Collection: Prints and Drawings - YCBA Collections Search Search Results

101. [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.

Creator:: after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:: Photogravure
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

102. [One from] 158 reproductions of works by JMW Turner consisting of chromolithographs, photogravures, etc.

Creator:: after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:: Photolithograph
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

103. Modern Italy - The Pifferari

Creator:: after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:: Photogravure
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

104. Heidelberg With A Rainbow

Creator:: after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:: Photogravure
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

105. Crossing the Brook

Creator:: after Joseph Mallord William Turner, 1775–1851
Materials & Techniques:: Photogravure
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

106. Plate 9 (page 15):' The longest night though longer far, would fail'

Creator:: Engravings by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

107. Plate 12 (page 19): 'Emblem of that which shall awake the dead'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

108. Plate 15 (page 25): 'Behold him, when past by; what then is seen'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

109. Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

110. Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

111. Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

112. Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

113. Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

114. Plate 41 (page 92): 'When faith is virtue, reason makes it so'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

115. Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

116. Plate 43 (page 95): 'The goddess bursts in thunder and in flame'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

117. Plate 33 (page 72): 'And vapid; sense and reason shew the door'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

118. "The Book of Thel William Blake Original Wrappers 1789"

Creator:: William Blake, 1757–1827
Date:: 1789
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

119. Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

120. Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

121. Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

122. Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

123. Plate 37 (page 86): 'His hand the good man fastens on the skies'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

124. Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

125. Plate 40 (page 90): 'That touch, with charm celestial heals the soul'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

126. May-Day in London

Creator:: William Blake, 1757–1827
Date:: 1784
Materials & Techniques:: Hand colored engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

127. Plate 7 (page 12): 'Its favours here are trials, not rewards'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

128. Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

129. Plate 21 (page 37): 'Love, and love only, is the loan for love'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

130. Plate 22 (page 40): ' Angels should paint it, angels ever there'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

131. Plate 26 (page 49): 'As if the sun could envy, check'd his beam'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

132. Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

133. Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

134. Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

135. Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

136. Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

137. Plate 8 (page 13): 'The present moment terminates our sight'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

138. Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

139. Plate 13 (page 23): 'We censure nature for a span too short'

Creator:: Engravings by William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

140. Beggar's Opera, Act III

Creator:: William Blake, 1757–1827
Date:: 1790
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Gift of Mrs. Lyall Dean, Mrs. Borden Helmer, and the Estate of Bliss Reed Crocker in memory of Mr and Mrs. Edward Bliss Reed, transfer from the Yale University Art Gallery

141. Plate 2 (page 1): 'Swift on his downy pinion flies from woe'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

142. Plate 3 (page 4): 'What, though my soul fantastick measures trod'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

143. Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

144. Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

145. Plate 6 (page 10): 'Disease invades the chastest temperence'

Creator:: William Blake, 1757–1827
Date:: 1797
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

146. "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young

Creator:: William Blake, 1757–1827
Date:: 1797
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

147. Figure Composition Study 20

Creator:: George Romney, 1734–1802
Date:: undated
Materials & Techniques:: Graphite on medium, slightly textured, cream wove paper
Dimensions:: Sheet: 5 1/2 x 7 inches (14 x 17.8 cm)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Fund

148. View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

View of Belle Vue and Pont de Seve taken from the Terrace near Pont de St. Cloud 1802; Plate 13 Views in Paris, the Emanuel Volume tracing of the plate B1981.25.2622

Date:: 1802
Materials & Techniques:: Etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

149. The Fight Interrupted

Creator:: William Mulready, 1786–1863
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

150. Herstmonceux Castle from the Southwest

Creator:: William Henry Brooke, 1772–1860
Date:: undated
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

151. Heveningham Hall, in Suffolk, the Seat of Sir Gerard William Vanneck Bartholomew

Creator:: William Watts, 1752–1851
Date:: 1782
Materials & Techniques:: Engraving
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

152. Louth, Lincolnshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1827-1838
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

153. Dunstanborough Castle, Northumberland

Creator:: Print made by Robert Brandard, 1805–1862
Date:: 1827-1838
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

