John Cooke Bourne "Building Retaining Wall and Church near Park Street, Camden Town, Sept. 17, 1836"
John Cooke Bourne, 1814–1896, British
"Building Retaining Wall and Church near Park Street, Camden Town, Sept. 17, 1836"
1838
John Cooke Bourne "Building the Stationary Engine House, Camden Town, April 26th 1837"
John Cooke Bourne, 1814–1896, British
"Building the Stationary Engine House, Camden Town, April 26th 1837"
1839
Henry Thomas Alken "By - he'll get to the Earth..."
Henry Thomas Alken, 1785–1851, British
"By - he'll get to the Earth..."
1827
George Cruikshank "Captain Kelly conveys a slight remonstance"
Print made by George Cruikshank, 1792–1878, British
"Captain Kelly conveys a slight remonstance"
undated
unknown artist "Cherry Ripe"
unknown artist, ( J. Hodson )
"Cherry Ripe"
1897
John Doyle ('H.B.') "Concert Monstre" of "Musical Congress" Extraordinary!
Print made by John Doyle ('H.B.'), 1797–1868, Irish
"Concert Monstre" of "Musical Congress" Extraordinary!
1849
Henry Thomas Alken "Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can
Henry Thomas Alken, 1785–1851, British
"Doing the Thing: and the Thing Done:" Afternoon. Returning Home in Fine Trim. Doing the Most you Can
1818
Henry Thomas Alken "Doing the Thing: and the Thing Done:" Doing it No How
Henry Thomas Alken, 1785–1851, British
"Doing the Thing: and the Thing Done:" Doing it No How
1818
Henry Thomas Alken "Doing the Thing: and the Thing Done:" Doing it Somehow
Henry Thomas Alken, 1785–1851, British
"Doing the Thing: and the Thing Done:" Doing it Somehow
1818
Henry Thomas Alken "Doing the Thing: and the Thing Done:" Doing the Down Leap
Henry Thomas Alken, 1785–1851, British
"Doing the Thing: and the Thing Done:" Doing the Down Leap
1818
Henry Thomas Alken "Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
Henry Thomas Alken, 1785–1851, British
"Doing the Thing: and the Thing Done:" Doing the Thing Well - [giving Dribblers the go bye]
1818
Henry Thomas Alken "Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
Henry Thomas Alken, 1785–1851, British
"Doing the Thing: and the Thing Done:" Morning. Turning Out in Prime Twig. Doing the Least you Can
1818
Henry Thomas Alken "Doing the Thing: and the Thing Done:" The Down Leap Done
Henry Thomas Alken, 1785–1851, British
"Doing the Thing: and the Thing Done:" The Down Leap Done
1818
William Blake "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
William Blake, 1757–1827, British
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
John Frederick Tayler "Fanny", July 26, 1886
John Frederick Tayler, 1802–1889, British
"Fanny", July 26, 1886
1886
John Frederick Tayler "Fanny's Colt", July 26, 1886
John Frederick Tayler, 1802–1889, British
"Fanny's Colt", July 26, 1886
1886
William Heath "Fashion and Folly": set of 23 on 12 leaves, with front printed wrapper
William Heath, 1795–1840, British
"Fashion and Folly": set of 23 on 12 leaves, with front printed wrapper
James Seymour "Fearnought Going to Run Against The D: of Devon: Smart"
James Seymour, 1702–1752, British
"Fearnought Going to Run Against The D: of Devon: Smart"
undated
William Blake "For Children. The Gates of Paradise", London, by William Blake
William Blake, 1757–1827, British
"For Children. The Gates of Paradise", London, by William Blake
1793
James R. Mackrell "Ghuznee", Winner of The Oaks - 1841 / with Characteristic Portraits of Mr. John Scott & Mr. William Scott
James R. Mackrell, c.1815–1846
"Ghuznee", Winner of The Oaks - 1841 / with Characteristic Portraits of Mr. John Scott & Mr. William Scott
1841
Hablot Knight Browne "Hark": Startled Horse and Alert Rider
Hablot Knight Browne, 1815–1882, British
"Hark": Startled Horse and Alert Rider
undated
unknown artist "Heads and Tails" or "A Brisk Gale in St. Paul's Churchyard"
unknown artist, eighteenth century
"Heads and Tails" or "A Brisk Gale in St. Paul's Churchyard"
1785
James Heath "Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
James Heath, 1757–1834, British
"Here, I and sorrows sit; here is my throne, bid kings come and bow to it"
1802
James Heath "Hubert, let me not be bound!"
