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Credit Line Yale Center for British Art, Paul Mellon Collection

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Period 18th century

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Height [cm] Unknown

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William Hackwood Queen Charlotte
Modeled by William Hackwood, died 1836
Queen Charlotte
ca. 1776
Not on view
unknown artist Hunting Scenes: five oval plaques in one frame, perhaps Staffordshire or Liverpool and possibly enamel transfer-printed in black
unknown artist
Hunting Scenes: five oval plaques in one frame, perhaps Staffordshire or Liverpool and possibly enamel transfer-printed in black
18th century
Not on view
William Hogarth Fair Scene
William Hogarth, 1697–1764
Fair Scene
1733
William Hogarth Painting of Pharoah's Daughter and Moses in the Foundling Hospital
William Hogarth, 1697–1764
Painting of Pharoah's Daughter and Moses in the Foundling Hospital
1752
William Hogarth The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
William Hogarth, 1697–1764
The Four Stages of Cruelty: Cruelty in Perfection (The Murderer)
1751
William Hogarth Prospectus print "Crown & Mitre"
William Hogarth, 1697–1764
Prospectus print "Crown & Mitre"
1754
William Hogarth William Hogarth
William Hogarth, 1697–1764
William Hogarth
1764
William Blake Plate 12 (page 19): 'Emblem of that which shall awake the dead'
William Blake, 1757–1827
Plate 12 (page 19): 'Emblem of that which shall awake the dead'
1797
William Blake Plate 13 (page 23): 'We censure nature for a span too short'
Engravings by William Blake, 1757–1827
Plate 13 (page 23): 'We censure nature for a span too short'
1797
William Blake Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
William Blake, 1757–1827
Plate 30 (page 63): 'This KING OF TERRORS is the PRINCE OF PEACE'
1797
William Blake Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
William Blake, 1757–1827
Plate 32 (page 70): 'Till death, that mighty hunter, earths them all'
1797
William Blake Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
William Blake, 1757–1827
Plate 38 (page 87): 'Is lost in love! thou great PHILANTHROPIST'
1797
William Blake Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
William Blake, 1757–1827
Plate 40 (page 90): 'That touch, with charm celestial heals the soul'
1797
William Blake Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
William Blake, 1757–1827
Plate 42 (page 93): 'If angels tremble, 'tis at such a sight'
1797
William Blake May-Day in London
William Blake, 1757–1827
May-Day in London
1784
William Blake Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
William Blake, 1757–1827
Plate 43 (page 95): 'The goddess bursts in thunder and in flame'
1797
William Blake Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
William Blake, 1757–1827
Plate 31 (page 65): [Night the Fourth] 'THE/ CHRISTIAN/ TRIUMPH'
1797
William Blake Plate 15 (page 25): 'Behold him, when past by; what then is seen'
William Blake, 1757–1827
Plate 15 (page 25): 'Behold him, when past by; what then is seen'
1797
William Blake Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
William Blake, 1757–1827
Plate 17 (page 27): 'O treacherous conscience! while she seems to sleep"
1797
William Blake Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
William Blake, 1757–1827
Plate 18 (page 31): ''Tis greatly wise to talk with our past hours'
1797
William Blake Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
William Blake, 1757–1827
Plate 19 (page 33): 'Like that, the dial speaks; and points to thee'
1797
William Blake Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
William Blake, 1757–1827
Plate 20 (page 35): 'Teaching, we learn; and giving, we retain'
1797
William Blake Plate 21 (page 37): 'Love, and love only, is the loan for love'
William Blake, 1757–1827
Plate 21 (page 37): 'Love, and love only, is the loan for love'
1797
William Blake Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
William Blake, 1757–1827
Plate 24 (page 43): 'NIGHT/ THE/ THIRD,/ NARCISSA'
