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Credit Line Yale Center for British Art, Paul Mellon Collection
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1
- Calais Jetty, France
- ca. 1824
- On view at YUAG
2
- William Augustus, Duke of Cumberland
- 1732
- Not on view
3
- The Barber
- between 1760 and 1769
- Not on view
4
- 'The Vicar of Wakefield,' Vol. II, Chap. III: The Return of Olivia
- 1786
- Not on view
5
- 'The Vicar of Wakefield,' Vol. I, Chap. VIII: Dining in the Hayfields' (Surprised by Mr. Thornhill's Chaplain)
- 1786
- Not on view
6
- Rue Terre Neuve, Meudon
- between 1915 and 1925
- Not on view
7
- Ruined House
- between 1807 and 1810
- Not on view
8
- The Royal Mail Coach on the Road
- 1841
- Not on view
9
- Pheasant Shooting
- mid-19th century
- Not on view
10
- Mountainous Landscape with Figures and Cattle
- 1806 to 1807
- Not on view
11
- Southampton Water, near Hamble
- after 1837
- Not on view
12
- An Unknown Man in a Library
- between 1740 and 1741
- Not on view
13
- An Unknown Woman in a Drawing Room
- between 1740 and 1741
- Not on view
14
- Barges on a River
- 1826
- Not on view
15
- In the Forest at Fontainebleau
- ca. 1825
- Not on view
16
- Grand Canal, Venice
- 1826
- Not on view
17
- The Chaser: Sergeant Murphy
- cast 1963 (original model 1926)
- Not on view
18
- Harboro’ Nulli Secundus, Shire Stallion
- 1968
- Not on view
19
- Crocks
- undated
20
- The Rising Moon
- 1857
21
- Moeris and Galatea
- plate etched between 1880 and 1883; impression printed in 1924
22
- Human Skeleton, Anterior View (Final study)
- 1795 to 1806
23
- Human Figure, Posterior View (Outline drawing for a key figure showing the final stage of dissection)
- 1795 to 1806
24
- A Sleeping Leopard
- 1791
25
- Leopard Body, Lateral View (First of Five Studies of Another Large Cat)
- 1795 to 1806
26
- Fowl Skeleton, Lateral View (Probably Basic Study of the Proportions of the Fowl Skeleton Used for Other Drawings)
- 1795 to 1806
27
- Tiger Body, Lateral View
- 1795 to 1806
28
- Tiger Body, Lateral View
- 1795 to 1806
29
- Fowl Skeleton, Lateral View (Outline drawing of the skeleton prepared for the key figure to Table V)
- 1795 to 1806
30
- Hogarth Painting the Comic Muse
- 1764
31
- Jason
- 1807
32
- Chain of Alps from Grenoble to Chamberi
- 1812
33
- Dent de Lion, Margate
- ca. 1791
34
- Amada, 9:30 am, 12 February 1867
- 1867
35
- Wied Zurrik (Malta)
- 1848
![William Blake Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]](https://media.collections.yale.edu/thumbnail/ycba/00209487-ff25-46ae-91cc-38bc88575a05)
36
- Pl. 7: The Circle of Traitors: Dante Striking Against Bocca degli Abati ['...'Wherefore dost bruise me?' weeping he/ exclaim'd.' Hell; Canto xxxii. line 79.]
- 1827
37
- The Parable of the Wise and Foolish Virgins
- ca. 1825
38
- Lord Viscount Castlereagh
- 1814
39
- George James Cholmondeley, 1st Marquess of Cholmondeley
- 1790
40
- The Right Honorable Lord Collingwood
- 1811
41
- John Wilson Croker
- 1812
42
- Charles William Henry, Earl of Dalkeith
- 1778
43
- William Spencer, Duke of Devonshire
- 1813
44
- Edward Law, 1st Baron Ellenborough
- 1809
45
- Sir William Fawcett
- 1801
46
- Senatus Populus Que Romanus Divo Tito Divi Vespasiani Filio Vespasiano Augusto
- 1548
47
- Reverend John Fisher, Bishop of Salisbury
- 1811
48
- Sir William Forbes, 6th Baronet of Monymusk and Pitsligo
- undated
49
- The Right Honourable Lord Grenville
- 1800
50
- Sir Isaac Heard
- 1817
51
- Mrs. Mary Gwyn (née Horneck)
- 1778
52
- Alleyne Fitzherbert, 1st Baron St. Helens
- 1795
53
- Fresh Gathered Peas, Young Hastings
- 1795
54
- Lady Caroline Howard
- 1778
55
- One of Eleven Designs for Houses and Shops
- ca. 1800
56
- The Earl of Mansfield
- 1786
57
- The Honourable Henry, Lord Mulgrave, 1st Earl of Mulgrave
- 1808
58
- Lady Mary O'Brien
- 1774
59
- Miss Nelly O'Brien
- undated
60
- Sir Joshua Reynolds
- 1796
61
- William Robertson
- 1772
62
- Reverend Richard Robinson, Archibishop of Armagh
- 1775
63
- A Lady and Child
- 1786-1787
64
- Honorable Mrs. Stanhope
- 1783
65
- Samuel Whitbread Esq
- 1803
66
- Hon. James Yorke, Bishop of Ely
- 1810
67
- Madona Col Bambino
- 1791
68
- Resignation
- 1772
69
- Villa in Italy
- 1802-1804
70
- Ancient Roman Mausoleum
- 1802-1804
71
- Tivoli
- 1802-1804
72
- Falls of Tivoli, From the Lowest Cavern
- 1802-1804
73
- Antique Sculpture
- 1802-1804
74
- Study of the Capital of a PIllar
- 1802-1804
75
- Detailed Sketch of the Stone Relief of a Flower
- 1802-1804
76
- Nîmes
- 1802-1804
77
- Arched Gateway Into a Ruined Structure
- 1802-1804
78
- Architectural Drawing of a Stone Relief, Depicting a Bird of Prey
- 1802-1804
79
- Study of the Capital of a Pillar
- 1802-1804
80
- Ruins at Capua
- 1802-1804
81
- Cori
- 1802-1804
82
- View From Cori Towards Villetri
- 1802-1804
83
- Dandies Having a Treat
- 1818
84
- A Favorite Poodle Hatching Poultry!! - or A Present of Feather Breeches from the Sandwich Isles
- 1824
85
- Specimens of Waltzing
- 1817
86
- Mrs. Montagu
- 1776
87
- Sir Henry Moncrieff Willwood
- 1812
88
- Henry Addington, 1st Viscount Sidmouth
- 1803
89
- Caleb Whitefoord Esq
- 1793
90
- Lady Grammont
- undated
91
- Miss Berridge
92
- Her Most Excellent Majesty, Queen Caroline
- 1739
93
- Marine Study No. 1
- 1773
94
- Marine Study No. 4
- 1773
95
- Washing the Blackamoor
- 1795
96
- Traveling in France -or, -Le départ de la diligence
- 1818
97
- French Fire-Side
98
- The Right Honourable Spencer Perceval
- 1813
99
- Hugh, Earl Percy
- 1777
100
- Honourable George, Lord Pigot
- undated