James Heath, 1757–1834, British
"Hubert, let me not be bound!"
1802
William Heath "Illustrations to Heraldry": set of six with title-page and printed wrapper
William Heath, 1795–1840, British
"Illustrations to Heraldry": set of six with title-page and printed wrapper
Philip William May "Jack" Millage
Philip William May, 1864–1903, British
"Jack" Millage
undated
Francis Legat "King Lear", Act V, Scene III
Francis Legat, 1755–1809, British
"King Lear", Act V, Scene III
1792
Henry Thomas Alken "Landscape Scenery", No. 10: Scenes with Wood-Cutters
Henry Thomas Alken, 1785–1851, British
"Landscape Scenery", No. 10: Scenes with Wood-Cutters
1821
Henry Thomas Alken "Landscape Scenery", No. 13: Groups of Infantry and Army Horses
Henry Thomas Alken, 1785–1851, British
"Landscape Scenery", No. 13: Groups of Infantry and Army Horses
1821
Henry Thomas Alken "Landscape Scenery", No. 18: Scenes of Horse Drawn Artillery, etc.
Henry Thomas Alken, 1785–1851, British
"Landscape Scenery", No. 18: Scenes of Horse Drawn Artillery, etc
1821
Henry Thomas Alken "Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
Henry Thomas Alken, 1785–1851, British
"Landscape Scenery", No. 7: Scenes of Cricket and a Waggoner With His Team
1821
George Romney "Lear in the Storm," King Lear, Act III, Scene II
George Romney, 1734–1802, British
"Lear in the Storm," King Lear, Act III, Scene II
undated
Gustav Kuhn "Macbeth": Theatre-Figuren
Gustav Kuhn, 1872–ca. 1928
"Macbeth": Theatre-Figuren
William Woollett "Maid of the Mill"
William Woollett, 1735–1785, British
"Maid of the Mill"
ca. 1765
James Heath "Mark your divorce young sir, whom son I dare not call"
James Heath, 1757–1834, British
"Mark your divorce young sir, whom son I dare not call"
1804
George Cruikshank "May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"
Print made by George Cruikshank, 1792–1878, British
"May I be Cursed," muttered Jack Sheppard, "if ever I try to be honest again!"
1839
Garnet Terry "Mr. John Farley" Cook at the London Tavern
Garnet Terry, active 1780–1796
"Mr. John Farley" Cook at the London Tavern
undated
George Hunt "Nonpareil" / The Property of Mr. John Dixon of Knightsbridge / This Wonderful Creature, Performed the unprecedented Match, of Trotting 100 Miles in harness on Sunbury Common, on Wednesday the 27th April, 1836. ...
George Hunt, active 1820–1840, British
"Nonpareil" / The Property of Mr. John Dixon of Knightsbridge / This Wonderful Creature, Performed the unprecedented Match, of Trotting 100 Miles in harness on Sunbury Common, on Wednesday the 27th April, 1836. ..
1836
William Holman Hunt "One Step to the Deathbed"
William Holman Hunt, 1827–1910, British
"One Step to the Deathbed"
undated
John Raphael Smith "Painting"
John Raphael Smith, 1752–1812, British
"Painting"
1783
James Seymour "Panton's Doctor": With Jockey Up, Walking to Left
James Seymour, 1702–1752, British
"Panton's Doctor": With Jockey Up, Walking to Left
undated
Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'
Henry Thomas Alken, 1785–1851, British
"Qualified Horses and Unqualified Riders:" 'Charging an Ox Fence with Good Success'
undated
Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
Henry Thomas Alken, 1785–1851, British
"Qualified Horses and Unqualified Riders:" 'Faceing a Brook Verifying the Old Adage, Look Before You Leap'
undated
Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'
Henry Thomas Alken, 1785–1851, British
"Qualified Horses and Unqualified Riders:" 'Going Along a Slapping Pace...'
undated
Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'
Henry Thomas Alken, 1785–1851, British
"Qualified Horses and Unqualified Riders:" 'Got in and Getting Out. Very Clever'
undated
Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'
Henry Thomas Alken, 1785–1851, British
"Qualified Horses and Unqualified Riders:" 'Swishing at a Rasper From Your Own Timidity and Mismanagement Cause the Horse to Swerve...'