1797
William Blake Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
William Blake, 1757–1827
Plate 25 (page 46): 'Where sense runs savage broke from reason's chain'
1797
William Blake Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
William Blake, 1757–1827
Plate 34 (page 73): 'Draw the dire steel? -- ah no!-- the dreadful blessing'
1797
William Blake Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
William Blake, 1757–1827
Plate 36 (page 80): 'The thunder if in that the ALMIGHTY dwells'
1797
William Blake Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
William Blake, 1757–1827
Plate 11 (page 17): 'NIGHT the SECOND/ ON/ TIME,/DEATH/ AND FRIENDSHIP'
1797
William Blake Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
William Blake, 1757–1827
Plate 28 (page 55): 'Ungrateful, shall we grieve their hovering shades'
1797
William Blake Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
William Blake, 1757–1827
Plate 29 (page 57): 'Trembling each gulp, lest death should snatch the bowl'
1797
William Blake Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
William Blake, 1757–1827
Plate 35 (page 75): 'The Sun beheld it -- No, the shocking Scene Drove back his chariot'
1797
William Blake Plate 41 (page 92): 'When faith is virtue, reason makes it so'
William Blake, 1757–1827
Plate 41 (page 92): 'When faith is virtue, reason makes it so'
1797
William Blake Plate 22 (page 40): ' Angels should paint it, angels ever there'
William Blake, 1757–1827
Plate 22 (page 40): ' Angels should paint it, angels ever there'
1797
William Blake Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
William Blake, 1757–1827
Plate 23 (page 41): 'One radiant MARK; the Death bed of the Just'
1797
William Blake Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
William Blake, 1757–1827
Plate 26 (page 49): 'As if the sun could envy, check'd his beam'
1797
William Blake Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
William Blake, 1757–1827
Plate 27 (page 54): 'The vale of death! that hush'd cimmerian vale'
1797
William Blake Plate 37 (page 86): 'His hand the good man fastens on the skies'
William Blake, 1757–1827
Plate 37 (page 86): 'His hand the good man fastens on the skies'
1797
William Blake Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
William Blake, 1757–1827
Plate 2 (page 1): 'Swift on his downy pinion flies from woe'
1797
William Blake Plate 7 (page 12): 'Its favours here are trials, not rewards'
William Blake, 1757–1827
Plate 7 (page 12): 'Its favours here are trials, not rewards'
1797
William Blake Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
William Blake, 1757–1827
Plate 4 (page 7): 'Till at Death's toll, whose restless iron tounge'
1797
William Blake Plate 6 (page 10): 'Disease invades the chastest temperence'
William Blake, 1757–1827
Plate 6 (page 10): 'Disease invades the chastest temperence'
1797
William Blake Plate 8 (page 13): 'The present moment terminates our sight'
William Blake, 1757–1827
Plate 8 (page 13): 'The present moment terminates our sight'
1797
William Blake Plate 3 (page 4): 'What, though my soul fantastick measures trod'
William Blake, 1757–1827
Plate 3 (page 4): 'What, though my soul fantastick measures trod'
1797
William Blake Plate 9 (page 15):' The longest night though longer far, would fail'
Engravings by William Blake, 1757–1827
Plate 9 (page 15):' The longest night though longer far, would fail'
1797
William Blake Plate 33 (page 72): 'And vapid; sense and reason shew the door'
William Blake, 1757–1827
Plate 33 (page 72): 'And vapid; sense and reason shew the door'
1797
William Blake "The Book of Thel William Blake Original Wrappers 1789"
William Blake, 1757–1827
"The Book of Thel William Blake Original Wrappers 1789"
1789
William Blake "Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
William Blake, 1757–1827
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
1797
Thomas Gaugain Turnips and Carrots Ho
Thomas Gaugain, 1748–1812
Turnips and Carrots Ho
1797
Thomas Watson Eloisa
Thomas Watson, 1743–1781
Eloisa