154. Great Yarmouth, Norfolk

Creator:: Print made by William Miller, 1796–1882
Date:: 1827-1838
Materials & Techniques:: Open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

155. Alnwick Castle, Northumberland

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1827-1838
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

156. Stamford, Lincolnshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1827-1838
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

157. Stonyhurst, Lancashire

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1827-1838
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

158. Holy Island, Northumberland

Creator:: Print made by William Tombleson, ca.1795–1835
Date:: 1827-1838
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

159. Stonyhurst, Lancashire

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1827-1838
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

160. Holy Island, Northumberland

Creator:: Print made by William Tombleson, ca.1795–1835
Date:: 1827-1838
Materials & Techniques:: Open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

161. Stonyhurst, Lancashire

Creator:: Print made by James Baylis Allen, 1803–1876
Date:: 1827-1838
Materials & Techniques:: Open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

162. Trematon Castle, Cornwall

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

163. Trematon Castle, Cornwall

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Line engraving, engraver's proof (touched)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

164. St. Mawes, Cornwall

Creator:: Print made by James H. Kernot, active early 19th century
Date:: 1827-1838
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

165. Winchelsea, Sussex

Creator:: Print made by Josiah Henshall, 1806–1869
Date:: 1827-1838
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

166. St. Mawes, Cornwall

Creator:: Print made by James H. Kernot, active early 19th century
Date:: 1827-1838
Materials & Techniques:: Line engraving, engraver's proof, completed
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

167. Walton Bridge on Thames, Surrey

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1827-1838
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

168. Walton Bridge on Thames, Surrey

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1827-1838
Materials & Techniques:: Open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

169. St. Mawes, Cornwall

Creator:: Print made by James H. Kernot, active early 19th century
Date:: 1827-1838
Materials & Techniques:: Open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

170. Walton Bridge on Thames, Surrey

Creator:: Print made by J. C. Varrall, active 1815–1827
Date:: 1827-1838
Materials & Techniques:: Line engraving, engraver's proof, touched
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

171. Ludlow Castle, Shropshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

172. Windsor Castle, Berkshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1831
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

173. Ludlow Castle, Shropshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

174. Ludlow Castle, Shropshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

175. Windsor Castle, Berkshire

Creator:: Print made by William Miller, 1796–1882
Date:: 1831
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

176. Ludlow Castle, Shropshire

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1827-1838
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

177. Bedford, Bedfordshire

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

178. Eaton College, Berkshire

Creator:: Print made by William Radclyffe, 1780–1855
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

179. Pembroke Castle, Wales

Creator:: Print made by Thomas Jeavons, ca. 1800–1867
Date:: 1831
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

180. Bedford, Bedfordshire

Creator:: Print made by James T. Willmore, 1800–1863
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof (early)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

181. Richmond Hill and Bridge, Surrey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1832
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

182. Richmond Hill and Bridge, Surrey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1832
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

183. Richmond Hill and Bridge, Surrey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1832
Materials & Techniques:: Line engraving, engraver's proof
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

184. Richmond Hill and Bridge, Surrey

Creator:: Print made by W. R. Smith, active 1819–1851
Date:: 1832
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

185. Malvern Abbey and Gate, Worcestershire

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1832
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

186. Malvern Abbey and Gate, Worcestershire

Creator:: Print made by John Horsburgh, 1791–1869
Date:: 1832
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

187. Plymouth, Devonshire

Creator:: Print made by William John Cooke, 1797–1865
Date:: 1832
Materials & Techniques:: Line engraving, open etching
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

188. Margate, Kent

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1831
Materials & Techniques:: Line engraving, engraver's proof, early
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

189. Chatham, Kent

Creator:: Print made by William Miller, 1796–1882
Date:: 1832
Materials & Techniques:: Line engraving, first published state
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection

190. Margate, Kent

Creator:: Print made by Robert Wallis, 1794–1878
Date:: 1831
Materials & Techniques:: Line engraving, with scraping out, touched with graphite (Engraver's Proof)
Collection:: Prints and Drawings
Credit Line:: Yale Center for British Art, Paul Mellon Collection