undated
Henry Thomas Alken "Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'
Henry Thomas Alken, 1785–1851, British
"Qualified Horses and Unqualified Riders:" 'Topping a Flight of Rails...'
undated
Henry Thomas Alken "Qualified Horses and Unqualified Riders:" `Returning Home in Triumph. He Disdain'd a Slothful Easey Life; so Took to Hunting'
Henry Thomas Alken, 1785–1851, British
"Qualified Horses and Unqualified Riders:" `Returning Home in Triumph. He Disdain'd a Slothful Easey Life; so Took to Hunting'
undated
John Hamilton Mortimer "Richard II", Act III, Scene II
John Hamilton Mortimer, 1740–1779, British
"Richard II", Act III, Scene II
1775
Henry Thomas Alken "Scraps", no 17: Racing, Three Horses with Jockeys Up Galloping to Right
Henry Thomas Alken, 1785–1851, British
"Scraps", no 17: Racing, Three Horses with Jockeys Up Galloping to Right
undated
Henry Thomas Alken "Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
Henry Thomas Alken, 1785–1851, British
"Scraps", No. 15: Racehorse with Jockey Up, Two Men Discussing the Horse
1823
Henry Thomas Alken "Scraps", no. 22: Hunting, Unkennelling with Two Riders Watching
Henry Thomas Alken, 1785–1851, British
"Scraps", no. 22: Hunting, Unkennelling with Two Riders Watching
undated
Henry Thomas Alken "Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
Henry Thomas Alken, 1785–1851, British
"Scraps", No. 24: Hunting -Ttwo Riders, One Opening a Gate For Hounds
1823
Henry Thomas Alken "Scraps", No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds
Henry Thomas Alken, 1785–1851, British
"Scraps", No. 26: Hunting - The Kill, Fox About to be Thrown to the Hounds
undated
Henry Thomas Alken "Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
Henry Thomas Alken, 1785–1851, British
"Scraps", No. 27: Two Dismounted Riders Drinking at an Alehouse Door
1823
Henry Thomas Alken "Scraps", No. 28: Skittle Alley With Players and Spectators
Henry Thomas Alken, 1785–1851, British
"Scraps", No. 28: Skittle Alley With Players and Spectators
1823
Henry Thomas Alken "Scraps", no. 32: Two Mamelukes Talking, One Mounted
Henry Thomas Alken, 1785–1851, British
"Scraps", no. 32: Two Mamelukes Talking, One Mounted
1823
Henry Thomas Alken "Scraps", no. 33: Mounted Mameluke Brandishing a Sword
Henry Thomas Alken, 1785–1851, British
"Scraps", no. 33: Mounted Mameluke Brandishing a Sword
1823
Henry Thomas Alken "Scraps", no. 34: Mounted Mameluke Pointing a Pistol
Henry Thomas Alken, 1785–1851, British
"Scraps", no. 34: Mounted Mameluke Pointing a Pistol
1823
Henry Thomas Alken "Scraps", no. 35: Mounted Mameluke with Bamboo Spear
Henry Thomas Alken, 1785–1851, British
"Scraps", no. 35: Mounted Mameluke with Bamboo Spear
undated
Henry Thomas Alken "Scraps", No. 39: Mounted Hussars
Henry Thomas Alken, 1785–1851, British
"Scraps", No. 39: Mounted Hussars
1823
Henry Thomas Alken "Scraps", No. 8: Scenes of a Lancer and Other Cavalry
Henry Thomas Alken, 1785–1851, British
"Scraps", No. 8: Scenes of a Lancer and Other Cavalry
1823
Alfred Parsons "She Stoops to Conquer" Act 3, Act 5
Alfred Parsons, 1847–1920, British
"She Stoops to Conquer" Act 3, Act 5
undated
unknown artist "Sheppon Fields"
unknown artist
"Sheppon Fields"
1846
unknown artist "Shoeing the Bay Mare"
unknown artist, ( J. Hodson )
"Shoeing the Bay Mare"
1899
Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting a Dive
Henry Thomas Alken, 1785–1851, British
"Some Do and Some Don't: It is All a Notion:" Getting a Dive
between 1848 and 1851
Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting a Fall
Henry Thomas Alken, 1785–1851, British
"Some Do and Some Don't: It is All a Notion:" Getting a Fall
between 1848 and 1851
Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
Henry Thomas Alken, 1785–1851, British
"Some Do and Some Don't: It is All a Notion:" Getting Dead Beat
between 1848 and 1851
Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting Home
Henry Thomas Alken, 1785–1851, British
"Some Do and Some Don't: It is All a Notion:" Getting Home
between 1820 and 1821
Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting into a Bog
Henry Thomas Alken, 1785–1851, British
"Some Do and Some Don't: It is All a Notion:" Getting into a Bog
