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Credit Line Yale Center for British Art, Paul Mellon Collection
Remove constraint Credit Line: Yale Center for British Art, Paul Mellon CollectionGenre literary theme
Remove constraint Genre: literary themeSearch Results
1
- The Farmer's Wife and the Raven
- 1786
- Not on view
2
- The Beggar's Opera
- 1729
- Not on view
3
- The Horse
- ca. 1805
- Not on view
4
- 'The Triumph of Mercy,' from Collins' 'Ode To Mercy'
- 1788 to 1790
- Not on view
5
- 'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
- 1786
- Not on view
6
- 'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
- 1786
- Not on view
7
- Imogen and the Shepherds, 'Cymbeline,' Act IV, scene II
- ca. 1874
- Not on view
8
- Henry Woodward as Petruchio in Catherine and Petruchio, a version by Garrick of "The Taming of the Shrew"
- between 1773 and 1774
- Not on view
9
- Edward Shuter, John Beard, and John Dunstall in Isaac Bickerton's "Love in a Village"
- 1767
- Not on view
10
- The Cave of Despair
- 1772
- Not on view
11
- Valentine rescuing Silvia from Proteus, from Shakespeare's "The Two Gentlemen of Verona," Act V, Scene 4, the Outlaws' Cave
- 1792
- Not on view
12
- Louis-Francois Roubiliac Modelling His Monument to Shakespeare
- between 1760 and 1761
- Not on view
13
- Captain Macheath Upbraided by Polly and Lucy in the 'Beggar's Opera', 1826
- 1826
- Not on view
14
- Virgil's Tomb by Moonlight, with Silius Italicus
- 1779
- Not on view
15
- Mrs. Cibber as Cordelia
- ca. 1755
- Not on view
16
- Mrs. Cibber as Cordelia
- 1755
- Not on view
17
- A Knight and Page (from Johann Wolfgang von Goethe’s “Götz von Berlichingen” )
- ca. 1826
- Not on view
18
- The Harlowe Family, from Samuel Richardson's "Clarissa"
- between 1745 and 1747
- Not on view
19
- Study for 'The Red Cross Knight'
- ca. 1793
- Not on view
20
- Gulliver Taking His Final Leave of the Land of the Houyhnhnms
- 1769
- Not on view
21
- Hamlet and his Mother; The Closet Scene
- 1846
- Not on view
22
- The Ghost of Clytemnestra Awakening the Furies
- 1781
- Not on view
23
- Rinaldo and Armida
- 1771
- Not on view
24
- Mr. Peregrine Touchwood Breaking in upon the Rev. Josiah Cargill
- 1831
- Not on view
25
- Scene from Shakespeare's "Henry IV, Part I"
- 1746
- Not on view
26
- The revelation of Olivia's betrothal, from "Twelfth Night," Act V, Scene i
- ca. 1790
- Not on view
27
- Gulliver Addressing the Houyhnhnms
- 1769
- Not on view
28
- Dr. Syntax: Losing His Temper
- ca. 1810
- Not on view
29
- Dr. Syntax: Walking with a Stick
- ca. 1810
- Not on view
30
- Dr. Syntax: On a Horse, Jumping a Gate
- ca. 1810
- Not on view
31
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
32
- The Homeward Star
- begun ca. 1880
33
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
34
- The Lonely Tower
- 1879
35
- Moeris and Galatea
- plate etched between 1880 and 1883; impression printed in 1924
36
- The Homeward Star
- etching begun ca. 1880; impression printed in 1924
37
- Opening the Fold
- 1880
38
- The Sepulchre
- etching begun ca. 1800; impression printed in 1924
39
- The Sleeping Shepherd
- 1857
40
- The Bellman
- 1879
41
- The Bellman
- 1879
42
- The Cypress Grove
- plate etched between ca. 1880 and 1883; impression printed in 1924
43
- The Farmer's Wife and the Raven
- 1788
44
- Design for an Illustration for Walter Scott's "Lady of the Lake", Loch Achray
- ca. 1832
45
- From Spenser's Fairy Queen
- 1811
46
- The Fifth Plague of Egypt
- 1808
47
- Aesacus and Hesperie
- 1819
48
- Apuleia in Search of Apuleius
- between 1813 and 1823
49
- Procris and Cephalus
- 1812
50
- Aeneas Relating His Adventures to Dido
51
- From Spenser's Fairy Queen
- 1811
52
- Aesacus and Hesperie
- 1819
53
- Apuleia in Search of Apuleius
- between 1813 and 1823
54
- The Deluge
- between 1813 and 1823
55
- A Procession of the Damned: Study for the Damned in Dante's "Inferno"
- undated
56
- The Book of Thel, Plate 5, "II. / O little Cloud . . . ."
