"A Select Collection of English Songs," London, 1783
1783
2
Pierre Charles Canot, ca. 1710–1777
"A View of Charles Town the Capital of South Carolina in North America," from Scenographia Americana
1758-1760
3
James Bruce, 1730–1794
"Arch of Marcus Aurelius at Tripoli "
ca. 1766
4
William Blake, 1757–1827
"Edward Young's 'The Complaint and The Consolation' or 'Night Thoughts'" London, by William Blake and Edward Young
1797
5
James Seymour, 1702–1752
"Fearnought Going to Run Against The D: of Devon: Smart"
undated
6
unknown artist
"Heads and Tails" or "A Brisk Gale in St. Paul's Churchyard"
1785
7
William Woollett, 1735–1785
"Maid of the Mill"
ca. 1765
8
Garnet Terry, active 1780–1796
"Mr. John Farley" Cook at the London Tavern
undated
9
James Seymour, 1702–1752
"Panton's Doctor": With Jockey Up, Walking to Left
undated
10
William Blake, 1757–1827
"The Book of Thel William Blake Original Wrappers 1789"
1789
11
John Vanderbank, 1694–1739
"The Capriole, When He Rises Before & at the Same Time Thro's Out His Hind Legs & Quarters Upon a Strait Line:" Engraved as Plate 25 in "Twenty Five Actions of the Manage Horse..."
1729
12
James Gillray, 1756–1815
"The Feast of Reason & the Flow of the Soul," - I.E. - The Wits of the Age, Setting the Table in a - Roar
1797
13
John Vanderbank, 1694–1739
"The Gallop with Left Leg:"Engraved as Plate 15 in "Twenty Five Actions of the Manage Horse..."
1729
14
John Vanderbank, 1694–1739
"The Manege-Gallop with the right leg" engraved as plate 14 in "Twenty Five Actions of the Manage Horse..."
1729
15
John Vanderbank, 1694–1739
"The Passage to the Right Aided by the Rider's Rod & the Master Holding the Alonge: Engraved as plate 10 in Twenty Five Actions of the Manage Horse..
1729
16
William Blake, 1757–1827
"There is No Natural Religion", London, by William Blake
ca. 1788
17
James Gillray, 1756–1815
"Two Pairs of Portraits;" presented to all the unbiased Electors of Great Britain
1798
18
William Blake, 1757–1827
"Visions of the Daughters of Albion", London, by William Blake
1793
19
Isaac Cruikshank, 1764–1811
"Westminster Races:" - ( A Political Heat, Run In Convent Garden, Between Old Veteran A Famous Horse The Property Of His M-----y, Dutchess A Filly, The Property Of The Duke Of D-----e, And Judas An Obstinate Ass, Who Was Clearly Distanced )
1784
20
unknown artist
'A Mapp of St. Andrews Holborn Parish...'
undated
21
unknown artist
'A Mapp of the Parish of St. Anns'
undated
22
George Townly Stubbs, 1748–1815
'Anvil'
1794
23
George Vertue, 1684–1756
'At the High Court of Justice for the trying and inditing of Charles Steuart King of England January Anno Dom. 1648'
1750
24
George Townly Stubbs, 1748–1815
'Baronet'
1794
25
George Townly Stubbs, 1748–1815
'Baronet'
1794
26
George Townly Stubbs, 1748–1815
'Dungannon'
1794
27
William Pether, ca. 1738–1821
'Gimcrack'
1766
28
George Townly Stubbs, 1748–1815
'Mambrino'
1794
29
George Townly Stubbs, 1748–1815
'Mambrino'
1794
30
John Hamilton Mortimer, 1740–1779
'Poet, from A Midsummer Night's Dream, Act V, Scene i'
1775
31
George Townly Stubbs, 1748–1815
'Protector'
1794
32
George Townly Stubbs, 1748–1815
'Pumpkin'
1794
33
George Townly Stubbs, 1748–1815
'Sweetbrier'
1794
34
George Townly Stubbs, 1748–1815
'Sweetwilliam'
1796
35
George Townly Stubbs, 1748–1815
'Sweetwilliam'
1796
36
James Seymour, 1702–1752
'The Danish Horse' in Training: Standing, with Trainer Holding a Whip
undated
37
Thomas Rowlandson, 1756–1827
'The Surrey Fencibles Dispersing the Rioters in St George's Fields June 13th 1795'
undated
38
William Artaud, 1763–1823
'The Triumph of Mercy,' from Collins' 'Ode To Mercy'
1788 to 1790
Not on view
39
Charles Reuben Ryley, 1752–1798
'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
1786
Not on view
40
Charles Reuben Ryley, 1752–1798
'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
1786
Not on view
41
James Seymour, 1702–1752
'True Blue Beat by Whitefoot': Galloping to Left, with Jockey Up Whipping-On
undated
42
George Townly Stubbs, 1748–1815
'Volunteer'
1794
43
James Gillray, 1756–1815
("Portrait of Gentleman" Walking)
1800
44
Attributed to Thomas Rowlandson, 1756–1827
(The) A Grand Battle between the Famous English Cock and Russian Hen!
1791
45
Thomas Rowlandson, 1756–1827
(The) This Irish Ambassadors Extraordinary a Gallante(e) Show
1789
46
James Gillray, 1756–1815
-Gentle Manners, with Affections Mild, in Wit a Man, Simplicity a Child
1798
47
John Rocque, 1704?–1762
...Plan of Windsor Park
1738
48
Francesco Bartolozzi, 1728–1815
...Scuote, il Lembo Pieno; e Nella Torbida Onda..
