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Collection Prints and Drawings

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Subject Terms literary theme

Classification Prints

Samuel Palmer The Vine

Print made by Samuel Palmer, 1805–1881

The Vine

1852

Samuel Palmer The Lonely Tower

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Samuel Palmer Moeris and Galatea

Print made by Samuel Palmer, 1805–1881

Moeris and Galatea

1880-1883

Samuel Palmer The Sepulchre

Print made by Samuel Palmer, 1805–1881

The Sepulchre

between 1880 and 1883

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881

The Homeward Star

begun ca. 1880

Samuel Palmer Opening the Fold

Print made by Samuel Palmer, 1805–1881

Opening the Fold

1880

Samuel Palmer The Sepulchre

Print made by Samuel Palmer, 1805–1881

The Sepulchre

etching begun ca. 1800; impression printed in 1924

Samuel Palmer The Sleeping Shepherd

Print made by Samuel Palmer, 1805–1881

The Sleeping Shepherd

1857

Samuel Palmer The Bellman

Print made by Samuel Palmer, 1805–1881

The Bellman

1879

Samuel Palmer The Bellman

Print made by Samuel Palmer, 1805–1881

The Bellman

1879

Samuel Palmer The Cypress Grove

Print made by Samuel Palmer, 1805–1881

The Cypress Grove

plate etched between ca. 1880 and 1883; impression printed in 1924

Samuel Palmer The Homeward Star

Print made by Samuel Palmer, 1805–1881

The Homeward Star

etching begun ca. 1880; impression printed in 1924

Samuel Palmer The Lonely Tower

Print made by Samuel Palmer, 1805–1881

The Lonely Tower

1879

Samuel Palmer Moeris and Galatea

Print made by Samuel Palmer, 1805–1881

Moeris and Galatea

plate etched between 1880 and 1883; impression printed in 1924

George Stubbs The Farmer's Wife and the Raven

George Stubbs, 1724–1806

The Farmer's Wife and the Raven

1788

William Hogarth Mr. Garrick in the Character of Richard III

William Hogarth, 1697–1764

Mr. Garrick in the Character of Richard III

1746

William Hogarth Mr. Garrick in the Character of Richard the Third - "Richard III," Act V, Scene VII

William Hogarth, 1697–1764

Mr. Garrick in the Character of Richard the Third - "Richard III," Act V, Scene VII

1746

William Hogarth Hudibras Vanquished by Trulla

William Hogarth, 1697–1764

Hudibras Vanquished by Trulla

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner Aesacus and Hesperie

Etched and engraved by Joseph Mallord William Turner, 1775–1851

Aesacus and Hesperie

1819

Joseph Mallord William Turner Procris and Cephalus

Etched by Joseph Mallord William Turner, 1775–1851

Procris and Cephalus

1812

Joseph Mallord William Turner From Spenser's Fairy Queen

Etched by Joseph Mallord William Turner, 1775–1851

From Spenser's Fairy Queen

1811

Joseph Mallord William Turner Apuleia in Search of Apuleius

Etched by Joseph Mallord William Turner, 1775–1851

Apuleia in Search of Apuleius

between 1813 and 1823

Joseph Mallord William Turner The Deluge

Engraved by Joseph Mallord William Turner, 1775–1851

The Deluge

between 1813 and 1823

William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)

ca. 1788

William Blake The Book of Thel, Plate 4, "Why should the mistress . . . ."

Print made by William Blake, 1757–1827

The Book of Thel, Plate 4, "Why should the mistress . . . ."

1789

William Blake Jerusalem, Plate 77, "To the Christians...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 77, "To the Christians...."

1804 to 1820

William Blake Jerusalem, Plate 84, "Highgates heights & Hampstead...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 84, "Highgates heights & Hampstead...."

1804 to 1820

William Blake Jerusalem, Plate 86, "I see thy Form...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 86, "I see thy Form...."

1804 to 1820

William Blake Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"

1797

William Blake Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 55, "Ungrateful, Shall We Grieve Their Hovering Shades"

1797

William Blake Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 57, "Trembling Each Gulp, Lest Death Should Snatch the Bowl"

1797

William Blake Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"

1797

William Blake Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 90, "That Touch, with Charm Celestial Heals the Soul"

1797

William Blake Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 93, "If Angels Tremble, 'Tis at Such a Sight"

1797

William Blake Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"

1797

William Blake Jerusalem, Plate 66, "In awful pomp & gold...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 66, "In awful pomp & gold...."

1804 to 1820

William Blake Jerusalem, Plate 67, "By those who drink their blood...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 67, "By those who drink their blood...."

1804 to 1820

William Blake Jerusalem, Plate 68, "O Skofield why art thou cruel?...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 68, "O Skofield why art thou cruel?...."

1804 to 1820

William Blake Jerusalem, Plate 64, "Of the Mundane Shell...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 64, "Of the Mundane Shell...."

1804 to 1820

William Blake Jerusalem, Plate 69, "Then all the Males...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 69, "Then all the Males...."

1804 to 1820

William Blake Jerusalem, Plate 7, "Was living: panting...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 7, "Was living: panting...."

1804 to 1820

William Blake Jerusalem, Plate 72, "And the Thirty-two Counties...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 72, "And the Thirty-two Counties...."

1804 to 1820

William Blake Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 73, "Such are Cathedron's golden Halls...."