1775
James McArdell Lady Helena Forman
James McArdell, ca. 1729–1765
Lady Helena Forman
Robert Laurie Mrs. Frederick
Robert Laurie, 1755?–1836
Mrs. Frederick
1777
James McArdell Lady Fortescue
James McArdell, ca. 1729–1765
Lady Fortescue
John Jones Contentment (Miss Gibbons)
John Jones, ca. 1745–1797
Contentment (Miss Gibbons)
William Pether Helena Forman
William Pether, ca. 1738–1821
Helena Forman
1775
unknown artist Mrs. J. Gomeldon
unknown artist
Mrs. J. Gomeldon
undated
John Faber the Younger Mrs Mary Ann Granville
John Faber the Younger, ca. 1695–1756
Mrs Mary Ann Granville
Richard Purcell Miss Gravile
Richard Purcell, active 1746–1766
Miss Gravile
Samuel Buck The Southwest view of Hertsmonceux Castle in the County of Sussex
Samuel Buck, 1696–1779
The Southwest view of Hertsmonceux Castle in the County of Sussex
unknown artist View of the Banqueting House, White Hall; page 24 (Volume One)
unknown artist
View of the Banqueting House, White Hall; page 24 (Volume One)
Thomas Prattent North View of the New Buildings at the Bank of England (page 20, volume 1)
Print made by Thomas Prattent, active 1780–1810
North View of the New Buildings at the Bank of England (page 20, volume 1)
1797
A. Birrell Baynard's Castle (published by Harding); page 28 (Volume One)
A. Birrell, ca.1770–ca. 1820
Baynard's Castle (published by Harding); page 28 (Volume One)
1790
unknown artist Beaumanor Old Hall; page 29 [page 30 blank] (Volume One)
unknown artist
Beaumanor Old Hall; page 29 [page 30 blank] (Volume One)
unknown artist Biebrich; page 33 (Volume One)
unknown artist
Biebrich; page 33 (Volume One)
William Angus Broadlands in Hampshire, the Seat of Lord Palmerston (published by W. Angus), plate 1; page 42 (Volume One)
William Angus, 1752–1821
Broadlands in Hampshire, the Seat of Lord Palmerston (published by W. Angus), plate 1; page 42 (Volume One)
1787
Michael "Angelo" Rooker Broken-hurst in Hampshire, The Seat of Edward Morant, Esquire, Member for Lymington (published by G. Kearsly); page 43 (Volume One)
Michael "Angelo" Rooker, 1746–1801
Broken-hurst in Hampshire, The Seat of Edward Morant, Esquire, Member for Lymington (published by G. Kearsly); page 43 (Volume One)
1777
unknown artist Burghley House from the Gardens; page 48 (Volume One)
unknown artist
Burghley House from the Gardens; page 48 (Volume One)
unknown artist The Ichonography of ye Lord Burghleys Hospital; as it stood Anno 1597, from an old manuscript; page 50 (Volume One)
unknown artist
The Ichonography of ye Lord Burghleys Hospital; as it stood Anno 1597, from an old manuscript; page 50 (Volume One)
unknown artist The North Prospect of the Lord Burghley's Hospital in Stanford Baron; page 49 (Volume One)
unknown artist
The North Prospect of the Lord Burghley's Hospital in Stanford Baron; page 49 (Volume One)
Pierre Charles Canot Burton Constable; page 53 (Volume One)
Pierre Charles Canot, ca. 1710–1777
Burton Constable; page 53 (Volume One)
William Angus Chester Castle; page 63 (Volume One)
William Angus, 1752–1821
Chester Castle; page 63 (Volume One)
1777
Peter Mazell Rows in Bridge Street, Chester; page 64 (Volume One)
Peter Mazell, active 1761–1797
Rows in Bridge Street, Chester; page 64 (Volume One)
unknown artist Chirk Castle, Denbighshire; page 67 (Volume One)
unknown artist
Chirk Castle, Denbighshire; page 67 (Volume One)
Peter Mazell Dupplin House; page 94 (Volume One)
Peter Mazell, active 1761–1797
Dupplin House; page 94 (Volume One)
unknown artist Residence of Dr. Goldsmith, Green Arbour Court, Old Bailey (with text); page 11 (Volume Two)
unknown artist
Residence of Dr. Goldsmith, Green Arbour Court, Old Bailey (with text); page 11 (Volume Two)
Michael "Angelo" Rooker Hackwood Park, the Seat of his Grace the Duke of Bolton near Basingstoke, Hampshire (published by G. Kearsly); page 19 (Volume Two)
Michael "Angelo" Rooker, 1746–1801
Hackwood Park, the Seat of his Grace the Duke of Bolton near Basingstoke, Hampshire (published by G. Kearsly); page 19 (Volume Two)
1775
Sutton Nicholls Views of ten gates of London on one sheet.
