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Samuel Palmer Christmas
Print made by Samuel Palmer, 1805–1881
Christmas
1850
Samuel Palmer Christmas
Print made by Samuel Palmer, 1805–1881
Christmas
1877
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
etching begun before 1861; impression printed in 1926
Samuel Palmer The Early Ploughman
Print made by Samuel Palmer, 1805–1881
The Early Ploughman
begun before 1861
Samuel Palmer The Morning of Life
Print made by Samuel Palmer, 1805–1881
The Morning of Life
1860-1861
Samuel Palmer The Weary Ploughman
Print made by Samuel Palmer, 1805–1881
The Weary Ploughman
1858
Samuel Palmer The Willow
Print made by Samuel Palmer, 1805–1881
The Willow
1850
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1926
Samuel Palmer Opening the Fold
Print made by Samuel Palmer, 1805–1881
Opening the Fold
plate etched in 1880; impression printed in 1920
Samuel Palmer The Skylark
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
Samuel Palmer The Skylark
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
Samuel Palmer The Skylark
Print made by Samuel Palmer, 1805–1881
The Skylark
1850
Samuel Palmer Christmas
Print made by Samuel Palmer, 1805–1881
Christmas
1850
Robert Polhill Bevan Study for the Horse Dealers
Robert Polhill Bevan, 1865–1925
Study for the Horse Dealers
ca. 1917
Robert Polhill Bevan The Pink Apron
Robert Polhill Bevan, 1865–1925
The Pink Apron
ca. 1904
Robert Polhill Bevan Sussex Cart Horse
Robert Polhill Bevan, 1865–1925
Sussex Cart Horse
between 1905 and 1906
Robert Polhill Bevan The Caller at the Mill, with sketches outside margin
Robert Polhill Bevan, 1865–1925
The Caller at the Mill, with sketches outside margin
1918-1919
Robert Polhill Bevan Found, with further sketches in the margin
Robert Polhill Bevan, 1865–1925
Found, with further sketches in the margin
Robert Polhill Bevan The Meet, with further sketches in margin
Robert Polhill Bevan, 1865–1925
The Meet, with further sketches in margin
Robert Polhill Bevan The Flying Pack
Robert Polhill Bevan, 1865–1925
The Flying Pack
undated
Robert Polhill Bevan Hounds in Covert
Robert Polhill Bevan, 1865–1925
Hounds in Covert
ca. 1896
Robert Polhill Bevan The Hunt
Robert Polhill Bevan, 1865–1925
The Hunt
undated
Robert Polhill Bevan Hay Carts, Cumberland Market (sketch)
Robert Polhill Bevan, 1865–1925
Hay Carts, Cumberland Market (sketch)
ca. 1915
Robert Polhill Bevan Study for Hay Carts, Cumberland Market
Robert Polhill Bevan, 1865–1925
Study for Hay Carts, Cumberland Market
ca. 1915
Robert Polhill Bevan Horses Threshing, Pont Aven
Robert Polhill Bevan, 1865–1925
Horses Threshing, Pont Aven
1893
Robert Polhill Bevan Huntsman and Hounds
Robert Polhill Bevan, 1865–1925
Huntsman and Hounds
ca. 1898
Robert Polhill Bevan Horse in Breton Yard
Robert Polhill Bevan, 1865–1925
Horse in Breton Yard
undated
Robert Polhill Bevan Fields Farm, Clayhidon
Robert Polhill Bevan, 1865–1925
Fields Farm, Clayhidon
1917
Robert Polhill Bevan Horse Dealers
Robert Polhill Bevan, 1865–1925
Horse Dealers
ca. 1918
Robert Polhill Bevan The Meet
Robert Polhill Bevan, 1865–1925
The Meet
between 1901 and 1925
Robert Polhill Bevan The Meet
Robert Polhill Bevan, 1865–1925
The Meet
1898
Robert Polhill Bevan A Sussex Cart Horse
Robert Polhill Bevan, 1865–1925
A Sussex Cart Horse
between 1905 and 1906
Robert Polhill Bevan Two Bridges
Robert Polhill Bevan, 1865–1925
Two Bridges
1912-1913
William Hogarth Album Collection of Sixty-six Engravings after William Hogarth
after William Hogarth, 1697–1764
Album Collection of Sixty-six Engravings after William Hogarth
William Hogarth Simon, Lord Lovat
after William Hogarth, 1697–1764
Simon, Lord Lovat
1746
William Hogarth False Perspective Exemplified
after William Hogarth, 1697–1764
False Perspective Exemplified
1799
William Hogarth Emerald Vessel
Print made by William Hogarth, 1697–1764
Emerald Vessel
1723
William Hogarth A Harlot's Progress, Plate 3
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 3
1732
William Hogarth A Harlot's Progress, Plate 5
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 5
