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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionExhibition History Juxtapositions (Yale Center for British Art, 1997-11-19 - 1998-01-04)
Remove constraint Exhibition History: Juxtapositions (Yale Center for British Art, 1997-11-19 - 1998-01-04)Search Results
1
- Mr. and Mrs. Hill
- between 1750 and 1751
- Not on view
2
- Study of a Nun
- ca. 1915
- Not on view
3
- The Pilgrim
- ca. 1920
- Not on view
4
- David Garrick and Mrs. Pritchard in Benjamin Hoadly's "The Suspicious Husband"
- 1747
- Not on view
5
- Denham Place, Buckinghamshire
- ca. 1695
- Not on view
6
- Storm on the Ganges, with Mrs. Hastings near the Col-gon Rocks
- ca. 1790
- Not on view
7
- “And the Prayer of Faith Shall Save the Sick”
- 1872
- Not on view
8
- Portrait of a Family, Probably that of Richard Streatfeild
- ca. 1645
- Not on view
9
- Robert Dudley, first Earl of Leicester (1532/3–1588)
- ca. 1595
- Not on view
10
- A Macaw, Ducks, Parrots and Other Birds in a Landscape
- between 1708 and 1710
- Not on view
11
- Negation
- 1860
- Not on view
12
- A Marmoset in Three Attitudes
- 1793
- Not on view
13
- One Tree Hill, Greenwich, with London in the Distance
- 1779
- Not on view
14
- A Copy after a Painting Traditionally Attributed to Van Dyck of Two Monks Reading
- late 18th century?
- Not on view
15
- London from Greenwich Hill
- 1869 to 1870
- Not on view
16
- Venus and Anchises
- 1826
- Not on view
17
- Evening Glow
- ca. 1884
- Not on view
18
- John Locke
- ca. 1700
- Not on view