between 1848 and 1851
Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
Henry Thomas Alken, 1785–1851, British
"Some Do and Some Don't: It is All a Notion:" Getting into a Difficulty
between 1848 and 1851
Henry Thomas Alken "Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty
Henry Thomas Alken, 1785–1851, British
"Some Do and Some Don't: It is All a Notion:" Getting Over a Difficulty
between 1848 and 1851
Gustav Kuhn "Sommernachtstraum": Theatre-figuren
Gustav Kuhn, 1872–ca. 1928
"Sommernachtstraum": Theatre-figuren
Henry Thomas Alken "Sporting Anecdotes:" Sketch for 'The Sporting Butcher'
Henry Thomas Alken, 1785–1851, British
"Sporting Anecdotes:" Sketch for 'The Sporting Butcher'
undated
Henry Thomas Alken "Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
Henry Thomas Alken, 1785–1851, British
"Sporting Anecodotes:" Drawing for the Soft-Gound Etching of 'The Sporting Butcher'
undated
Henry Thomas Alken "Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand
Henry Thomas Alken, 1785–1851, British
"Sporting Discoveries, or the Miseries of Driving ..." You Discover you Have Overlooked a Small Post on you Whip Hand
undated
Henry Thomas Alken "Sporting Discoveries, or the Miseries of Driving..." You Discover that the Reins are Under His Tail
Henry Thomas Alken, 1785–1851, British
"Sporting Discoveries, or the Miseries of Driving..." You Discover that the Reins are Under His Tail
undated
Henry Thomas Alken "Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
Henry Thomas Alken, 1785–1851, British
"Sporting Discoveries, or the Miseries of Driving:" ... Trying a New Match you Discover That They are Not Only Alike in Color, Weight and Action, but in Disposition
undated
Henry Thomas Alken "Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards
Henry Thomas Alken, 1785–1851, British
"Sporting Discoveries, or the Miseries of Driving:" ... Up and Down, or the Endeavor to Discover Which Way Your Horse is Inclined to Come Down, Backwards or Forwards
undated
Henry Thomas Alken "Sporting Discoveries, or the Miseries of Driving:" ...You Discover a New Way of Bringing Your Equipage into a Small Compass
Henry Thomas Alken, 1785–1851, British
"Sporting Discoveries, or the Miseries of Driving:" ...You Discover a New Way of Bringing Your Equipage into a Small Compass
undated
Henry Thomas Alken "Sporting Discoveries, or the Miseries of Driving:"...You Discover You Have Obtained a Steady One
Henry Thomas Alken, 1785–1851, British
"Sporting Discoveries, or the Miseries of Driving:"...You Discover You Have Obtained a Steady One
undated
Henry Thomas Alken "Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
Henry Thomas Alken, 1785–1851, British
"Sporting Incidents:" Drawing For the Soft-gound Etching of 'Panther Hunting'
undated
Henry Thomas Alken "Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
Henry Thomas Alken, 1785–1851, British
"Sporting Incidents:" Drawing For the Soft-ground Etching of 'Through the Wood'
undated
Henry Thomas Alken "Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'All He Is Fit For Sir, Now is to Be Cut Up. I Have a Notion That He Can't Be Cut up More Than Myself'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Had No Notion of the Comforts of Hunting by Water'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion That I Don't Look Unlike Mazeppa'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion That My Horse Looks Like 40 Guineas in the Pound'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion This Bridge Will A-Bridge My Sport'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion This May be Called "Riding to the Hounds at a Smashing Rate" '
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'I Have a Notion You Must Either Pull Him Over or Persuade Him to Pull You Back Again'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'It's My Notion That This is the Only Way to Get Her Along'
between 1831 and 1832
Henry Thomas Alken "Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
Henry Thomas Alken, 1785–1851, British
"Sporting Notions": 'My Good Fellows Have You any Notion Where You Can Get a Saw'
between 1831 and 1832