1732
William Hogarth Four Heads from the Raphael Cartoons at Hampton Court
Print made by William Hogarth, 1697–1764
Four Heads from the Raphael Cartoons at Hampton Court
1781
William Hogarth Paul Before Felix Burlesqued
Print made by William Hogarth, 1697–1764
Paul Before Felix Burlesqued
1751
William Hogarth The Stage-Coach, or the Country Inn Yard
Print made by William Hogarth, 1697–1764
The Stage-Coach, or the Country Inn Yard
1747
William Hogarth A Midnight Modern Conversation
Print made by William Hogarth, 1697–1764
A Midnight Modern Conversation
1733
William Hogarth Tail Piece, or the Bathos
Print made by William Hogarth, 1697–1764
Tail Piece, or the Bathos
1764
William Hogarth Before
Print made by William Hogarth, 1697–1764
Before
1736
William Hogarth Frontispiece: A Seated Roman General on a Camp Stool
Print made by William Hogarth, 1697–1764
Frontispiece: A Seated Roman General on a Camp Stool
1725
William Hogarth After
Print made by William Hogarth, 1697–1764
After
1736
William Hogarth Decimation
Print made by William Hogarth, 1697–1764
Decimation
1725
William Hogarth Beheading
Print made by William Hogarth, 1697–1764
Beheading
1725
William Hogarth Fustigatio
Print made by William Hogarth, 1697–1764
Fustigatio
1725
William Hogarth Freemen Degraded and Sold into Slavery
Print made by William Hogarth, 1697–1764
Freemen Degraded and Sold into Slavery
1725
William Hogarth Fustium Admonitio
Print made by William Hogarth, 1697–1764
Fustium Admonitio
1725
William Hogarth Crucifixion, etc.
Print made by William Hogarth, 1697–1764
Crucifixion, etc
1725
William Hogarth Dismemberment, etc.
Print made by William Hogarth, 1697–1764
Dismemberment, etc
1725
William Hogarth Cutting off the Nose
Print made by William Hogarth, 1697–1764
Cutting off the Nose
1725
William Hogarth Degrading Punishments
Print made by William Hogarth, 1697–1764
Degrading Punishments
1725
William Hogarth Issued Barley Instead of Wheat
Print made by William Hogarth, 1697–1764
Issued Barley Instead of Wheat
1725
William Hogarth Issued Barley Instead of Wheat
Print made by William Hogarth, 1697–1764
Issued Barley Instead of Wheat
1725
William Hogarth Crowns, Mitres, Maces, Etc.
Print made by William Hogarth, 1697–1764
Crowns, Mitres, Maces, Etc
1754
William Hogarth A Rake's Progress, Plate 8
Print made by William Hogarth, 1697–1764
A Rake's Progress, Plate 8
1735
William Hogarth The Invasion, Plate 1: France
Print made by William Hogarth, 1697–1764
The Invasion, Plate 1: France
1756
William Hogarth A Harlot's Progress, Plate 1
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 1
1732
William Hogarth A Harlot's Progress, Plate 2
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 2
1732
William Hogarth The Invasion, Plate 2: England
Print made by William Hogarth, 1697–1764
The Invasion, Plate 2: England
1756
William Hogarth A Harlot's Progress, Plate 4
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 4
1732
William Hogarth A Harlot's Progress, Plate 6
Print made by William Hogarth, 1697–1764
A Harlot's Progress, Plate 6
1732
William Hogarth Shameful Discharge
Print made by William Hogarth, 1697–1764
Shameful Discharge
1725
William Hogarth Banishment
Print made by William Hogarth, 1697–1764
Banishment
1725
William Hogarth Breaking the Legs
Print made by William Hogarth, 1697–1764
Breaking the Legs
1725
William Hogarth Taking Away the Military Belt or Girdle
Print made by William Hogarth, 1697–1764
Taking Away the Military Belt or Girdle
1725
William Hogarth Hanging by the Thumbs
Print made by William Hogarth, 1697–1764
Hanging by the Thumbs
1725
Joseph Mallord William Turner London from Greenwich
Etched by Joseph Mallord William Turner, 1775–1851
London from Greenwich
1811
Joseph Mallord William Turner [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
Joseph Mallord William Turner [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
Joseph Mallord William Turner [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
Joseph Mallord William Turner [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.