1804 to 1820

William Blake Jerusalem, Plate 76

Print made by William Blake, 1757–1827

Jerusalem, Plate 76

1804 to 1820

William Blake For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 2, Frontispiece, "What is Man!"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 20, "He meets his Saviour in the Grave . . . . "

1826

William Blake For the Sexes: The Gates of Paradise, Plate 5, "Earth"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 5, "Earth"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 19, "To The Accuser . . . ." (Bentley 21)

1826

William Blake For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 4, "Water"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 4, "Water"

1826

William Blake For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 18, "I have said to the Worm . . . ."

1826

William Blake Romeo and Juliet, Act IV, Scene V

Print made by William Blake, 1757–1827

Romeo and Juliet, Act IV, Scene V

1799

William Blake There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 11, "II Reason or the ratio . . . . " (Bentley b4)

ca. 1788

William Blake There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)

ca. 1788

William Blake There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)

ca. 1788

William Blake There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)

ca. 1788

William Blake There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)

ca. 1788

William Blake There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)

ca. 1788

William Blake The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)

1794

William Blake The First Book of Urizen, Plate 11 (Bentley 17)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 11 (Bentley 17)

1794

William Blake The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 14, "7. From the Caverns of His Jointed Spine...." (Bentley 11)

1794

William Blake The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 16, "Two Nostrils Bent Down to the Deep...." (Bentley 13)

1794

William Blake The First Book of Urizen, Plate 17, "8. The Globe of Life Blood Trembled...." (Bentley 18)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 17, "8. The Globe of Life Blood Trembled...." (Bentley 18)

1794

William Blake The First Book of Urizen, Plate 18 (Bentley 21)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 18 (Bentley 21)

1794

William Blake The First Book of Urizen, Plate 19, "They Call'd Her Pity and Fled...." (Bentley 19)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 19, "They Call'd Her Pity and Fled...." (Bentley 19)

1794

William Blake The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)

1794

William Blake The First Book of Urizen, Plate 20, "Thus the Eternal Prophet Was Divided...." (Bentley 15)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 20, "Thus the Eternal Prophet Was Divided...." (Bentley 15)

1794

William Blake The First Book of Urizen, Plate 23 (Bentley 9)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 23 (Bentley 9)

1794

William Blake The First Book of Urizen, Plate 24, "Of Life Forsaken Mountains...." (Bentley 23)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 24, "Of Life Forsaken Mountains...." (Bentley 23)

1794

William Blake The First Book of Urizen, Plate 3 (Bentley 22)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 3 (Bentley 22)

1794

William Blake The First Book of Urizen, Plate 4 (Bentley 24)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 4 (Bentley 24)

1794

William Blake The First Book of Urizen, Plate 5, "Chap: 1...." (Bentley 3)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 5, "Chap: 1...." (Bentley 3)

1794

William Blake The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)

1794

William Blake The First Book of Urizen, Plate 7 (Bentley 12)

Print made by William Blake, 1757–1827

The First Book of Urizen, Plate 7 (Bentley 12)

1794

William Blake For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

Print made by William Blake, 1757–1827

For the Sexes: The Gates of Paradise, Plate 17, "Death's Door"

1826

William Blake Jerusalem, Plate 8, "Rose up against me...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 8, "Rose up against me...."

1804 to 1820

William Blake Jerusalem, Plate 80, "Encompassd by the frozen net...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 80, "Encompassd by the frozen net...."

1804 to 1820

William Blake Jerusalem, Plate 82, "I have heard Jerusalems groans...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 82, "I have heard Jerusalems groans...."

1804 to 1820

William Blake Jerusalem, Plate 87, "Repelling weeping Enion...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 87, "Repelling weeping Enion...."

1804 to 1820

William Blake Jerusalem, Plate 89, "Tho divided by the Cross...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 89, "Tho divided by the Cross...."

1804 to 1820

William Blake Jerusalem, Plate 9, "Condens'd his Emanations...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 9, "Condens'd his Emanations...."

1804 to 1820

William Blake Jerusalem, Plate 90, "The Feminine separates...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 90, "The Feminine separates...."

1804 to 1820

William Blake Jerusalem, Plate 91, "It is easier to forgive an enemy...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 91, "It is easier to forgive an enemy...."

1804 to 1820

William Blake Jerusalem, Plate 92, "What do I see!...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 92, "What do I see!...."

1804 to 1820

William Blake Jerusalem, Plate 99, "All Human Forms identified...."

Print made by William Blake, 1757–1827

Jerusalem, Plate 99, "All Human Forms identified...."

1804 to 1820

William Blake Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

Print made by William Blake, 1757–1827

Young's Night Thoughts, Title Page, "Night the First, on Life, Death and Immortality."

1797

William Blake Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 19, "Emblem of That Which Shall Awake the Dead"

1797

William Blake Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 31, "'Tis Greatly Wise to Talk with Our Past Hours"

1797

William Blake Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 1, "Swift on His Downy Pinion Flies from Woe"

1797

William Blake Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"

1797

William Blake Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"

1797

William Blake Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 95, "The Goddess Bursts in Thunder and in Flame"

1797

William Blake Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"

1797

William Blake Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 10, "Disease Invades the Chastest Temperence"

1797

William Blake Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 12, "Its Favours Here Are Trials, Not Rewards"

1797

William Blake Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

Print made by William Blake, 1757–1827

Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"

1797

William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

Print made by William Blake, 1757–1827

There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)

ca. 1788