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Edward Francis Burney Study for the Figures of Demitrius and Two Workmen
Edward Francis Burney, 1760–1848, British
Study for the Figures of Demitrius and Two Workmen
undated
Ford Madox Brown The Prisoner of Chillon Entreating his Jailors to Bury His Brother Where the Sun Might Fall Upon His Grave
Ford Madox Brown, 1821–1893, British
The Prisoner of Chillon Entreating his Jailors to Bury His Brother Where the Sun Might Fall Upon His Grave
1858
Robert Smirke Scenes from an Eastern Romance [Arabian Nights]
Robert Smirke, 1752–1845, British
Scenes from an Eastern Romance [Arabian Nights]
undated
unknown artist Robin Hood and Clarinda hunting deer in a wooded landscape
unknown artist, eighteenth century
Robin Hood and Clarinda hunting deer in a wooded landscape
undated
Thomas Gaugain Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
Print made by Thomas Gaugain, 1748–1812, French
Diligence and Dissipation: Good Advice from an Old Servant to the Young Ones (Plate 2)
1797
Thomas Gaugain Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
Print made by Thomas Gaugain, 1748–1812, French
Diligence and Dissipation: The Wanton Revelling with her Companions (Plate7)
1797
Edward Burne-Jones Study for The Wedding Feast of Sir Degrevaunt
Edward Burne-Jones, 1833–1898, British
Study for The Wedding Feast of Sir Degrevaunt
undated
Robert Smirke Illustration for an Eastern Romance, possibly 'The Arabian Nights' (with female figure reclining at left)
Robert Smirke, 1752–1845, British
Illustration for an Eastern Romance, possibly 'The Arabian Nights' (with female figure reclining at left)
undated
Thomas Gaugain Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)
Thomas Gaugain, 1748–1812, French
Diligence and Dissipation: The Wanton turn'd out of Doors for Misconduct (Plate 5)
1797
George Augustus Sala Mefistofile II
George Augustus Sala, 1828–1895, British
Mefistofile II
1880
Robert Smirke Malvolio Dancing
Robert Smirke, 1752–1845, British
Malvolio Dancing
1827
Robert Smirke Illustration for an Eastern Romance, possibly 'The Arabian Nights', with Two Male Figures Standing
Robert Smirke, 1752–1845, British
Illustration for an Eastern Romance, possibly 'The Arabian Nights', with Two Male Figures Standing
undated
Robert Smirke She Never Told Her Love, But Sat Like Patience on a Monument
Robert Smirke, 1752–1845, British
She Never Told Her Love, But Sat Like Patience on a Monument
1827
Sir David Wilkie A Scene from "The Abbot"
Sir David Wilkie, 1785–1841, British
A Scene from "The Abbot"
1833
Robert Wallis Bolton Abbey
Robert Wallis, 1794–1878, British
Bolton Abbey
1834
John Boyne Malvolio: Possibly a Self-Portrait in the Role
John Boyne, ca. 1750–1810, British
Malvolio: Possibly a Self-Portrait in the Role
undated
Sir David Wilkie Scene from Quentin Durward
Sir David Wilkie, 1785–1841, British
Scene from Quentin Durward
1833
Robert Smirke Prospero and Ariel
Robert Smirke, 1752–1845, British
Prospero and Ariel
1821
Robert Smirke Falstaff Instructing Bardolph
Robert Smirke, 1752–1845, British
Falstaff Instructing Bardolph
1825
Hugh Downman Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
Print made by Hugh Downman, d. 1789
Mr. Edwin and Mrs. Wells in the Characters of Lingo and Cowslip
ca. 1787
Francis Hayman Falstaff Inspecting the Recruits
Francis Hayman, 1707/8–1776, British
Falstaff Inspecting the Recruits
between 1761 and 1765
Thomas Grieve Design for Midsummer Night's Dream
Thomas Grieve, 1799–1882, British
Design for Midsummer Night's Dream
undated
Sir John Gilbert Apotheosis of Shakespeare's Characters
Sir John Gilbert, 1817–1897, British
Apotheosis of Shakespeare's Characters
1871
Sir John Gilbert Enter Malvolio, Crossgartered...
