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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1824

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Frederick Christian Lewis the Elder The King seated in St. Edward's Chair, Crowned by the Archbishop of Canterbury, 19th July 1821
Frederick Christian Lewis the Elder, 1779–1856
The King seated in St. Edward's Chair, Crowned by the Archbishop of Canterbury, 19th July 1821
1824
unknown artist Fulham Church (Middlesex)
unknown artist
Fulham Church (Middlesex)
1824
William James Bennett The Royal Banquet - 19th July 1821
William James Bennett, 1787–1844
The Royal Banquet - 19th July 1821
1824
Robert Havell II The Royal Banquet, the Bringing Up of the First Course, 19th July 1821
Robert Havell II, 1793–1878
The Royal Banquet, the Bringing Up of the First Course, 19th July 1821
1824
James Thompson W. Sharp
Print made by James Thompson, 1790–1850
W. Sharp
1824
Henry Thomson Martin Archer Shee
Henry Thomson, 1773–1843
Martin Archer Shee
1824
unknown artist Wilson Lowry
unknown artist
Wilson Lowry
1824
Frederick Christian Lewis the Elder H. Bone, Esqr., R.A.
Frederick Christian Lewis the Elder, 1779–1856
H. Bone, Esqr., R.A
1824
Thomas Abiel Prior Gravesend
Thomas Abiel Prior, 1809–1886
Gravesend
undated
Thomas Abiel Prior London from Greenwich Park
Thomas Abiel Prior, 1809–1886
London from Greenwich Park
undated
Matthew Dubourg General View of Kemp Town now Erecting on the Estate of Thomas Read Kemp, on the East Cliff, Brighton after Wilds and Busby
Matthew Dubourg, active 1786–1838
General View of Kemp Town now Erecting on the Estate of Thomas Read Kemp, on the East Cliff, Brighton after Wilds and Busby
1824
Thomas Sutherland A set of four: Breaking Cover. London, pub. by Thos. McLean, 1824
Thomas Sutherland, ca. 1785–1838
A set of four: Breaking Cover. London, pub. by Thos. McLean, 1824
1824
Thomas Sutherland A set of four: Meeting at Cover. London, pub. by Thos. McLean, 1824
Thomas Sutherland, ca. 1785–1838
A set of four: Meeting at Cover. London, pub. by Thos. McLean, 1824
1824
Thomas Sutherland A set of four: Full Cry. London, pub. by Thos. McLean, 1824
Thomas Sutherland, ca. 1785–1838
A set of four: Full Cry. London, pub. by Thos. McLean, 1824
1824
Thomas Sutherland A set of four: The Death. London, pub. by Thos. McLean, 1824
Thomas Sutherland, ca. 1785–1838
A set of four: The Death. London, pub. by Thos. McLean, 1824
1824
Henry Moses Basin at Blackwell
Henry Moses, ca. 1782–1870
Basin at Blackwell
1824
Henry Thomas Alken Set of Seven: Shakespeare's Seven Ages of Man
Henry Thomas Alken, 1785–1851
Set of Seven: Shakespeare's Seven Ages of Man
1824
unknown artist Hammersmith Church (Middlesex)
unknown artist
Hammersmith Church (Middlesex)
1824
unknown artist Advertisement for 'List of New Prints and Engraved Works published by W.B. Cooke 9 Soho Square'
Print made by unknown artist
Advertisement for 'List of New Prints and Engraved Works published by W.B. Cooke 9 Soho Square'
1824 to 1825
unknown artist May Day
unknown artist
May Day
1824
J. W. Wageman Wash proofs to accompany Westmacott's "The English Spy":: Bernard Blackmantle reading his Farce in the Green Room of the Theatre Royal Drury Lane
J. W. Wageman, active 1824
Wash proofs to accompany Westmacott's "The English Spy":: Bernard Blackmantle reading his Farce in the Green Room of the Theatre Royal Drury Lane
1824
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": [The House of Lords in High Debate. The Duke of York, making his speech upon the Catholic Question] pub. as The House of Lords
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": [The House of Lords in High Debate. The Duke of York, making his speech upon the Catholic Question] pub. as The House of Lords
1824
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": [Portraits from Life by J. R. Cruikshank] pub. as Bernard Blackmantle reading his Play in the Green Room of Covent Garden Theatre
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": [Portraits from Life by J. R. Cruikshank] pub. as Bernard Blackmantle reading his Play in the Green Room of Covent Garden Theatre
1824
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": The Great Subscription Room at Brooks's or Opposition Members engaged upon Hazardous Points
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": The Great Subscription Room at Brooks's or Opposition Members engaged upon Hazardous Points
1824
William Dorset Fellows Kensington Church
William Dorset Fellows, 1807–1878
Kensington Church
1824
unknown artist Church at Highgate, Middlesex
