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Collection Prints and Drawings
Remove constraint Collection: Prints and DrawingsSubject Terms literary theme
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1
- The Vine
- 1852
2
- The Sepulchre
- between 1880 and 1883
3
- Opening the Fold
- 1880
4
- The Lonely Tower
- 1879
5
- The Sleeping Shepherd
- 1857
6
- The Cypress Grove
- plate etched between ca. 1880 and 1883; impression printed in 1924
7
- The Sepulchre
- etching begun ca. 1800; impression printed in 1924
8
- The Lonely Tower
- 1879
9
- Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
- ca. 1832
10
- The Deluge
- between 1813 and 1823
11
- Apuleia in Search of Apuleius
- between 1813 and 1823
12
- The Poems of Thomas Gray, Design 111, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
13
- The Poems of Thomas Gray, Design 35, "Ode to Adversity."
- between 1797 and 1798
14
- The Poems of Thomas Gray, Design 55, "The Bard."
- between 1797 and 1798
15
- Songs of Innocence, Plate 1, Frontispiece (Bentley 2)
- 1789
16
- Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
- 1789
17
- Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
- 1789
18
- Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
- 1789
19
- Songs of Innocence, Plate 26, "Spring" (Bentley 23)
- 1789
20
- Songs of Innocence, Plate 28, "Laughing Song" (Bentley 15)
- 1789
21
- Jerusalem, Plate 11, "To labours mighty...."
- 1804 to 1820
22
- Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
- 1797
23
- Young's Night Thoughts, Page 4, "What, though My Soul Fantastick Measures Trod"
- 1797
24
- The Poems of Thomas Gray, Design 65, "The Bard."
- between 1797 and 1798
25
- Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
- 1789
26
- The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
27
- The Poems of Thomas Gray, Design 109, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
28
- The Poems of Thomas Gray, Design 17, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
29
- The Poems of Thomas Gray, Design 21, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
30
- The Poems of Thomas Gray, Design 27, "A Long Story."
- between 1797 and 1798
31
- Songs of Innocence, Plate 3, "Introduction" (Bentley 4)
- 1789
32
- The Poems of Thomas Gray, Design 3, "Ode on the Spring."
- between 1797 and 1798
33
- Visions of the Daughters of Albion, Plate 4, "Visions | Enslav'd the Daughters . . . . "
- 1793
34
- The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
- 1789
35
- Young's Night Thoughts, Page 37, "Love, and love only, is the loan for love"
- ca. 1797
36
- The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2a)
- 1794
37
- The First Book of Urizen, Plate 2(b), "Preludium" (Bentley 2b)
- 1794
38
- The First Book of Urizen, Plate 4, "Muster around the bleak desarts . . . ." (Bentley 4)
- 1794
39
- Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
- 1797
40
- The Poems of Thomas Gray, Design 105, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
41
- The Poems of Thomas Gray, Design 113, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
42
- The Poems of Thomas Gray, Design 15, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
43
- The Poems of Thomas Gray, Design 45, "The Progress of Poesy."
- between 1797 and 1798
44
- The Poems of Thomas Gray, Design 5, "Ode on the Spring."
- between 1797 and 1798
45
- The Poems of Thomas Gray, Design 53, "The Bard."
- between 1797 and 1798
46
- The Poems of Thomas Gray, Design 57, "The Bard."
- between 1797 and 1798
47
- The Poems of Thomas Gray, Design 83, "The Descent of Odin."
- between 1797 and 1798
48
- The Poems of Thomas Gray, Design 97, "Ode for Music."
- between 1797 and 1798
49
- Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
- 1789
50
- There Is No Natural Religion, Plate 1, Frontispiece (Bentley a1)
- ca. 1788
51
- There Is No Natural Religion, Plate 4, "II Man by his reasoning power . . . ." (Bentley a5)
- ca. 1788
52
- Young's Night Thoughts, Page 4, "What, though my soul fantastick measures trod"
- ca. 1797
53
- Young's Night Thoughts, Page 70, "'Till death, that mighty hunter, earths them all"
- ca. 1797
54
- The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
- 1794
55
- Jerusalem, Plate 38, "His face and bosom...."
