A Basso Relievo of a Gardiner. Against Mr. Holylands stables Gardiners Lane, the corner of High Timber Street, is this Sculpture: but why put up, cannot learn. Tradition says the site was once Gardens
1791
20
Francesco Bartolozzi, 1728–1815
Contemplation
1791
21
Francesco Bartolozzi, 1728–1815
Hebe
1791
22
unknown artist
A Curious Pump
1791
23
William Ellis, 1747–1810
Hornsey
1791
24
unknown artist
Rosamond's Pond
1791
25
Francesco Bartolozzi, 1728–1815
George, Prince of Wales
1791
26
Francesco Bartolozzi, 1728–1815
St. Paul
1791
27
Francesco Bartolozzi, 1728–1815
The Departure of Hagar
1791
28
Isaac Cruikshank, 1764–1811
Rehearsal: The Vision of Nantes or the Patriotick Attack of the Troops National
1791
29
unknown artist
Sion Lodge
1791
30
William Hincks, 1752–1797
Plate VII: representing Winding, Warping with a new improved Warping Mill, and Weaving
1791
31
William Hincks, 1752–1797
Plate IX: Perspective View of all the Machinery of a Bleach Mill, upon the Newest and Most approved Constructions, Consisting of the Wash Mill, Rubbing Boards moved by a Crank, and Beetling Engine for Glazing the Cloth, with a View of the Boiling House
1791
32
William Hincks, 1752–1797
Plate IV: representing the common Method of Beetling, Scutching and Hackling the Flax
1791
33
William Hincks, 1752–1797
Plate XII: Perspective View of the Linen Hall in Dublin, with the Boxes and Bales of Linen ready for Exportation, the Emblems of their Industry
1791
34
William Hincks, 1752–1797
Plate II: View taken near Hillsborough in the County of Downe, Representing Pulling the Flax when grown, Stooking or putting it up to Dry, Ripling or saving the Seed, and Boging or burying it in Water
1791
35
William Hincks, 1752–1797
Plate III: View taken in the County of Louth Representing taking the Flax out of the Bog when it has lain a sufficient time to seperate the Rind, which is the Flax from the Stem, & strengthen it, spreading it to dry, stoving, beetling, and breaking it
1791
36
William Hincks, 1752–1797
Plate VI: Taken on the Spot in the County of Downe, Representing Spinning, Reeling with the Clock Reel, and Boiling the Yarn
1791
37
William Hincks, 1752–1797
Plate V: A Perspective View of a Scutch Mill, with the Method of Breakng the Flax with groved Rollers, and Scutching it with Blades first on a Shaft, both turn'd by the Main Wheel, Great Improvements in the Method of Braking and Scutching of Flax
1791
38
William Hincks, 1752–1797
Plate XI: A Perspective View of a Lapping Room, with the Measuring, Crisping or Folding the Cloth in Lengths, Picking the Laps or Lengths, Tying the Clips, acting by the Mechanic power of the Laver to press the Cloth round & firm, and Sealing it ..
1791
39
William Hincks, 1752–1797
Plate X: Perspective View of a Bleach Green taken in the County of Downe, Shewing the methods of Wet & Dry Bleaching, and the outside View of a Bleach Mill, on the most approved construction
1791
40
William Hincks, 1752–1797
Plate VIII: representing the Brown Linen Market at Banbridge, in the County of Downe, The Weavers holding up their Pieces of Linen to View, the Bleachers elevated on Forms examining its Quality
1791
41
unknown artist
Guy, Earl of Warwick, From a Basso Relievio in Warwick Lane
1791
42
John Thomas Smith, 1766–1833
Domestic Architecture - N. E. View of an Old House lately Standing in Sweedon's Passage, Grub Street
1791
43
John William Edy, 1760–1820
A View of Albion Mill on Fire
1791
44
unknown artist
Newgate
1791
45
William Ellis, 1747–1810
Hackney
1791
46
Jacob C. Schnebbelie, 1760–1792
Painting on the South Side Severts Tomb
1791
47
Francesco Bartolozzi, 1728–1815
Vignette: Four Putti, Two Holding Hands
1791
48
Francesco Bartolozzi, 1728–1815
Vignette: Four Putti, Two Holding Hands
1791
49
Francesco Bartolozzi, 1728–1815
A Sacrifice To Diana The Goddess Of Hunting
1791
50
John William Edy, 1760–1820
A View of Westminster Bridge, the Abbey and Church
1791
51
unknown artist
Pye Corner, Smithfield
1791
52
unknown artist
Monmouth House, Soho Square
1791
53
unknown artist
A Specimen of Ancient Building (Old houses in King Street)
1791
54
unknown artist
London Stone in Cannon Street
1791
55
unknown artist
A Curious House at Stepney
1791
56
Jacob C. Schnebbelie, 1760–1792
An Account of Some Ancient Monuments in Westminster Abbey, in Vetusta Monumenta, vol. 2: Painting on the South Side Seberts Tomb