Sir John Gilbert, 1817–1897, British
Enter Malvolio, Crossgartered..
1863
unknown artist Alcibiades and Timon
unknown artist
Alcibiades and Timon
undated
William Hamilton Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1
William Hamilton, 1751–1801, British
Nature unveils herself to the infant Shakespeare: Thomas Gray, The Progress of Poesy, III.1
undated
Theodor von Holst Prospero Watching Ferdinand and Miranda
Theodor von Holst, 1810–1844, British
Prospero Watching Ferdinand and Miranda
ca. 1840
Theodor von Holst Ferdinand Riding the Waves
Theodor von Holst, 1810–1844, British
Ferdinand Riding the Waves
ca. 1830
George Henry Harlow Queen Katherine's Dream
George Henry Harlow, 1787–1819, British
Queen Katherine's Dream
1807
James Northcote Study for Burying the Royal Children
James Northcote, 1746–1831, British
Study for Burying the Royal Children
ca. 1790
Henry Fuseli Study for 'Finding of the Body of Bassanio'
Henry Fuseli, 1741–1825, Swiss, active in Britain (1766–70; 1779 on)
Study for 'Finding of the Body of Bassanio'
1804
Robert Smirke Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
Robert Smirke, 1752–1845, British
Stephano, Trinculo and Caliban with Prospero's Magic Wardrobe
1821
Robert Smirke Falstaff in the Boar's Head
Robert Smirke, 1752–1845, British
Falstaff in the Boar's Head
1807
Thomas Carwitham Illustration to Homer's Iliad
Thomas Carwitham, active 1723, British
Illustration to Homer's Iliad
1723
Samuel De Wilde Head of a Man with a Beard and Long Hair in the Wind
Samuel De Wilde, 1748–1832, British
Head of a Man with a Beard and Long Hair in the Wind
1786
Edward Alfred Goodall St. Julienne's Chapel
Edward Alfred Goodall, 1819–1908, British
St. Julienne's Chapel
1834
Thomas Carwitham Jupiter and Callisto: Ovid, Metamorphoses, Book 2
Thomas Carwitham, active 1723, British
Jupiter and Callisto: Ovid, Metamorphoses, Book 2
ca. 1723
Thomas Carwitham Ceres and Abas: Ovid, Metamorphoses, Book 5
Thomas Carwitham, active 1723, British
Ceres and Abas: Ovid, Metamorphoses, Book 5
ca. 1723
William Young Ottley Prospero Summoning Ariel
William Young Ottley, 1771–1836, British
Prospero Summoning Ariel
ca. 1800
James Northcote Macbeth and the Witches
James Northcote, 1746–1831, British
Macbeth and the Witches
between 1777 and 1778
John Hamilton Mortimer Literary Characters Assembled Around the Medallion of Shakespeare
John Hamilton Mortimer, 1740–1779, British
Literary Characters Assembled Around the Medallion of Shakespeare
1776
Robert Smirke Anne Page and Slender
Robert Smirke, 1752–1845, British
Anne Page and Slender
1821
Robert Smirke Falstaff at Herne's Oak
Robert Smirke, 1752–1845, British
Falstaff at Herne's Oak
1807
James Peak Mercury and Battus
James Peak, 1703–1782, British
Mercury and Battus
Peter Simon Tom Jones
Peter Simon, 1750–1810
Tom Jones
Peter Simon Tom Jones; The Interview of Tom Jones, and Sophia, after the Reconciliation
Peter Simon, 1750–1810
Tom Jones; The Interview of Tom Jones, and Sophia, after the Reconciliation
1789
Carington Bowles Twelve Illustrations of Robinson Crusoe
Carington Bowles, 1724–1793, British
Twelve Illustrations of Robinson Crusoe
1783
William Hogarth Hudibras Vanquished by Trulla
William Hogarth, 1697–1764, British
Hudibras Vanquished by Trulla
Thomas Rowlandson The Journalist, with a view of Auchinleck or the Land of Stones
Thomas Rowlandson, 1756–1827, British
The Journalist, with a view of Auchinleck or the Land of Stones
1786
John Chapman Jacques discovered by the Duke
John Chapman, active ca. 1792–1823, British
Jacques discovered by the Duke
1795
William Sharp The Tempest, Act I Sc. 3
Print made by William Sharp, 1749–1824, British
The Tempest, Act I Sc. 3
1783
George Stubbs The Farmer's Wife and the Raven
George Stubbs, 1724–1806, British
The Farmer's Wife and the Raven
1788
unknown artist Falstaff reproved by King Henry
unknown artist, ( Shenner )