- 1804 to 1820
56
- Jerusalem, Plate 76
- 1804 to 1820
57
- Jerusalem, Plate 37, "And One stood forth...."
- 1804 to 1820
58
- Jerusalem, Plate 49, "The secret coverts of Albion...."
- 1804 to 1820
59
- My Son! My Son!; Plate 10
- 1793
60
- The First Book of Urizen, Plate 2, "Preludium to the Book of Urizen" (Bentley 2)
- 1794
61
- There Is No Natural Religion, Plate 2, "The Argument . . . . " (Bentley a3)
- ca. 1788
62
- There Is No Natural Religion, Plate 5, "III From a perception . . . . " (Bentley a6)
- ca. 1788
63
- There Is No Natural Religion, Plate 6, "IV None could have . . . ." (Bentley a7)
- ca. 1788
64
- There Is No Natural Religion, Plate 7, "V Mans desires . . . . " (Bentley a8)
- ca. 1788
65
- Songs of Innocence and of Experience
- 1789-1794
66
- The Book of Thel, Plate 6, "III. / Then Thel astonish'd . . . ."
- 1789
67
- For the Sexes: The Gates of Paradise, Plate 9, "Alas!"
- 1826
68
- There Is No Natural Religion, Plate 3, "I Man cannot naturally . . . ." (Bentley a4)
- ca. 1788
69
- There Is No Natural Religion, Plate 8, "VI The desires & perceptions . . . . " (Bentley a9)
- ca. 1788
70
- There Is No Natural Religion, Plate 9, "Therefore God becomes . . . . " (Bentley b12)
- ca. 1788
71
- Songs of Innocence, Plate 4, "A Dream" (Bentley 26)
- 1789
72
- Songs of Innocence, Plate 8, "The Lamb" (Bentley 8)
- 1789
73
- The Book of Thel, Plate 4, "Why should the mistress . . . ."
- 1789
74
- The First Book of Urizen, Plate 1, "The First Book of Urizen." (Bentley 1)
- 1794
75
- The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)
- 1794
76
- For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
- 1826
77
- For the Sexes: The Gates of Paradise, Plate 13, "Aged Ignorance"
- 1826
78
- For the Sexes: The Gates of Paradise, Plate 3, "I found him beneath a Tree"
- 1826
79
- For the Sexes: The Gates of Paradise, Plate 4, "Water"
- 1826
80
- Songs of Innocence, Plate 30, "The Little Black Boy" (Bentley 10)
- 1789
81
- The Shepherd, from Songs of Innocence
- ca. 1795
82
- The Gambols of Ghosts According with Their Affections Previous to the Final Judgement
- 1805 to 1808
83
- The Book of Thel, Plate 4, "Why should the mistress . . . ."
- 1789
84
- The Land of Beulah
- 1881
85
- Jupiter and Callisto: Ovid, Metamorphoses, Book 2
- ca. 1723
86
- Enter Malvolio, Crossgartered..
- 1863
87
- Alcibiades and Timon
- undated
88
- Falstaff Carrying Dead Hotspur
- undated
89
- Gulliver Bound by the Lilliputians
- undated
90
- The Murder of Banquo
- ca. 1830
91
- Illustration to the Virtuous Orphan
- undated
92
- Falstaff Dragging the Body of Hotspur
- 1825
93
- Illustration to Tonson's Ovid Metamorphosis (two of four)
- ca. 1710
94
- The Duel: 'Twelfth Night,' Act III, Scene IV
- ca. 1790
95
- Launce Teaching His Dog Crab
- undated
96
- A Great Actor between Tragedy and Comedy
- 1834
97
- Come Gentle Night: "Romeo and Juliet," Act III, Scene II
- between 1839 and 1849
98
- Pistol eating Fluellen's Leak - "Henry V"
- between 1811 and 1815
99
- Sylvio and Dorinda
- between 1680 and 1703
100
- Tom Jones Assisting Molly Seagrim
- 1782