unknown artist
Church at Highgate, Middlesex
1824
unknown artist St. James Pentonville (Middlesex)
unknown artist
St. James Pentonville (Middlesex)
1824
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": The Opera Green Room, or Noble Amateurs viewing Foreign Curiosities
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": The Opera Green Room, or Noble Amateurs viewing Foreign Curiosities
1824
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": The Oppidan's Museum or Eton Court of Claims at the Christopher
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": The Oppidan's Museum or Eton Court of Claims at the Christopher
1824
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": The Royal Saloon Piccadilly
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": The Royal Saloon Piccadilly
1824
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": Flooring of Mercury or Burning the Oaks, a Scene in Tom Quadrangle
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": Flooring of Mercury or Burning the Oaks, a Scene in Tom Quadrangle
1824
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": First Bow to Alma Mater or Bernard Blackmantle's introduction to the Big Wig
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": First Bow to Alma Mater or Bernard Blackmantle's introduction to the Big Wig
1824
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": [The Vice Chancellor in the Divinity School - Golgotha or the Place of Skulls - Sentance of Rustication]
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": [The Vice Chancellor in the Divinity School - Golgotha or the Place of Skulls - Sentance of Rustication]
1824
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": College Comforts, A Freshman taking possession of his Rooms
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": College Comforts, A Freshman taking possession of his Rooms
1824
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": Oxford Transports or Albanians doing Penance for Past Offences
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": Oxford Transports or Albanians doing Penance for Past Offences
1824
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": Black Matins, or the Effect of Late Drinking upon Early Risers
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": Black Matins, or the Effect of Late Drinking upon Early Risers
1824
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": Tom Echo laid up with the Headington fever or an Oxonion very near the Wall
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": Tom Echo laid up with the Headington fever or an Oxonion very near the Wall
1824
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": A Frolic in High Life, or a Visit to Billingsgate
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": A Frolic in High Life, or a Visit to Billingsgate
1824
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": Town and Gown or the Battle of the Togate and the Town Raff in the High Street Oxford
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": Town and Gown or the Battle of the Togate and the Town Raff in the High Street Oxford
1824
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": The Daffy Club, or a Musical Muster of the Fancy
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": The Daffy Club, or a Musical Muster of the Fancy
1824
Robert Isaac Cruikshank Wash proofs to accompany Westmacott's "The English Spy": The Maiden Brief, Dick Gradus's first appearance among the Worthies of Westminster Hall
Robert Isaac Cruikshank, 1789–1856
Wash proofs to accompany Westmacott's "The English Spy": The Maiden Brief, Dick Gradus's first appearance among the Worthies of Westminster Hall
1824
Henry Heath An Irish Tilting Match, or the Poissardes against the Poignards
Henry Heath, active 1824–1835
An Irish Tilting Match, or the Poissardes against the Poignards
1824
unknown artist Nashional Taste!!!
unknown artist
Nashional Taste!!!
1824
Thomas Sutherland Set of four: 3. Weighing and Rubbing Down
Thomas Sutherland, ca. 1785–1838
Set of four: 3. Weighing and Rubbing Down
1824
Thomas Sutherland Set of four: 2. Starting
Thomas Sutherland, ca. 1785–1838
Set of four: 2. Starting
1824
Thomas Sutherland Set of four: 4. The Race: Coming in
Thomas Sutherland, ca. 1785–1838
Set of four: 4. The Race: Coming in
1824
Thomas Sutherland Set of four: 1. The Walk
Thomas Sutherland, ca. 1785–1838
Set of four: 1. The Walk
1824
Thomas Abiel Prior The New Treasury Offices, Whitehall
Thomas Abiel Prior, 1809–1886
The New Treasury Offices, Whitehall
undated