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Credit Line Yale Center for British Art, Paul Mellon Collection

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Date 1830

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Subject Terms man

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Subject Terms woman

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An English Family in Macao
Creator:
George Chinnery, 1774–1852
Date:
ca. 1835
Materials & Techniques:
Oil on canvas
Dimensions:
28 3/4 x 23 1/8 inches (73 x 58.7 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Interior of a Stable
Creator:
James Ward, 1769–1859
Date:
between 1830 and 1840
Materials & Techniques:
Oil on panel
Dimensions:
5 5/8 x 8 1/2 inches (14.3 x 21.6 cm)
Collection:
Paintings and Sculpture
Credit Line:
Yale Center for British Art, Paul Mellon Collection
On View:
Not on view
Sketches from Life in Paris: Woman and Man Carrying Buckets
Creator:
Ambrose Poynter, 1796–1886
Date:
ca. 1835
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 15/16 × 5 5/16 inches (10 × 13.5 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
The Return Home
Creator:
Print made by Edward Calvert, 1799–1883
Date:
1830
Materials & Techniques:
Wood-engraving on moderately thick, smooth, beige wove paper
Dimensions:
Sheet: 3 11/16 x 6 1/16 inches (9.4 x 15.4 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sketches from Life in Paris: Seated Woman and Standing Man
Creator:
Ambrose Poynter, 1796–1886
Date:
ca. 1835
Materials & Techniques:
Watercolor over graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 7/8 × 5 1/4 inches (9.8 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection
Sketches from Life in Paris: Seated Woman and Seated Man - two drawings on one mount
Creator:
Ambrose Poynter, 1796–1886
Date:
ca. 1835
Materials & Techniques:
Watercolor and graphite on medium, slightly textured, cream wove paper
Dimensions:
Sheet: 3 7/8 × 5 1/4 inches (9.8 × 13.3 cm)
Collection:
Prints and Drawings
Credit Line:
Yale Center for British Art, Paul Mellon Collection