- 1789
57
- Europe. A Prophecy, Plate 7, "Now comes the night . . . . " (Bentley 8)
- 1794
58
- The First Book of Urizen, Plate 24, "Of Life Forsaken Mountains...." (Bentley 23)
- 1794
59
- The First Book of Urizen, Plate 25 (Bentley 26)
- 1794
60
- The First Book of Urizen, Plate 26, "The Ox in the Slaughter House Moans...." (Bentley 25)
- 1794
61
- The First Book of Urizen, Plate 28 (Bentley 27)
- 1794
62
- The First Book of Urizen, Plate 3 (Bentley 22)
- 1794
63
- The First Book of Urizen, Plate 4 (Bentley 24)
- 1794
64
- The First Book of Urizen, Plate 5, "Chap: 1...." (Bentley 3)
- 1794
65
- The First Book of Urizen, Plate 6, "Muster around the Bleak Desarts...." (Bentley 4)
- 1794
66
- The First Book of Urizen, Plate 7 (Bentley 12)
- 1794
67
- For the Sexes: The Gates of Paradise, Plate 10, "My son! my Son!"
- 1826
68
- For the Sexes: The Gates of Paradise, Plate 11, "I want! I want!"
- 1826
![William Blake pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]](https://media.collections.yale.edu/thumbnail/ycba/db51dfe6-d6ad-4f8e-89a8-e348c9002be7)
69
- pl. 1: The Circle of the Lustful [' ...and like a corpse fell to the ground' Hell; Canto v. line 137.]
- 1827
![William Blake Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]](https://media.collections.yale.edu/thumbnail/ycba/acf4d172-dfee-4b27-8478-2be8df5a19cb)
70
- Pl. 2: Ciampolo Tormented by the Devils ['...seiz'd on his arm, / And mangled bore away the sinewy part.' Hell; Canto xxii. line 70.]
- 1827
71
- The Book of Thel, Plate 2, Title Page
- 1789
72
- The Book of Thel, Plate 3, "Thel / I / The daughters of Mne Seraphim . . . ."
- 1789
73
- Songs of Innocence, Plate 14, "Infant Joy" (Bentley 25)
- 1789
74
- Songs of Innocence, Plate 16, "Night" (Bentley 20)
- 1789
75
- Songs of Innocence, Plate 18, "A Cradle Song" (Bentley 16)
- 1789
76
- Songs of Innocence, Plate 2, Title Page (Bentley 3)
- 1789
77
- Songs of Innocence, Plate 12, "The Divine Image" (Bentley 18)
- 1789
78
- Songs of Innocence, Plate 24, "On Anothers Sorrow" (Bentley 27)
- 1789
79
- Songs of Innocence, Plate 22, "Nurse's Song" (Bentley 38)
- 1789
80
- Songs of Innocence, Plate 20, "The Little Boy Lost" (Bentley 13)
- 1789
81
- Young's Night Thoughts, Page 35, "Teaching, We Learn; and Giving, We Retain"
- 1797
82
- Young's Night Thoughts, Page 37, "Love, and Love Only, Is the Loan for Love"
- 1797
83
- Young's Night Thoughts, Page 40, "Angels Should Paint It, Angels Ever There"
- 1797
84
- Young's Night Thoughts, Page 41, "One Radiant Mark; the Deathbed of the Just"
- 1797
85
- Young's Night Thoughts, Page 54, "The Vale of Death! That Hush'd Cimmerian Vale"
- 1797
86
- Young's Night Thoughts, Page 73, "Draw the Dire Steel? -- Ah No!"
- 1797
87
- Young's Night Thoughts, Page 75, "The Sun Beheld it -- No, the Shocking Scene"
- 1797
88
- Young's Night Thoughts, Page 8, "Death! Great Proprietor of All!"
- 1797
89
- Young's Night Thoughts, Page 15, "The Longest Night Though Longer Far, Would Fail"
- 1797
90
- Young's Night Thoughts, Page 13, "The Present Moment Terminates our Sight"
- 1797
91
- The Poems of Thomas Gray, Design 101, "Ode for Music."
- between 1797 and 1798
92
- The Poems of Thomas Gray, Design 103, "Epitaph on Mrs. Clarke."
- between 1797 and 1798
93
- The Poems of Thomas Gray, Design 107, "Elegy Written in a Country Church-Yard."
- between 1797 and 1798
94
- The Poems of Thomas Gray, Design 19, "Ode on a Distant Prospect of Eton College."
- between 1797 and 1798
95
- Young's Night Thoughts, Page 70, "'Till Death, That Mighty Hunter, Earths Them All"
- 1797
96
- The Poems of Thomas Gray, Design 23, "A Long Story."
- between 1797 and 1798
97
- The Poems of Thomas Gray, Design 25, "A Long Story."
- between 1797 and 1798
98
- The Poems of Thomas Gray, Design 29, "A Long Story."
- between 1797 and 1798
99
- The Poems of Thomas Gray, Design 3, "Ode on the Spring."
- between 1797 and 1798
100
- The Poems of Thomas Gray, Design 33, "A Long Story."
- between 1797 and 1798