Falstaff reproved by King Henry
1792
William Woollett Celadon and Amelia
Engraved by William Woollett, 1735–1785, British
Celadon and Amelia
1766
Dante Gabriel Rossetti Illustration to the Maids of Elfen-Mere
Dante Gabriel Rossetti, 1828–1882, British
Illustration to the Maids of Elfen-Mere
1854
Edward Fisher Miss Kitty Fisher as 'Cleopatra Dissolving the Pearl'
Print made by Edward Fisher, 1722–1785, British
Miss Kitty Fisher as 'Cleopatra Dissolving the Pearl'
between 1752 and 1763
Thomas Stothard One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
Thomas Stothard, 1755–1834, British
One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
ca. 1784
Thomas Stothard One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
Thomas Stothard, 1755–1834, British
One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
ca. 1784
Thomas Stothard One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
Thomas Stothard, 1755–1834, British
One of Six Illustrations to Fenelon's "The Adventures of Telemachus son of Ulysses"
ca. 1784
William Ward Mrs. Pope as Juliet
Print made by William Ward, 1766–1826, British
Mrs. Pope as Juliet
c. 1804
William Blake The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 8, "IV. / The eternal gates . . . ."
1789
Thomas Stothard Illustration to the Virtuous Orphan
Thomas Stothard, 1755–1834, British
Illustration to the Virtuous Orphan
undated
Richard Wilson RA Gulliver Bound by the Lilliputians
Richard Wilson RA, 1714–1782, British, active in Italy (1750–56)
Gulliver Bound by the Lilliputians
undated
Henry Pierce Bone The Sleepwalking Scene in Macbeth
Henry Pierce Bone, 1779–1855, British
The Sleepwalking Scene in Macbeth
undated
Henry William Bunbury Falstaff Carrying Dead Hotspur
Henry William Bunbury, 1750–1811, British
Falstaff Carrying Dead Hotspur
undated
Henry William Bunbury The Duel: 'Twelfth Night,' Act III, Scene IV
Henry William Bunbury, 1750–1811, British
The Duel: 'Twelfth Night,' Act III, Scene IV
ca. 1790
Edward Francis Burney MacBeth: The Banquet Scene - MacBeth, Act II, Scene IV
Edward Francis Burney, 1760–1848, British
MacBeth: The Banquet Scene - MacBeth, Act II, Scene IV
undated
Alexander Runciman Celadon and Amelia from Thomson's 'The Seasons'
Alexander Runciman, 1736–1785, British
Celadon and Amelia from Thomson's 'The Seasons'
undated
unknown artist Lear in the Storm
unknown artist
Lear in the Storm
undated
George Fennell Robson Macbeth and Banquo on the Heath
George Fennell Robson, 1788–1833, British
Macbeth and Banquo on the Heath
ca. 1830
William Blake Songs of Innocence and of Experience, Plate 27, "The Divine Image" (Bentley 18)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 27, "The Divine Image" (Bentley 18)
1789 to 1794
William Blake Songs of Innocence and of Experience, Plate 28, "On Anothers Sorrow" (Bentley 27)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 28, "On Anothers Sorrow" (Bentley 27)
1789 to 1794
William Blake Songs of Innocence and of Experience, Plate 3, Innocence Title Page (Bentley 3)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 3, Innocence Title Page (Bentley 3)
1789 to 1794
William Blake Songs of Innocence and of Experience, Plate 32, "Earth's Answer" (Bentley 31)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 32, "Earth's Answer" (Bentley 31)
1789 to 1794
William Blake Songs of Innocence and of Experience, Plate 42, "To Tirzah" (Bentley 52)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 42, "To Tirzah" (Bentley 52)
1789 to 1794
William Blake Songs of Innocence and of Experience, Plate 45, "The Garden of Love" (Bentley 44)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 45, "The Garden of Love" (Bentley 44)
1789 to 1794
William Blake Songs of Innocence and of Experience, Plate 46, "A Little Boy Lost" (Bentley 50)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 46, "A Little Boy Lost" (Bentley 50)
