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Shows 1 - 40 from 4135 results
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On view at the Yale University Art Gallery
Print made by Joseph Mallord William Turner, 1775–1851
Paestum
between 1820 and 1826
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Vanessa Bell, 1879–1961
Design for Overmantel
1912 to 1913
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Vanessa Bell, 1879–1961
Self-Portrait
ca. 1915
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John Constable, 1776–1837
Hampstead Heath
between 1820 and 1830
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On view
John Constable, 1776–1837
Stratford Mill
1819 to 1820
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William Hogarth, 1697–1764
John and Elizabeth Jeffreys and Their Children
1730
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On view
William Hogarth, 1697–1764
Mary Hogarth
ca. 1740
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On view
William Hogarth, 1697–1764
Ann Hogarth
ca. 1740
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Accessible in the Study Room
Vanessa Bell, 1879–1961
Design for Omega Workshops Fabric
1913
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Accessible in the Study Room
Vanessa Bell, 1879–1961
Design for an Embroidered Stool
ca. 1925
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Edward Lear, 1812–1888
Temple of Venus and Rome, Rome
1840
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Accessible in the Study Room
Francis Danby, 1793–1861
Oberon and Titania
1837
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Accessible in the Study Room
Francis Danby, 1793–1861
Chepstow Castle on the Wye
undated
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Accessible in the Study Room
Francis Danby, 1793–1861
A Classical City
undated
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George Romney, 1734–1802
Ann Wilson (née Harrison) and Her Daughter, Sybill
between 1776 and 1777
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On view at the Yale University Art Gallery
Print made by William Say, 1768–1834
Cupid and Psyche
1816
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On view at the Yale University Art Gallery
Print made by Philip Dawe, ca.1750–ca.1790
The Pretty Ballad Singer
1769
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Accessible in the Study Room
John Constable, 1776–1837
Male Nude
1808
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Accessible in the Study Room
Print made by William Hogarth, 1697–1764
Mr. Garrick in the Character of Richard III
1746
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Accessible in the Study Room
Joseph Mallord William Turner, 1775–1851
Windsor
ca. 1798
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Accessible in the Study Room
Print made by Joseph Mallord William Turner, 1775–1851
Gloucester Cathedral
between 1820 and 1826
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Accessible in the Study Room
Print made by Joseph Mallord William Turner, 1775–1851
Ship in a Storm
between 1820 and 1826
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Accessible in the Study Room
Print made by Joseph Mallord William Turner, 1775–1851
Shields Lighthouse
between 1820 and 1826
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Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851
The Drawing of the Clyde
1809
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Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851
Marine Dabblers
1811
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Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851
Rispah: 2nd Book of Samuel, Chap. 21
1812
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Accessible in the Study Room
Etched by Joseph Mallord William Turner, 1775–1851
Winchelsea, Sussex
1812
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On view
William Blake, 1757–1827
The Gambols of Ghosts According with Their Affections Previous to the Final Judgment
1805 to 1808
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On view
William Blake, 1757–1827
The Laocoön, for Rees's Cyclopædia
1815
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Spring, from Songs of Innocence
ca. 1795
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Accessible in the Study Room
Print made by William Blake, 1757–1827
The Shepherd, from Songs of Innocence
ca. 1795
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Accessible in the Study Room
Print made by William Blake, 1757–1827
Rev. John Caspar Lavater
1800
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Accessible in the Study Room
George Romney, 1734–1802
King Lear in the Storm
ca. 1761
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Accessible in the Study Room
George Romney, 1734–1802
Manuscript Notes
1773
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Accessible in the Study Room
George Romney, 1734–1802
Manuscript Notes
1773
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Accessible in the Study Room
George Romney, 1734–1802
Manuscript Notes
1773
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Accessible in the Study Room
George Romney, 1734–1802
Manuscript Notes
1773
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Accessible in the Study Room
George Romney, 1734–1802
Manuscript Notes
1773
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Accessible in the Study Room
George Romney, 1734–1802
Manuscript Notes
1773
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Accessible in the Study Room
George Romney, 1734–1802
Manuscript Notes
1773