after Joseph Mallord William Turner, 1775–1851
[One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc
William Blake Each creature, Thenot, to his task is born
William Blake, 1757–1827
Each creature, Thenot, to his task is born
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 3: Thenot: 'Yet though with years my body downward tend,/ as trees beneath their fruit in autumn bend,'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 4: Colinet: 'Thine ewes will wander; and their heedless lambs,/ in loud complaints, require their absent dams.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 5: Colinet: 'My piteous plight in yonder naked tree,/ which bears the thunder-scar too plain, I see:'
1821, reprinted 1977
William Blake Or blasting winds o'er blossom'd hedge-rows pass
William Blake, 1757–1827
Or blasting winds o'er blossom'd hedge-rows pass
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 7: Thenot: 'Nor fox, nor wolf, nor rot among our sheep:/ from these good shepherd's care his flock may keep/ against ill luck,'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 8: Colinet: 'Ah silly I! more silly than my sheep,/ which on thy flow'ry banks I wont to keep.'
1821, reprinted 1977
William Blake The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
William Blake, 1757–1827
The Wood Engravings of William Blake for Thorton's Virgil 1821. London, 1977. Plate 10: Thenot: 'A rolling stone is ever bare of moss;/ and, to their cost, green years old proverbs cross.'
1821, reprinted 1977
William Blake Pl. 15: `The Conjugal Union of Cupid'
William Blake, 1757–1827
Pl. 15: `The Conjugal Union of Cupid'
1796
William Blake Pl. 16: `Cupid & Psyche'
William Blake, 1757–1827
Pl. 16: `Cupid & Psyche'
1796
William Blake Pl. 18: `Iron Age'
William Blake, 1757–1827
Pl. 18: `Iron Age'
1796
William Blake Pl. 19: `Aristophanes Clouds. Scene I'
William Blake, 1757–1827
Pl. 19: `Aristophanes Clouds. Scene I'
1796
William Blake Pl. 23: `Anacreon Ode LII'
William Blake, 1757–1827
Pl. 23: `Anacreon Ode LII'
1796
William Blake Pl. 12: `Psyche Disobeys.'
William Blake, 1757–1827
Pl. 12: `Psyche Disobeys.'
1796
William Blake Pl. 19: `Aristophanes Clouds. Scene I'
William Blake, 1757–1827
Pl. 19: `Aristophanes Clouds. Scene I'
1796
William Blake Pl. 23: `Anacreon Ode LII'
William Blake, 1757–1827
Pl. 23: `Anacreon Ode LII'
1796
William Blake Pl. 13: `Psyche Repents.'
William Blake, 1757–1827
Pl. 13: `Psyche Repents.'
1796
William Blake Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
William Blake, 1757–1827
Pl. 5: A Serpent Attacking Buoso Donata ['...He ey'd the serpent and the serpent him.' Hell; Canto xxv. line 82.]
1827
William Blake Illustrations to Dante's Divine Comedy
William Blake, 1757–1827
Illustrations to Dante's Divine Comedy
1827
William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
William Blake, 1757–1827
Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm,/ And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
1827
William Blake Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
William Blake, 1757–1827
Pl. 4: The Six-Footed Serpent Attacking Agnolo Brunelleschi ['...lo! a serpent with six feet/ Springs forth on one,' Hell; Canto xxv. line 45.]
1827
William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
William Blake, 1757–1827
Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?'weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
1827
William Blake Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
William Blake, 1757–1827
Pl. 3: Baffled Devils Fighting [' ... so turn'd/ His talons on his comrade.' Hell; Canto xxii. line 135]
1827