1773
49
James Bruce, 1730–1794
1 of 2 finished drawings of Arch at Hydra and a double page of details
undated
50
James Bruce, 1730–1794
1 of 2 finished drawings of Arch at Hydra and a double page of details
undated
51
Charles Loraine Smith, 1751–1835
1. ... The Men Methods & Machines chiefly employed for the Reformation & Improvement of Farriery & the / treatment of Cattle in General ..
1792
52
Pierre Charles Canot, ca. 1710–1777
1. Going Out / Depart de Chasse
1770
53
Charles Catton the elder RA, 1728–1798
1. Partridge Shooting
1789
54
Luigi Balugani, 1737–1770
2 birds "Aroust el Bahar"
ca. 1768
55
James Bruce, 1730–1794
2 drawings on 1 sheet of interior of amphitheatre at El Djem showing arches, stairs and tiers of seats
undated
56
T. Simpson, active 1790–1814
2. Hare Shooting
1790
57
Pierre Charles Canot, ca. 1710–1777
2. Two Hunters / Deux Chevaux de Chasse
1770
58
Charles Loraine Smith, 1751–1835
2nd. Lecture upon the newly approv'd / Method of Casting and [Fireing]
1792
59
T. Simpson, active 1790–1814
3. Duck Shooting
1790
60
Charles Loraine Smith, 1751–1835
3. Lecture, / Upon the most Novel safe & sure method of Popping a Horse-Ball
1792
61
Pierre Charles Canot, ca. 1710–1777
3. The Whipper-In Trown Out / Piqueur qui a Perdu la Piste
1770
62
Charles Loraine Smith, 1751–1835
4. Lecture / Philosophical remarks upon the Nature & effects of Amputation
1792
63
J. Wells, active 1780–1791
4. Snipe Shooting
1789
64
Pierre Charles Canot, ca. 1710–1777
4. The Earthing of the Fox / Renard dans son Terrier
1770
65
Pierre Charles Canot, ca. 1710–1777
5. Coming at the Death / Halte de Chasse
1770
66
Pierre Charles Canot, ca. 1710–1777
6. The Death of the Fox / Mort du Renard
1770
67
Pierre Charles Canot, ca. 1710–1777
7. Returning from the Chase / Retour de Chasse
1770
68
Paul Sandby, 1731–1809
93 Etchings of Landscape and Genre Scenes
1750-1752
69
Francesco Bartolozzi, 1728–1815
? Poet addressing a Queen on a Throne surrounded by Muses
70
Luigi Balugani, 1737–1770
?Chloris (Rhodes Grass): finished drawing of flowering grass
undated
71
unknown artist
[ man with a candle ]
178-?
72
unknown artist
[ The Desponding Hero of the Coldstream ]
1790
73
James Gillray, 1756–1815
[ untitled ]
1800
74
Engraved by Richard Earlom, 1743–1822
[A Soft Tumble after a Hard Ride]
ca. 1790
75
Attributed to Jeremiah Bridges, fl.1751
[Anatomical Study of a Horse]. 'To His Grace the Duke of Northumberland..Inscribed by Joseph Barber
76
Print made by John Murphy, ca. 1748–1820
[Animals: an eagle with a dead pheasant, watched by a fox]
1799
77
George Morland, 1763–1804
[Animals] Seven studies on hound on one sheet. 'Jno. Harris' on collar of hound at lower left
1794
78
George Edwards, 1694–1773
[Beetle]
ca. 1758
79
George Edwards, 1694–1773
[Bird]
ca. 1758
80
George Edwards, 1694–1773
[Bird]
ca. 1758
81
George Edwards, 1694–1773
[Black Bird]
ca. 1758
82
unknown artist
[Black-Fryers] Bridge
1795
83
George Edwards, 1694–1773
[Blue Bird]
ca. 1758
84
George Edwards, 1694–1773
[Brown Bird]
ca. 1758
85
George Edwards, 1694–1773
[Cock Sparrow]
ca. 1758
86
Figures by Francesco Bartolozzi, 1728–1815
[Fox-Hunting]
1783
87
William Ward, 1766–1826
[Fox-hunting] Outside of a Country Alehouse
1797
88
George Townly Stubbs, 1748–1815
[Fox-hunting] Two Hunters / Belonging to Henry U. Reay of Burn Hall in the County of Durham ...
1792
89
William Elliot, active 1774, died 1792
[Horse-racing] Set of six: 1.The Cullen Arabian &c
1758
90
William Elliot, active 1774, died 1792
[Horse-racing] Set of six: 2. Brood Mares with their Foles
1758
91
William Elliot, active 1774, died 1792
[Horse-racing] Set of six: 3. Catching the Colts
1758
92
William Elliot, active 1774, died 1792
[Horse-racing] Set of six: 4. Subduing Shoeing, the Cavison and Pillar
1758
93
William Elliot, active 1774, died 1792
[Horse-racing] Set of six: 5. Bridling, Sadling, Breaking, & Training
1758
94
William Elliot, active 1774, died 1792
[Horse-racing] Set of six: 6. 'Finish'd Horses / Match'em & Trajan Runing at New-market'
1758
95
George Edwards, 1694–1773
[Insect]
ca. 1758
96
George Townly Stubbs, 1748–1815
[Lion and Horse]
1770
97
William Ward, 1766–1826
[No. 5] Prints / of the / Improved British Cattle: Holderness Cow / Taken from His Majesty's Stock at Windsor
1798
98
Rev. William Gilpin, 1724–1804
[One from an] Album of 46 Landscape Drawings including loose leaf wrapper
99
Rev. William Gilpin, 1724–1804
[One from an] Album of 46 Landscape Drawings including loose leaf wrapper
100
Rev. William Gilpin, 1724–1804
[One from an] Album of 46 Landscape Drawings including loose leaf wrapper