1789 to 1794
William Blake Songs of Innocence and of Experience, Plate 48, "The Sick Rose" (Bentley 39)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 48, "The Sick Rose" (Bentley 39)
1789 to 1794
William Blake Songs of Innocence and of Experience, Plate 52, "A Little Girl Lost" (Bentley 51)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 52, "A Little Girl Lost" (Bentley 51)
1789 to 1794
William Blake Songs of Innocence and of Experience, Plate 53, "My Pretty Rose Tree", "Ah! Sun-Flower", "The Lilly" (Bentley 43)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 53, "My Pretty Rose Tree", "Ah! Sun-Flower", "The Lilly" (Bentley 43)
1789 to 1794
William Blake Songs of Innocence and of Experience, Plate 6, "The Ecchoing Green" (Bentley 7)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 6, "The Ecchoing Green" (Bentley 7)
1789 to 1794
William Blake There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
ca. 1788
John Finlayson David Garrick in the Character of 'Kitely'
John Finlayson, 1730–1776, British
David Garrick in the Character of 'Kitely'
1769
Joseph Mallord William Turner From Spenser's Fairy Queen
Etched by Joseph Mallord William Turner, 1775–1851, British
From Spenser's Fairy Queen
1811
Samuel Palmer The Lonely Tower
Print made by Samuel Palmer, 1805–1881, British, active in Italy (1837–39)
The Lonely Tower
1879
William Blake Songs of Innocence and of Experience, Plate 29, Experience Frontispiece (Bentley 28)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 29, Experience Frontispiece (Bentley 28)
1789 to 1794
William Blake Songs of Innocence and of Experience, Plate 30, Experience Title Page (Bentley 29)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 30, Experience Title Page (Bentley 29)
1789 to 1794
William Blake Songs of Innocence and of Experience, Plate 31, "Introduction" (Bentley 30)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 31, "Introduction" (Bentley 30)
1789 to 1794
William Blake Songs of Innocence and of Experience, Plate 35, "The Little Girl Found" (Bentley 36)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 35, "The Little Girl Found" (Bentley 36)
1789 to 1794
William Blake Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 38, "Holy Thursday" (Bentley 33)
1789 to 1794
William Blake Songs of Innocence and of Experience, Plate 39, "Infant Sorrow" (Bentley 48)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 39, "Infant Sorrow" (Bentley 48)
1789 to 1794
Robert Thew As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
Robert Thew, 1758–1802, British
As You Like It: Act II, Scene VII: The Seven Ages Man (Third Age)
1803
William Blake Songs of Innocence and of Experience, Plate 54, "The School Boy" (Bentley 53)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 54, "The School Boy" (Bentley 53)
1789 to 1794
William Blake Songs of Innocence and of Experience, Plate 7, "The Chimney Sweeper" (Bentley 12)
Print made by William Blake, 1757–1827, British
Songs of Innocence and of Experience, Plate 7, "The Chimney Sweeper" (Bentley 12)
1789 to 1794
William Blake There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
ca. 1788
William Blake There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 10, "I Mans perceptions are not bounded . . . . " (Bentley b3)
ca. 1788
William Blake There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
ca. 1788
William Blake There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
Print made by William Blake, 1757–1827, British
There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
ca. 1788
William Blake The Book of Thel, Plate 1, "Thel's Motto . . . ."
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 1, "Thel's Motto . . . ."
1789
William Blake The Book of Thel, Plate 2, Title Page
Print made by William Blake, 1757–1827, British
The Book of Thel, Plate 2, Title Page
1789