Sutton Nicholls, active 1725
Views of ten gates of London on one sheet
1731-1748
William Le Petit Alnwick Castle the Seat of the Right Honorable Hugh Percy; page 8 (Volume One)
William Le Petit, early 1800s
Alnwick Castle the Seat of the Right Honorable Hugh Percy; page 8 (Volume One)
William Le Petit Entrance to Ainwick Castle, Northumberland; page 9 (Volume One)
William Le Petit, early 1800s
Entrance to Ainwick Castle, Northumberland; page 9 (Volume One)
Thomas Prattent Albion Mill Blackfriers Bridge; page 6 (Volume One)
Thomas Prattent, active 1780–1810
Albion Mill Blackfriers Bridge; page 6 (Volume One)
unknown artist A Cloyster, Formerly Part of the Monastry of St. Bartholomew the Great (from European Magazine); page 26 (Volume One)
unknown artist
A Cloyster, Formerly Part of the Monastry of St. Bartholomew the Great (from European Magazine); page 26 (Volume One)
unknown artist Lord Cathcart's House, Whitehall; page 58 (Volume One)
unknown artist
Lord Cathcart's House, Whitehall; page 58 (Volume One)
William Watts Cadland Park, in Hampshire, the Seat of Robert Drummond, Esquire (published by W. Watts); page 56 (Volume One)
William Watts, 1752–1851
Cadland Park, in Hampshire, the Seat of Robert Drummond, Esquire (published by W. Watts); page 56 (Volume One)
1780
George Barret Christ Church-College, Oxford; page 68 (Volume One)
George Barret, ca. 1728/32–1784
Christ Church-College, Oxford; page 68 (Volume One)
unknown artist Craig Hall, Perthshire; page 78 (Volume One)
unknown artist
Craig Hall, Perthshire; page 78 (Volume One)
unknown artist Entrance to Crosby Hall and it's Crypts, from the Great St. Helens; page 80 (Volume One)
unknown artist
Entrance to Crosby Hall and it's Crypts, from the Great St. Helens; page 80 (Volume One)
unknown artist Vault under the North-Wing in the Hall of Crosby Place; page 81 (Volume One)
unknown artist
Vault under the North-Wing in the Hall of Crosby Place; page 81 (Volume One)
unknown artist The Hall of Croydon Palace; page 82 (Volume One)
unknown artist
The Hall of Croydon Palace; page 82 (Volume One)
unknown artist Downing; page 88 (Volume One)
unknown artist
Downing; page 88 (Volume One)
unknown artist Halston; page 22 (Volume Two)
unknown artist
Halston; page 22 (Volume Two)
unknown artist The Globe on Bank Side where Shakespeare Acted (published b J. Serrell); page 10 (Volume Two)
unknown artist
The Globe on Bank Side where Shakespeare Acted (published b J. Serrell); page 10 (Volume Two)
1789
Peter Mazell The Duke of Gordon's Hunting Seat in Glen-Eiodich Banff-Shire (published by Peter Mazell); page 12 (Volume Two)
Peter Mazell, active 1761–1797
The Duke of Gordon's Hunting Seat in Glen-Eiodich Banff-Shire (published by Peter Mazell); page 12 (Volume Two)
1789
John Maurer A Perspective View of Ye Royal Palace of Somerset next ye River
John Maurer, active 1713–1761
A Perspective View of Ye Royal Palace of Somerset next ye River
1742
unknown artist Vue Du Palais Royal Somerset du Cote de la Thamise
unknown artist
Vue Du Palais Royal Somerset du Cote de la Thamise
undated
Joseph Constantine Stadler View up the River from Millbank
Joseph Constantine Stadler, active 1780–1812
View up the River from Millbank
1793
Thomas Prattent The Fish Pond Houses
Thomas Prattent, active 1780–1810
The Fish Pond Houses
James Peller Malcolm Poplar Chapel
James Peller Malcolm, 1767–1815
Poplar Chapel
1799
James Peller Malcolm Remains of Aldgate, Bethnal Green
James Peller Malcolm, 1767–1815
Remains of Aldgate, Bethnal Green
1800
J. Fougeron St. Dunstan in the East
J. Fougeron, active 1761
St. Dunstan in the East
Benjamin Cole Bancrofts/ Alms-houses in Bow Road
Benjamin Cole, 1697–1783
Bancrofts/ Alms-houses in Bow Road
undated
William Henry Toms The Half-Way House to Stepney
William Henry Toms, ca. 1700–ca. 1750
The Half-Way House to Stepney
undated